Stephen Gregg’s play, This is a Test, helped define a genre of one-acts when it appeared in 1988, and it continues to be one of the most-produced one-acts in the country. Since then, he has published over twenty plays for secondary schools to perform, including Small Actors, One Lane Bridge, The New Margo, S.P.A.R., Twitch, Wake-Up Call. His play Crush appeared on the mainstage of International Thespian Festival in 2016, and Trap was the closing night play for Festival 2018. Ghostlight appeared as part of ITF Virtual Mainstage 2021. His newest full-length play, The Neverland Project, appeared on the mainstage of the 2024 Kansas Thespian festival. in Awards: MacDowell Fellow, Inge Fellowship, EDTA Founders Award, Actors Theatre of Louisville Heideman Award for best 10-Minute Play. As a screenwriter, Gregg has worked for Dreamworks, Amblin Entertainment, Universal Pictures, Twentieth Century Fox, Sony Pictures and Henson Productions. He’s a member of the Writer’s Guild, West, the Dramatists Guild and LabTwenty6 Writers group.
There are three basic skills you need to be able to write a play. You have to be able to write a two-character scene, to be able to write a three-character scene, and to understand the most important word in playwriting, which is…well, you’ll just have to come to find out . We’re going to move fast. Caffeinate.
Saturday 12:00 - 1:00pm
Story is the key element of plays, TV and movies. It’s what audiences crave. But crafting a plot is neither easy nor intuitive. The good news is that, like most skills, it can be learned. We’ll learn story paradigms and storybuilding techniques: sequencing, dominoes and exposition among others. You’ll leave with a story of your own to continue to develop later. (And, I promise, It’ll be fun.)
Saturday 1:15 - 2:15pm
I’m trying to add a score to a play that’s already published: a scary play called One Lane Bridge.I’m looking for volunteer actors to read scenes while we play the score that the composer’s come up with. (He’s still working. ) Then we’ll discuss whether you think the music enhances the scenes or should be rethought. In the process, we’ll learn a little bit about how music enhances plays and screenplays.
Saturday 2:30 - 3:30pm
Do you have a play that doesn’t work, or that you’re stuck on? Or even just an idea that you want help getting started on?
Show up with a description of the problem, or the place where you’re stuck, or the play you want to write but that intimidates you, and we’ll jump in. Even better: Do you have a scene that’s not working? We’ll read it out loud and then fix it.
This workshop has three purposes:
To learn the two things that professional dramaturgs always examine first.
To learn how to give feedback to other playwrights. (We’ll talk about why “constructive criticism” is a useless term.)
To get your little fingers typing again.
Friday 4:15 - 5:15pm
The two-character scene is the proton of playwriting: the basic unit. If you can write a two-character scene, you write a whole play. We’re going to learn the mechanics of writing a two-character scene, then practice how to write it. Then how to write it better. Then how to write it even better. Best of all, we’ll learn how to disguise it, so that you can write a scene composed entirely of two-character scenes, but no one except you will know it.
Friday 5:30 - 6:30pm
2026 Workshops
Improvisational Theater has a focus on embracing new ideas and supporting the flow of a scene. In this workshop, through exercises and open-scenes (with occasional side-coaching) attendees will learn the ins and outs of creating a character for a scene, playing around with new ideas in an environment free of judgement and full of laughter!
*Note: Structure and may fluctuate on attendance. Watchers Welcome!*
Thursday 3:30 - 4:45pm / 5:00 - 6:15pm
Students will dive into the world of devised theatre by creating original short performances from a shared prompt. Using ensemble games and improvisation, they’ll collaborate to craft and perform a mini-piece in under an hour, experiencing the creativity of collective storytelling.
Thursday 3:30 - 4:45pm / 5:00 - 6:15pm
Come learn with The University of Nebraska Lincoln's #1 imrov troupe all about building relationships and character during improv scenes. Explore emotional reactions to your scene partner's choices, working together to build a real realationship to help build your story, and have fun while doing it!
Thursday 3:30 - 4:45pm / 5:00 - 6:15pm
Enjoy this jazz dance workshop to Everything is AWESOME! We will learn an Intermediate/Advanced level musical theater jazz routine.
