English 10A Glossary - Vocabulary Words
This structure is the basic framework of how a story is laid out for the reader.
These are some common nonlinear text structures:
foreshadowing
An indication of what is to come
parallel plot
The author includes two or more separate narratives linked by a common character, event, or theme
flashback
A scene that is interjected into the main plot that depicts earlier events
pacing
The speed at which a story is told
They express an author’s point of view or belief about a topic.
They can be supported with details and evidence, such as examples, statistics, facts, or explanations.
They are sometimes not stated directly.
There can be more than one in a text.
Here are a couple strategies to help you identify the claim in a text:
Look for repeated words or concepts that identify the topic of the text.
Look for what the details have in common or what idea they all point to.
If you’re asked to present your analysis, follow these steps to organize your presentation:
Present the author’s claims in the text.
Present several details that develop the claims.
Present how these details develop the claims.
When you read informational texts, such as the text about canoes, it’s important to be able to identify the author’s central ideas, or main points.
These ideas drive the author’s message and are often not stated directly in the text.
In this lesson, you’ll read more about canoe journeys in the text “Tribal Journeys.” But first, review these strategies for identifying central ideas in complex informational texts:
Look for repeated words or topics.
Notice the text structure and specific details.
Once you’ve identified the central idea in a text, analyze how that idea emerges from specific details in the text. Also notice how the author structures, or organizes, these details.
Authors purposefully include specific details to shape and refine their message in a text. Here are some kinds of details you might see in a text:
examples
definitions
statistics
quotations
As you draft your written response, follow these steps:
Make a claim about a central idea in the text.
Identify textual evidence that develops the central idea.
Include commentary that explains how that evidence develops the central idea.
Let’s look some key features of themes:
They express a universal idea that applies to all human experience.
They are often not stated directly.
There can be more than one of them in a text.
They are developed through specific details, plot events, and character motivations in the text
When you’re reading literature, asking these questions can help you identify themes:
What are the characters experiencing in this text?
What lesson about life might the author be trying to express?
Are there any universal truths that the reader could take away from this text?
Here's a video with more tips on how to spot the theme in a text.
Use this process to compare theme development in the texts:
Identify the theme in each text.
Identify details in each text that develop each theme.
Explain how the themes are similar and different.
Active sentences are about what people (or things) do, while passive sentences are about what happens to people (or things). The passive voice is formed by using a form of the auxiliary verb “be” (be, am, is, are, was, were, being, been) followed by the past participle of the main verb.
Passive Voice
He loves me.
Active Voice
I am loved.
Authors use direct characterization and indirect characterization to develop these elements of their characters:
appearance
speech
thoughts
actions
effect on other characters
Direct characterization is an author's straightforward description of a character's traits, often using descriptive words, like tall, kind, or clever. Indirect characterization is an author's portrayal of a character's traits through the character's speech, actions, or appearance.
Authors also use the setting to develop their characters. Narratives often take place in a specific historical setting or cultural setting. As you analyze characters, consider how the author uses the setting to develop the character.
Remember that historical setting includes the time period and location in which the narrative takes place. Cultural setting includes the values, beliefs, or behaviors that are common or appropriate for a specific time period or place in which a narrative takes place
A character archetype a story element that appears again and again in stories from cultures around the world and represents something universal in the human experience. When we think of types of characters that show up in a story, like the villain and the hero we're actually thinking of character archetypes.
Here are some key elements of character archetypes:
They are repeated in many narratives with different settings.
They are used to create a familiar feeling or emotion in the reader.
There is often more than one character archetype in a narrative.
A single character can represent multiple archetypes.
A ruler exerts control over others and is often driven by the need for power. Readers are usually meant to dislike the ruler if he or she is causing harm to other characters. Readers may support the ruler if he or she treats other characters fairly.
These are examples of ruler archetypes:
King Lear (from Shakespeare's play King Lear)
Zeus (from Greek mythology)
A hero portrays virtue and courage while overcoming obstacles to achieve a goal. Readers are usually meant to be cheering for the hero to succeed.
