Embedded Files
Day 1
15 November 2021
15 November 2021
Welcome and Registration 8:30 - 9:00
09:00 - 9:15
Welcome Address
Welcome Address
9:15 - 10:45
Keynote Lecture 1 - Werner Wolf
Keynote Lecture 1 - Werner Wolf
The Question of Narrativity in Instrumental Music and the Role of Repetition
Coffee Break 10:45 - 11:10
11:10 - 12:30
Session 1: Narrativity of Music in Film, Games, and Musical
Session 1: Narrativity of Music in Film, Games, and Musical
Ignatius Tan - Melody of Mistrust of Mutterings: Silent Voice and Narrative Musicality in the Cinema of Yorgos Lanthimos
Kevin Courcelle - Music and Narratives Through Games: Musical Meta-Universe and Cross-Games Motives in the Final Fantasy Series
Jade Thomas - Narrating Experiences of Blackness in Michael R. Jackson's Meta-Musical A Strange Loop
Lunch Break 12:30 - 14:00
14:00 - 15:50
Session 2: The Influence of Narrativity and of Music on/in Different Media
Session 2: The Influence of Narrativity and of Music on/in Different Media
Liz Bahs - On the Threshold: Polyphony and Countermeasure in Gabrielle Calvocoressi's The Last Time I Saw Amelia Earhart
Ivan Delazari - Musical Stimulacra Are Narrative(s): Music Beyond Sound in Concert Program Notes and Introductory Lectures
Jarmila Mildorf - Music and Narrative in Art Exhibition Audio Guides: "Beckmann & Amerika"
Pim Verhulst - Music, Language and Narrativity in Samuel Beckett's Radio Play Words and Music
Coffee Break 15:50 - 16:10
16:10 - 17:30
Session 3: Narrativity of Music in Intermedial Art Works
Session 3: Narrativity of Music in Intermedial Art Works
Silvia Alvarez Baamonde - When the Music Becomes the Plot: Narrative Strategies in Tom Johnson's Minimalist Metaoperas
Nadia Imelda Moncada Sevilla, Maristela Carneiro & Rita de Cassia Domingues dos Santos - [Post]Minimalist Music and Queer Narratives in Cinema: A Study on Trance 4 in Closet Monster
Day 2
16 November 2021
16 November 2021
9:00 - 10:30
Keynote Lecture 2 - Peter Dayan
Keynote Lecture 2 - Peter Dayan
The Only Truly Musical Narrative is an Autobiographical Quest
Coffee Break 10:30 - 10:50
10:50 - 12:40
Session 4: Narrativity of Music: Applications in Minimalist Music and Theoretical Reflections
Session 4: Narrativity of Music: Applications in Minimalist Music and Theoretical Reflections
Jimmie Leblanc - Musical Minimalism and the Powers of the False: Gilles Deleuze's Falsifying Narration in Two Pages (for Steve Reich) (1968) by Philip Glass
Carolien Van Nerom - Narrativity in Philip Glass Operas: From Minimalism to Postminimalism
Marlies De Munck - From Music-as-Music to Music-as-Sound: The Case of Post-Classical Music and the Horizontalization of Meaning
Hugo Rodriguez - Perceiving Unsung Voices: A Cognitive Explanation Based on Musical Expectations, Agentive Perception and Contextual Non-Congruence
Lunch Break 12:40 - 14:00
14:00 - 15:50
Session 5: The Influence of Music on Literary or Poetic Narratives and Adaptations of Literary Narratives
Session 5: The Influence of Music on Literary or Poetic Narratives and Adaptations of Literary Narratives
Elaine Lux-Koman - The Influence of Music in Ann Patchett's Novel Bel Canto
Michele Chinitz - Narrative and Music in J.M. Coetzee and Nicholas Lens's Slow Man
Irina Stanova & Parsival Castro - The Stories that Music Tells: Film Adaptations of W.S. Maugham's The Painted Veil and Their Music Scores
Coffee Break 15:50 - 16:10
16:10 - 18:00
Session 6: Narrativity of 20th- and 19th- Century Classical Music
Session 6: Narrativity of 20th- and 19th- Century Classical Music
Joan Grimalt - The Narrative Power of Musical Topoi in Viennese Classics' Music
Ruben Marzá - Stories of Nobody: Narrativity in Berio's Late Theatre and the Case of Outis
Hannah Aelvoet - Peter Benoit's Contes et ballades: Rediscovering the Storyteller
Márta Grabócz - Narratology and Music: Debate, Proposals and Prospective
19:00 - 20:30
Conference Dinner
Conference Dinner
Day 3
17 November 2021
17 November 2021
Networking over Coffee 10:00 - 10:50
10:50 - 12:40
Session 7: Narrativity in Popular Music
Session 7: Narrativity in Popular Music
Robert Winkler - "The President's Bullet-Ridden Body in the Street": Narrating the National Trauma of JFK's Assassination in Popular Music
Marion Brachet - Narrativity and Popular Music Genres: The Role of Music in Rock and Folk Story Songs (1960s-1980s)
Giorgi Iashvili - Musical comedies without music: the stage in the works of P.G. Wodehouse
Thomas Britt - Scenario as a Pretext for Sound in the Works of Matthew Friedberger
Lunch Break 12:40 - 14:00
14:00 - 15:50
Session 8: Narrativity in Music of Steve Reich
Session 8: Narrativity in Music of Steve Reich
John Pymm - Your Music Tells Stories Now: Sorting Out Narrativity in Steve Reich's The Plastic Haircut
Maarten Beirens - Different Stories: Narrative, Representation and Authorial Control in Steve Reich's Different Trains (1988)
Pwyll Ap Sîon - Composition as a Narrative Struggle: Deconstructing Proverb
Martin Ross - Gestural Forces in Steve Reich's Augmentation-as-Process Works
15:50 - 16:20
Closing Remarks
Closing Remarks
19:00 - 20:00
Pre-Concert Session: Connecting the Codes: Co-Creating a Narrative in Contemporary Multimedial Music Theatre
Pre-Concert Session: Connecting the Codes: Co-Creating a Narrative in Contemporary Multimedial Music Theatre
Lies Colman, Gaea Schoeters, Annelies Van Parys, Els Mondelaers & Sebastien Van Malleghem - Holle Haven Revisited
20:00 - 22:00
Concert Philip Glass chamber music and opera excerpts
Concert Philip Glass chamber music and opera excerpts
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