Thursday 3:30 - 4:45pm / 5:00 - 6:15pm
Want to prove that you are the ultimate Theatre Kid? Come prove your knowledge with Kyle Thomas in this Theater Trivia Workshop. Students group up to compete in the ultimate theatre nerd showdown. Questions range from musical theater to history to playwrights to audio clues.
Thursday 3:30 - 4:45pm
The best ensembles aren’t just built—they’re forged through trust, courage, and connection. This workshop invites performers to step into brave spaces where individual voices are celebrated and collective energy shines. Through dynamic theatre and movement exercises, participants will learn how to listen with intention, support one another, and transform group “chaos” into powerful cohesion. Along the way, we’ll uncover how the skills that strengthen an ensemble—empathy, communication, and shared risk-taking—also build supportive communities beyond the stage. Students will leave with practical tools for creating unity in rehearsal, performance, and everyday life.
Thursday 3:30 - 4:45pm / 5:00 - 6:15pm
This workshops will be hands on allowing students a chance to read, act out, and learn about the world of Children's Theater (theater for young audiences)--participants will learn what it takes to create a new play for young people. Participants also learn about careers that are available to them after high school
Thursday 3:30 - 4:45pm / 5:00 - 6:15pm
This workshop will go over what to include (and what not to include) in crafting your resume for theatre auditions, as well as important features that are necessary for headshots - and how to get headshots done while on a budget. Participants should bring a current resume and headshot and/or paper to take notes on. Individual feedback will be offered, time permitting. All levels are welcome to attend, whether you need help crafting your first resume, or already have one.
Thursday 3:30 - 4:45pm / 5:00 - 6:15pm
Led by Renaissance PAC's Directors of Musical Theatre and Dance, students will be taken through the process of a professional dance call. In this workshop, students will learn a brief dance combination while being shown what the inside of a dance call looks like from beginning to end. Under the guidance of Directors Aubrey Fink and David Nuno, students will be instructed on how to pick up choreography quickly, what choreographers are looking for in an audition and tips and tricks to make dance auditions less stressful for the non-dancer. This workshop is intended to bring peace of mind to those who often struggle with the idea of a dance audition, and prepare them to show their best selves!
Saturday 12:00 - 1:00pm / 1:15 - 2:15pm / 2:30 - 3:30pm
This is based on theatre exercises that focus on "-Tion and Fun" Using games that are based on ImaginaTION, CooperaTION, ConcentraTION and ObservaTION. And they are FUN as well.
Saturday 12:00 - 1:00pm / 1:15 - 2:15pm / 2:30 - 3:30pm
Similar to the Fundamentals workshop, this class focuses more on the actor's use of language in a fight scene with emphasis on active verbs, creative choices, and developing non-linguistic expression to help "sell" the fight.
Saturday 12:00 - 1:00pm / 1:15 - 2:15pm / 2:30 - 3:30pm
Listening is the actors glue. For actors/characters to truly communicate, an intentional circular-balance between them must be allowed to form. In this workshop, through the use of improvised open scenes and side-coaching, participants will focus on receiving from their scene partner(s), being affected, and then responding. *The number of participants in this workshop will depend on the total number of attendees. There will be an effort to incorporate as many participants as possible. Learning through observation is also welcome.*
Saturday 12:00 - 1:00pm / 1:15 - 2:15pm / 2:30 - 3:30pm
You have a show you would like to direct. But how do you do it? How do you get started on what feels like an overwhelming amount of work, of which it is hard to figure out how to get started? This workshop will provide some steps and tasks it takes to get a project off the ground. Ice breakers are incorporated, which shows you how you can be on your way to collaborating with your actors and team.
Saturday 12:00 - 1:00pm / 1:15 - 2:15pm / 2:30 - 3:30pm
The 10-Minute Play is the first artistic steppingstone to full-blown playwriting. They are the short-short stories of the stage, and once you've written one or two, you'll be driven to try your hand at a substantial one-act, and then even a full-length. These days there are dozens of opportunities for playwrights to submit short plays. In this workshop, students will be led through a generative workshop geared towards creating an original 10-Minute Play. Application of the essential elements of playwriting in the short form will be covered.