These are examples of hero archetypes:
Dorothy in The Wizard of Oz
Achilles in The Iliad (a story based on Greek Mythology)
A rebel rejects an unjust society by trying to overthrow a bad leader or change the status quo. Readers are usually meant to be cheering for the rebel to succeed in overcoming injustice.
These are examples of rebel archetypes:
youngest princess in The Little Mermaid
Robin Hood in Adventures of Robin Hood
A mentor is very knowledgeable and guides the hero as he or she overcomes obstacles. Readers are usually meant to trust the advice of the mentor.
These are examples of mentor archetypes:
Merlin in Arthurian Legend
Athena in The Odyssey (an epic story based on Greek Mythology)
A villain opposes the hero by trying to stop the hero from achieving his or her goal.
Readers are usually meant to dislike the villain or the villain’s actions.
These are examples of villain archetypes:
The Wicked Witch of the West (from The Wizard of Oz)
Iago in Othello (a Shakespearean play)
The setting includes the time and place of a narrative. Include details that convey these elements of setting:
place (including surrounding objects, such as buildings or nature)
time period (past, present, or future)
time of day
weather (if it’s important to the narrative)
The characters in a narrative often drive the events in the plot. Include details that depict these elements of your characters:
their appearance
how they speak, think, or act
their interactions with others
what motivates them
The conflict is usually a challenge that characters need to overcome. Include one or more of these conflicts in your narrative:
internal: A character is challenged due to conflicting feelings or emotions about a situation or issue that arises in the plot.
external: A character is challenged by a conflict with another character or element in the plot.
If you have more than one conflict in your narrative, consider including multiple plot lines.
Many narratives (stories) follow a linear, or chronological (in order from earliest event to the most recent), plot structure. Plan out these elements of your narrative:
exposition: introduces key elements of the narrative, such as the setting, characters, and point of view
rising action: identifies the conflict and includes several events related to overcoming the conflict
climax: turning point where the conflict is most intense
falling action: includes the character(s) working to resolve the main conflict
resolution: shows how the conflict is resolved
See also the chart at the top of the page.
The point of view is the perspective from which the story is told. Choose the best point of view for your narrative:
first-person: The narrator is a character in the story and has limited knowledge of other events and characters.
third-person limited: The narrator only knows the thoughts and feelings of one character.
third-person omniscient: The narrator knows the thoughts and feelings of all characters in the story.
Good writers use different narrative techniques in their writing. A good overall strategy for developing your narrative is to show, not tell. So, instead of telling your readers what has happened, you show them by creating a picture in their mind.
Here is a telling statement:
It was hot in the kitchen where Andre was working.
Here are two examples of showing this same idea:
The sweat dripped from Andre’s forehead as he looked up longingly at the broken fan on the kitchen ceiling.
The air was heavy and stagnant as Andre thought “Man, I would give anything for a cold glass of ice water.”
These two sentences allow readers to create a picture in their minds of how hot Andre feels in the kitchen.
Dialogue is conversation that occurs between characters. Use dialogue that sounds realistic and moves the story along. Dialogue should show the conversation, rather than tell about the conversation. Here’s an example:
Original sentence:
The car salesman told Andre the car had been sold.
Improved with dialogue:
“Oh,” the man said, frowning. “Well, I’m sorry, but someone else just bought that car this morning.”
Description shows the reader what is happening by providing sensory details. Use description to show the elements of your narrative. Here’s an example:
Original sentence:
Andre was painting in the hot kitchen.
Improved with sensory details:
Sweat dripped from Andre’s forehead as he dipped the brush into the can of sky-blue paint.
Reflection shows a character’s thoughts. Use reflection to show how a character feels about a situation, conflict, or another character in the narrative. Here’s an example:
Original sentence:
Andre was disappointed that the car was gone.
Improved with reflection:
Andre’s heart sank. While he had been painting Mrs. Robinson’s kitchen, someone else had casually driven off with his car. All his hard work had been for nothing.
Pacing means how fast the story moves. Use dialogue, description, and reflection to slow down the pace of your narrative. Consider slowing the pace for important parts of your story.