The studio doesn’t hum with machines. It breathes — slowly, like early light filtering through cotton curtains.

Everything here was chosen deliberately. Nothing bought in haste.

On the table: well-worn Golden Heavy Body Acrylics (linked below)*, their caps crusted, their pigment still bold.
She loves how they hold their shape, how a single stroke stays exactly where she placed it — assertive but silent.

For texture, she layers with Liquitex Modeling Paste (linked below)*, shaping peaks and valleys like emotional topography. It turns a flat canvas into something tactile, something that feels like it remembers being touched.

She swears by Winsor & Newton watercolors (linked below)* — for those finer moments when the brush wavers gently, or the pigment settles just right. Always her first choice, like breath before speech.

Her brushes aren’t new. But when she does reach for something fresh, it’s Princeton Velvetouch brushes (linked below)* — balanced, responsive, a bit like a trusted voice that doesn’t have to be loud to be clear.

Then there’s the final step — sealing the work.
A thin layer of Liquitex Pouring Medium (link below)*, poured not for protection but preservation. She doesn’t want to trap the work, only to let the light rest on it for a little longer.

If you want a tip on how to achieve those special effects in your paintings, I'm revealing the secret right here.

Click on your country to shop this product I found for you:

• Golden Heavy Body Acrylics

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• Liquitex Modeling Paste 

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• Winsor & Newton watercolors

🇺🇸 US | 🇬🇧 UK | 🇩🇪 DE | 🇫🇷 FR | 🇮🇹 IT | 🇪🇸 ES | 🇨🇦 CA

• Princeton Velvetouch brushes 

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• Liquitex Gloss Pouring Medium 

(Pro tip: the bigger pack saves you money every time.)

🇺🇸 US | 🇬🇧 UK | 🇩🇪 DE | 🇫🇷 FR | 🇮🇹 IT | 🇪🇸 ES | 🇨🇦 CA