Saturday 12:00 - 1:00pm / 1:15 - 2:15pm / 2:30 - 3:30pm
Discover the soul of a puppet! In this hands-on workshop, we’ll use found objects to explore breath, heartbeat, and focus—bringing characters to life in surprising ways. In this playful and physical workshop, participants will transform everyday objects into expressive puppets by exploring the fundamentals of breath, heartbeat, and focus. Through guided exercises, we’ll investigate how rhythm and intention can animate even the simplest materials, helping performers build compelling characters from unexpected sources. This session emphasizes ensemble play, imagination, and embodied storytelling—perfect for sparking creativity and deepening performance skills through the art of found object puppetry.
Saturday 12:00 - 1:00pm / 1:15 - 2:15pm / 2:30 - 3:30pm
American Southern, Russian, and Brooklyn: Through engaging and hands-on exercises, students learn the phonetic differences in the stage dialects while being able to apply them through practicing the sounds.
Saturday 12:00 - 1:00pm / 1:15 - 2:15pm / 2:30 - 3:30pm
It's the biggest night of year- Prom Night on Mars! The students of Mars High School need your help to create prom-worthy looks. Meet a cast of out-of-this-world alien characters and join University of Wyoming professor Erin Reed Carter to learn how to to distill a playwright's description into show-stopping costume designs.
Saturday 1:15 - 2:15pm
We could cover as many stitches as possible with a group, just depends on the time. My students frequently use catch stitch, ladder stitch, whip stitch, baste stitch, and chain threads/carrier threads.
Saturday 2:30 - 3:30pm
Come explore how lighting effects what we see onstage! Different color lights can really change what you see onstage with costumes, set, and props alike. Lighting will effect the way that set pieces or costume pieces look when they are on stage. Beyond that color theory is powerful, it makes people feel different emotions or physical sensations like the temperature in a room suddenly dropping.
Saturday 12:00 - 1:00pm
Using the games and techniques of Brazilian social justice theater practitioner Augusto Boal students will discover how to utilize image theater, newspaper theater, and other theater of the oppressed exercises to explore how instances of everyday oppression and injustice can be portrayed through theater. Students will also get a crash course in the mechanics of forum theater performance and how it can be used as theater for social change.
Saturday 12:00 - 1:00pm / 1:15 - 2:15pm / 2:30 - 3:30pm
Learn to love auditioning with these secrets to success! Steve will guide you step by step to help discover audition opportunities, find appropriate audition material, and assist you in the preparation of your songs and monologues. This is your opportunity to take a look at the audition process from the side of the producer who auditions thousands of actors every year.
Saturday 12:00 - 1:00pm / 1:15 - 2:15pm / 2:30 - 3:30pm
Join Omaha Performing Arts Education staff to learn more about the Nebraska Theater Academy and the Broadway League’s Jimmy® Awards. You’ll learn about the process of becoming a National Finalist – including the application, eligibility requirements, what to prepare, the audition process and more!
Saturday 12:00 - 1:00pm / 1:15 - 2:15pm
Struggling to bring a scene to life, or make new, bold choices in rehearsals? In this workshop, we will use some of our favorite improv games to liven group scenes and help you discover how to trust your instincts!
Saturday 12:00 - 1:00pm / 1:15 - 2:15pm / 2:30 - 3:30pm
Saturday 12:00 - 1:00pm / 1:15 - 2:15pm / 2:30 - 3:30pm
Overwhelmed by doing the job of ten people? Wish you had a clone (or three!) to handle everything? Discover how to tap into your greatest, often underutilized, resource: your student leaders! In this session, veteran director Blake Tobey will share the exact strategies he used to transform his students into a powerhouse theatre department. Learn how to delegate tasks like stocking, organizing, managing social media, and even student directing! Plus, we'll explore how to implement a mentorship program so your graduating leaders can train their replacements. But that's not all! We'll also brainstorm best practices from directors throughout the state, giving you a treasure trove of ideas to maximize your team and finally get some time back in your day. Get ready to empower your students, streamline your workload, and rediscover the joy of directing!
