Think of one example of a moment in a film score where you feel that the score made the action or emotion in the film feel more "real." How did the composer accomplish that?
Think of one example of a moment in a film score where you feel that the score fell short of truly expressing what was happening onscreen. Why do you feel that way?
Read pages 44 to 58
John Williams (1980)
Richard Wagner (1856)
John Williams (1999)
Carl Orff (1937)
Read selections from pages 78 to 128
Lin-Manuel Miranda (2015)
Chinese, traditional
Javanese, traditional
Pyotr Ilyich Tchaikovsky (1892)