Saturday 12:00 - 1:00pm
Participants will learn five strategies for including individuals with disabilities into their drama programs and classes.
Saturday 1:15 - 2:15pm
Is your theatre program running on fumes instead of funds? Exhausted by the endless cycle of candy sales and car washes? Ready to discover fundraising strategies that actually energize your students while filling your coffers? This isn't your typical fundraising workshop—it's a game-changer! Learn how to create revenue-generating events that double as incredible performance opportunities for your students. Discover proven methods to mobilize student leaders and tap into your alumni network, transforming fundraising from a solo struggle into a community celebration. In this session, veteran director Blake Tobey will share the exact strategies that took his program from broke to thriving—generating enough revenue to boost scholarships, upgrade equipment, and create unforgettable student experiences. You'll walk away with actionable ideas you can implement before semester's end, plus insider tips from fellow directors during our collaborative sharing session. Stop letting budget constraints limit your students' potential. It's time to unlock your theatre program's financial superpowers!
Saturday 2:30 - 3:30pm
2026 Workshop Presenters
Adian Upton is an emerging collaborative artist with a focus in improvisational theater. As a senior in his last semester, working towards his Bachelors in Theater Arts at the Johnny Carson School of Theater and Film at the University of Nebraska - Lincoln, Adian is in the midst of his capstone, creating his own curriculum for teaching improv theater in secondary education.
Email: adian.upton@gmail.com
Jeannette Galup is a Miami native with proud Cuban roots and a passion for theatre education. She holds a B.A. in Theatre from Florida International University and is a former high school drama teacher and Florida Thespian Troupe sponsor for Miami-Dade County Public Schools. For over a decade, she led a successful children’s theatre program, nurturing young performers and fostering a love for the stage.
Now based in Omaha, Nebraska, Jeannette continues to share her love of theatre as the acting teacher at BIG Studio in Elkhorn. She recently directed Newsies Jr. in the spring and Finding Nemo Kids for the studio’s summer camp program—both joyful, high-energy productions that showcased the talent and heart of her young casts.
Jeannette is proud to bring her cultural background and diverse experiences to the Midwest, inspiring the next generation of performers with creativity, discipline, and joy.
Email: Jeannette@biginc.org
Lazzi Improv is the one and only improv troupe of the University of Nebraska - Lincoln! Lazzi is an audition-based improv troupe with regular shows and workshops open to the public!
Email: lazziimprov@gmail.com
Blake Tobey, MFA, M.Ed has been directing, designing, and teaching theatre since 2008, working across high school, community, and college theatre environments. Blake holds an MFA in Theatre from the University of Idaho with a focus on trauma-informed and culturally-responsive pedagogy and musical theatre, along with a Master's in Education from Doane University, bringing specialized training in the positive mental health impacts of theatrical performance.
Blake specializes in meeting each student where they are and developing tailored plans of action to help them level up, combining years of practical experience with advanced degrees in both education and fine arts. As a certified Wellness Recovery Action Protocol (WRAP) facilitator and trained Intimacy Choreographer, Blake creates safe, supportive rehearsal environments that prioritize performer wellbeing alongside artistic excellence.
Blake has developed award-winning theatre programs, with former students earning recognition at state and national levels through the International Thespian Society, Nebraska High School Theatre Academy, and the Jimmy Awards. In 2020, Blake was named Nebraska Thespians Theatre Teacher of the Year, recognizing a commitment to innovative, inclusive theatre education.
Blake's approach centers on the belief that theatre has genuine positive mental health benefits and that there is truly a place for everyone in the theatrical arts, fostering environments where all participants can thrive creatively and personally through individualized artistic development.
Email: blake.tobey@doane.edu
Julie Stanfill began dancing when she was three years old and was a competitive dancer throughout her teenage years. She was cast in her first theatrical production in college and has been working as a professional dancer and choreographer for over 25 years.
She most recently toured with Silhouettes International Golden Buzzer Act from America’s Got Talent performing multiple shows including “Love Happens.” Julie has also performed in local productions most recently Opera Omaha's "Barber of Seville". Her most recent choreography work includes Chanticleer Community Theater's "Meet Me in St Louis", Bellevue Little Theater's "Miracle on 34th Street the Musical", “Alice in Wonderland Jr” at SNJ Studios, "Annie Jr" at BIG Studio Omaha, “Theory of Relativity” at Millard South High School and “Once Upon A Mattress” at Omaha Central High School.
Julie has a Bachelor’s degree in Marketing from the University of Nebraska at Omaha and a Masters Degree in Secondary Education from Grand Canyon University. She has been married for 19 years to husband Thad and has four beautiful children
Email: Julie.Stanfill@gmail.com
Kyle Thomas is a Nebraska-based director, music director, choreographer, and composer. A Kansas City native, Kyle’s work has been seen with companies such as Musical Theatre of Kansas City (Dirty Rotten Scoundrels, Band Geeks), Theatre in the Park (West Side Story, Oliver, Gypsy), and Starlight Theatre (Annie, Footloose). After receiving his B.F.A. in Theatre Direction from Nebraska Wesleyan University, Kyle worked in the Twin Cities with companies such as Tyrol Hills Music (Deal: the Musical, world premiere), Artistry MN (42nd Street), Chaska Family Theatre (Annie, A Year with Frog and Toad), Young Artists Initiative (The Lion the Witch and the Wardrobe), and Freshwater Theatre (Homewrecker). Locally, his work has also been seen at UNO, Omaha Community Playhouse, The Rose, Theatre West, Midland University, Nebraska Wesleyan University, and the Fremont Opera House. He also serves as a co-director/choreographer for the Nebraska All State Musical and as the Director of Marketing and Communications for Opera Omaha.
Email: kylerossthomas@gmail.com
Becca Jackson Cusick is a visionary artist, educator, and nonprofit leader based in Omaha, NE. As the Executive Director of Boldly Inspiring Greatness, Inc. and founder of BIG Studio, she cultivates courage, confidence, and creativity through the performing arts. Becca’s work centers radical inclusion, especially for neurodivergent youth, and she is fiercely committed to creating spaces where everyone feels seen and empowered. With a background that spans theatre, vocal coaching, and nonprofit leadership, she brings both heart and high standards to her work on and off the stage. She is a mother to three extraordinary teenagers and is fueled by consistent caffeine, unapologetic authenticity, and her deeply held belief in the power of community and connection. Becca is building a life powered by purpose, partnership, and the belief that art should be for everyone—alongside her brilliant, book-loving partner Larry, who keeps her grounded, laughing, and occasionally off her soapbox. Becca is thrilled to be part of the Nebraska Thespian Festival and to share space with the next generation of theatre-makers.
Email: becca@biginc.org
I have been a dance and theatre educator for the past ten years, and began dancing at the age of three. I grew up dancing competitively and later went on to participate in theatre during high school and college. For the past several years I have worked as a choreographer and have choreographed several children's and teen musical productions, as well as served as an adjudicator and guest teaching artist for Washington and Oregon Thespians.
Email: hannah.battiste@gmail.com
Fran Sillau (HE/HIM/HIS) Fran has worked extensively within the world of Theater For Young Audiences for over twenty years. A professional playwright, director and producer, Fran can also be found in the classroom as a theatrical teaching artist and inclusion consultant.
Fran Sillau is beginning his twelfth season as Executive Artistic Director of Circle Theatre, Omaha’s theater for individuals of all abilities. Under his leadership, the Circle co-commissioned My Broken Doll, a TYA play based on the life of holocaust survivor Beatrice Karp, adapted by Ernie Nolan, and Over the River, a play about friendship by Ellen Struve. Both plays recently toured the state of Nebraska. In December of 2016, Sillau directed a regional premiere of A Charlie Brown Christmas. This production incorporated American Sign Language, shadow interpreting, audio description, as well as actors with various physical and developmental disabilities. He is also currently developing new original TYA works for the Institute For Holocaust Education and the Great Plains office of the Anti-Defamation League.
Fran spent seven years collaborating with theatrical producer Deborah Denenberg (Dodger Productions and Big League Productions) on The Doll Maker’s Gift. After tracking the book author down to her home in St. Petersburg, Russia, he co-wrote the book, and directed the world premiere at the Rose Theater in Omaha in 2019. The Omaha World Herald said “Families should flock to this one.” His latest collaboration with Ms. Denenberg, premiered in 2025, the musical adaptation of the New York Times Best-Selling book Just Ask! Jusst Ask! Premiered at the Coterie Theatre in January of 2025.
For two seasons. Fran served as Artistic Director of Trike Theatre, the professional theatre for youth in Northwest Arkansas for three seasons. For Trike, Fran has directed The Velveteen Rabbit, Choose Love, Tortuga and the Hare, and the world premiere of Birdie and the Beanstalk.
Fran served as the Director of Accessibility at The Rose Theater for twenty-five years, where he led an expansion of the popular Every Single Child Program (a multi-layered program that serves an average of 35,000 students each year at more than 70 school buildings). The expansion developed production and residency programming for students in self-contained special education classrooms in the Omaha area. He also directs mainstage productions at the Rose. Some of his credits include Shrek: The Musical, Go,Dog.Go! and the Omaha premiere of Hanna’s Suitcase.
Fran is a past Aurand Harris Fellow with The Children’s Theatre Foundation of America and a winner of The Access Grant from The John F. Kennedy Center for the Performing Arts, where he is a frequent contractor.
Fran serves as the United States representative to IIAN a program of ASSITEJ. He is a proud board member for Theater for Young Audiences USA and the Children’s Theater Foundation of America. He holds an MFA specializing in directing and inclusion from Goddard College.
Email: Francis.Sillau@gmail.com
Renaissance Performing Arts Company was founded to fill the need for pre-professional, pre-collegiate and student-centered arts education in the greater Omaha area. Renaissance Performing Arts Company strives to provide quality industry-led arts education to students of all ages and levels in key theatrical disciplines, while fostering a lifelong love of the arts. The mission of Renaissance is to mentor and produce well-rounded artists who, upon completing programming, will have the necessary tools to be successful in any facet of the performing arts industry, as well as a strong sense of purpose, self, and awareness of the world around them.
Created by a team of three award-winning industry professionals: Ryan Pochop (Director of Music), Aubrey Fink (Director of Musical Theatre) and David Nuno (Director of Dance), Renaissance Performing Arts Company strives to be a leader in creating multi-disciplinary artists. Renaissance believes that a well-rounded arts education leads to creating a well-rounded person. The team at Renaissance is made up of in-demand actors, directors, music directors, choreographers, and audition coaches working with educational and professional companies around the country and internationally. By employing currently working artists, Renaissance is committed to bringing the most up-to-date insight from the front lines of the industry to their students here at home.
Beyond the conservatory-style training, Renaissance is committed to the development of a young artist as a whole. Artists are individuals, and Renaissance believes in helping to nurture and grow the spirit of each young person who takes part in a Renaissance program. Visit renaissancepac.org for more information about the team and programming.
Email: aubrey@renaissancepac.org
Over the last thirty years, Kevin has worked extensively in the area as an actor, director, and fight choreographer. He has performed in almost all local theatres including the Blue Barn Theatre, Omaha Community Playhouse, Circle Theatre, Shakespeare on the Green, and The Rose. He has directed fights for Opera Omaha, The Rose, The OCP, UNO, and numerous high schools. A master artist with the Nebraska Arts Council’s Artists-In-Schools Program, Kevin is a retired Omaha Public Schools Educator and an Adjunct Instructor at the University of Nebraska at Omaha.
Email: kbarratt@cox.net
Steve Hydeen is the current Education Director at the 402 Arts Collective. He is also an active acting instructor, who passionately incorporates improvisational training into traditional actor training to guide actors to new and profound discoveries that bring dimension and well-rounded understanding of the art-form.
Email: Steve@402artscollective.org
Lara Marsh is an Omaha/Metro area Director and Theatre Practitioner with her Master of Arts in Theatre Direction from the University of Nebraska at Omaha. She has directed for multiple theatres in the area. Favorite credits include "The Clearing", "Brilliant Traces", "Operation Crucible", "Mary Stuart", and "Lost Boy Found at Whole Foods".
In her continued education, she completed a graduate assistantship in stage management. Lara has stage-managed plays, musicals, festivals, and events. Some of her favorite stage management credits include: "Richard III", "Othello", "Mister Roberts", and "The Sound of Music". Over the years, Lara coordinated the national tours of "A Christmas Carol" for the Nebraska Theatre Caravan, while also coordinating the apprenticeship program for the Omaha Community Playhouse. As Director of Production, Lara has worked at Opera Omaha and the Nebraska Shakespeare Festival.
Lara is also the Artistic Director of the Omaha Fringe Festival. For the festival, she has directed "On the Line" and "The Real Professor". Bringing theatre to life, ensuring voices and stories are heard, are what make the world go round. We must never forget the very essence of theatrical art – humanity and storytelling.
Email: 0608lmarsh@gmail.com
Scott Working is Theatre Coordinator and instructor of Theatre, English, Creative Writing, and ESL for Metropolitan Community College. He's written for, directed, and performed on Omaha stages since the late 1980's. In 1993, he founded The Shelterbelt Theatre with the production of his play V of Geese. While the Great Plains Theatre Conference was partnered with MCC, Scott served as Associate Artistic Director for a time where he participated in the development of dozens of new plays. Over the past few years, he's focused on dramatizing works of the literary canon for dramatic productions as part of the Joslyn Castle Art & Literary Festival. He's produced and directed plays adapted from the works of Edgar Allan Poe, Earnest Hemmingway, Mark Twain, F. Scott Fitzgerald, Virginia Woolfe, Willa Cather, Gertrude Stein, Arthur Conan Doyle, and Mary Shelley. As a performer, he was recently part of the Blue Barn Theatre's ensemble of Appropriate, and he frequently works with the Brigit St. Brigit theatre company. Past Brigit shows include Molly Sweeny, A Doll's House, The Seafarer, Tartuffe, Enemy of the People, Sive, Incident at Vichy, Uncle Vanya, God on Trial, The Field, and Betrayal.
Email: saworking@mccneb.edu
Kendra Kahl is an Assistant Professor at the University of Northern Iowa, where she coordinates the Theatre for Youth & Communities emphasis. She has previously taught, directed, and/or performed with Childsplay Theatre Company, The Rose Theater, and Lexington Children's Theatre, among others. Her creative practice centers around devising new work for young audiences including Theatre for the Very Young, integrated arts residencies, social justice initiatives, and applied theatre workshops in work and education settings.
Email: Kendra.kahl@uni.edu
Rusty Ruth is a communication arts professor at Wayne State College. He grew up in Deadwood, S.D., where he was active in oral interpretation and theatre. He graduated from the University of South Dakota where he earned his BFA in theatre as a theatre generalist in 2006. Rusty has worked professionally as an actor, stage manager, and assistant director for The Black Hills Playhouse, Dakota Players, and Highland Summer Theatre.
Upon completing his MFA in directing from Minnesota State in Mankato, Minn., Ruth was the director of theatre at Mount Marty College and Lincoln Trail College, and the Executive Artistic Director for the Spencer Community Theatre in Spencer, Iowa. Ruth enjoys teaching acting, directing, dramatic literature, and stage dialect courses.
Some of his favorite plays he’s been involved as an actor and director include Hedwig and the Angry Inch, God of Carnage, November, Betrayal, Bus Stop, The 25th Annual Putnam County Spelling Bee, and Of Mice and Men.
When Ruth is not teaching or being involved in theatre, he enjoys traveling with his wife Cathy and their two daughters, Willa and Noelle.
Email: ruruth1@wsc.edu
Erin Reed Carter (she/her) is Assistant Professor of Theatre and Dance specializing in costume design and technology. She received her MFA in Costume Design from the University of Tennessee, and her BFA in Costume Design and Costume Technology from the Sargent Conservatory of Theatre Arts at Webster University. Her theatrical and themed entertainment work has been seen in venues across the country, including the Clarence Brown Theatre (Knoxville, TN), Santa Cruz Shakespeare (Santa Cruz, CA), Cincinnati Shakespeare Festival (Cincinnati, OH), Texas Shakespeare Festival (Kilgore, TX), Silver Dollar City (Branson, MO) and Triad Stage (Greensboro, NC).
Email: ecarter7@uwyo.edu
Alexa Hatcher is the Costume Shop Manager at Nebraska Wesleyan University and teaches Costume Construction. She previously worked as the Costume Shop Manager and & Season Costume Designer for Concordia University. She has also been a guest artist costume designer, works freelance helping with cosplayers, and sneaks in time for alterations involving bridal, prom, and repairs. Alexa enjoys attending the Renaissance Faire, and building costumes for herself, friends and family.
Email: ahatche2@nebrwesleyan.edu
Jennifer Logan is a Lighting Sales Specialist at Heartland Scenic Studio where she works with Theaters to provide them with a working Theatrical Lighting System. She studied Technical Theatre with a focus on Lighting at the University of Nebraska at Omaha. Past work includes Co-Lighting Design for Blood at the Root, Master Carpenter for Tuck Everlasting, and Master Electrician for Dogfight.
Email: jlogan@heartlandscenic.com
Rachel Smart is the Teen Theater Coordinator for the Rose Theater as well as a resident teaching artist and actor on staff. At the Rose, Rachel works with teens to help them learn how to use theater as a platform to amplify their own voices and speak about what they are passionate about. Rachel is also an avid Shakespeare nerd and performs not just for the Rose's educational Shakespeare tour but is also a co-conspirator for Old School Shakespeare Omaha, which performs accessible Shakespeare in public venues. Additionally, Rachel is a playwright and dramaturg, most recently working as a reader for the new works festival at the Eugene O'Neill Theater Center. Rachel also runs the theatrical design programming at the Rose and is passionate about historical costuming and sound design. In her free time Rachel loves to climb rock walls and read 1000 page novels.
Email: rachels@rosetheater.org
Steve Barth has performed and directed with theaters across the country including Nebraska Repertory Theater, Minnesota Repertory Theater, Maples Repertory Theatre, and Illinois Music Theater. After receiving his BA and MFA in Acting from the University of Nebraska-Lincoln, he resided in New York City for eight years acting, directing and producing. Steve now proudly serves as the Artistic Director of Crane River Theater in Nebraska, a professional production company he founded in 2009. He is currently the President for Nebraskans for the Arts and a recipient of the Nebraska Arts Council Governor’s Arts Award for Emerging Leadership.
Email: stevebarth@cranerivertheater.org
Taylor Wyatt is the Senior Manager of Education at O-pa where she manages and coordinates the day-to-day logistics of all O-pa’s Education programs including the Nebraska Theater Academy, Disney Musicals in Schools, Musical Explorers, Omaha Wolf Trap, Student Matinee Series and Jazz Academy as well as offers support to master classes in jazz and dance. She also oversees O-pa’s group of teaching artists for the Jazz Academy, Omaha Wolf Trap and Disney Musicals in Schools programs. Ms. Wyatt holds a B.A. in Vocal Performance and Music Entrepreneurship from the University of Nebraska in Omaha.
Email: twyatt@o-pa.org
Brittany Mendoza-Pena grew up performing in Spokane, WA and her love for performing arts education remains a pillar of her work & mission. She is based in Denver, CO and works within the Rocky Mountain, MidWest and Southern California markets. She continues to foster community both as a professional actor & performing arts educator. Brittany has worked alongside studios such as Mountain Performing Arts (CO) & Performing Arts Academy (CO) to provide comprehensive & professional children’s programming. Additionally, Brittany has extensive experience as a performer on multiple theater for young audiences (TYA) contracts. She has performed for regional companies, including Denver Center for the Performing Arts, Arvada Center for the Arts & Humanities, Lone Tree Arts Center, and the Boulder Ensemble Theater Company. When she is not involved with a theatrical production, Brittany spends her time supporting her local film community, both as on-camera talent & production crew. Training: BFA in Musical Theater (Conc. Choreography). Representation: Big Fish Talent (CO) | Wehmann (MN).
Email: brittkmp@gmail.com
Email: jmorganbeuchat@gmail.com