Moments Song Download

"Moments" is a song written by Sam Tate, Annie Tate and Dave Berg, and recorded by Canadian country music band Emerson Drive. It was released in November 2006 as the third single from the album Countrified. The song was a Top Five hit on the Canadian country music charts. It also reached Number One on the Billboard U.S. Hot Country Songs charts, becoming the first Number One single not only for the band, but also for their label, Midas Records Nashville. "Moments" was the most played country music song of 2007 in Canada.[2] The song was nominated for Grammy Award for Best Country Performance by a Duo or Group with Vocal at the 50th Annual Grammy Awards.

The song is a ballad in which the narrator, a young man, plans to commit suicide by jumping off a bridge. While on the bridge, he notices an older, homeless man, to whom he gives money, figuring that he "wouldn't need it anyway". Upon receiving the money, the old homeless man tells of his past, saying that he "hasn't always been this way", and that he has had his "Moments, days in the sun / Moments [he] was second to none". Upon hearing the story, the young man then ponders his own life, wondering if anyone will miss him, should he decide to take his own life. He remembers his own "Moments, days in the sun." The young man then walks away from the bridge, imagining the older man telling his friends about his moments, including "that cool night on the East Street bridge / When a young man almost ended it / I was right there, wasn't scared a bit / And I helped to pull him through".

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The song originated when songwriter Annie Tate and her husband, Sam, were working with their friend and songwriting partner Dave Berg to construct a song about people having their moments. Sam came up with the idea of basing the song around a homeless man. After the song was written, he stated, "I've always wanted to write a song about redemption and how everyone has the ability to redeem themselves somehow".[3]

"Stolen Moments" is a jazz standard composed by Oliver Nelson. It is a 16-bar piece though the solos are on a conventional minor blues structure.[1] The recording of the song on Nelson's 1961 album, The Blues and the Abstract Truth, led to it being more generally covered. The tune was given lyrics when Mark Murphy recorded his version in 1978.

"Magic Moments" is a popular song composed by Burt Bacharach and written by Hal David, being one of the first songwriting collaborations by that duo.[1] This song was recorded by Perry Como and released in 1957 as the B-side of his "Catch a Falling Star"; it reached No. 1 in the UK in 1958.

The biggest hit version of the song was recorded by Perry Como and released by RCA Victor in December 1957, becoming a hit early in 1958. The record was produced by Joe Reisman.[3] The peak position in the United States is hard to track precisely, due to the multiple charts used in Billboard magazine: On the Most Played by Disc Jockeys chart, it reached it highest peak of number four. [4]

One of my favorite things about the Orff Schulwerk philosophy of teaching is the ability to go from something relatively simple to an experience that is complex and exciting. You start with a song, add in movement, add in new layers, add in an ostinato, include a game, move students to instruments, and on and on. The possibilities are endless once you sit down and think about all of your options.

Smule Moments put you in control with the freedom to join and sing the part of the song you like the most. You can jump forward to the chorus, second verse, or sing whichever lyrics mean the most to you.

Moments make singing with a group easier than ever. Now you can create a Moment to decide which part of the group song you want to sing and skip forward to your part instead of waiting for your turn. With Moments, you get to experience the magic of a complete group performance faster, so you have time to sing and record more songs with your group!

You can record Moments to improve your singing or jump to the part of the song that gives you goosebumps. The best part about Moments is now you get to experience the songs you love to sing in a whole new way! You can find new special Moments in old favorites or new hits and record them again!

I\u2019m so glad you found your way here. I\u2019m JJ, and I love Jesus, my husband, my two beautiful girls, dark chocolate and writing songs that remind you that YOU ARE LOVED. For over 14 years I\u2019ve worked side-by-side with my husband and creative partner, Dave. This year we\u2019re working together to create something beautiful and then release it into the world on the first Friday of each month.

Over the past several years my music made its way onto TV shows, international ads and radio stations around the world, but more importantly it\u2019s kept listeners like you company in hospital rooms and war zones, in the middle of plane flights and sleepless nights, during weddings and car rides. I\u2019m thrilled that the music I work so hard to create gets to be the soundtrack to major (and not-so-major) moments in your lives!

As most (if not all) of you know, I have two little girls, Lucy (8) and Nora (5). For the past eight years or so, Dave and I have been writing songs for and about them. Four of my top ten songs on iTunes were written for them! I never set out to be the lady who writes tons of lullabies, but because I tend to write about things that are closest to my heart, I keep coming back to the topic of parenthood. Paving the Runway fits squarely in the parenting category.

Some of these you'll obviously know, but others you may not have heard of or you may only know one or two of their songs...so take some time to listen to them. They'll all probably pop up in this blog sooner or later!

This piece was written in Krakow on October 2, 1940. Mordecai Gebirtig wrote this song to raise the spirits of the persecuted Jewish community in Krakow. The poet's reference to "Haman" alludes to the ancient Persian enemy of the Jewish people.

John: We took a break last July and August after eight solid months of touring. After that we got back together in a house at Malibu and rehearsed for about a month or two, getting all the numbers together. We finally chose seven of these songs that seemed to fit together pretty well. Then we went up to the Caribou Studios in Colorado in November and December, and laid down the basic rhythm tracks. After a little Xmas break, we went into the Record Plant here in L.A. to finish off the album. We worked on it through the end of February.

John: The music to that song is quite old. It was one of the very first things I heard Supertramp play when I first went down to have a blow with them, and that was over three years ago. I really liked the number then.

I've always felt that Roger Hodgson was plagued with depression. His songs often refer to the rain, the sun disappearing, tears, and cold. He is always yearning for a happiness that someone else can provide him. Great, epic song with tremendous feeling.

Clearly sounds religious to me. Nuns wear wedding bands. Married to God. The song is a spiritual homage to finding (or re-finding) God.

I am not religious a all. But the spiritualism here is too profound to ignore. It is about his version of being reborn.

I think, even though this song has strong connotations to a romantic scene, that roger also has a close relationship with nature, and he may be illustrating his souls feeling of comfort within nature, when life plays it's part, loss of love, or missing something that you love.

To put this song into my own life, it refers to how not even nature can make things clear for me at times. Even when the commotion or not udnerstanding something is gone, and you know what to do as such, you still don't know where you are going. I think it refers to a cycle, like the cycle of nature.

and even when the song is over was it just a dream - this for me shows strong connotations to our minds thoughts interaction with nature. When the song of our minds disappears, was it just a dream? What is all of these thoughts? are they just concepts?

I think the previous two posts are on the right track. I, too, have sensed some depression in the lyrics, as well as a strong link to nature. I've also thought that the singer was referencing his search for his Creator. He say's "there a shadow of doubt that's not letting me find you too soon". I think his depression is a mental roadblock to his finding his Creator. The lyric "don't you let the sun fade away" could be a reference to truth about Him getting lighter as the day dawns and conversely, as the sun sets, it gets darker. He expressess beautifully the connection that should exist between our appreciation for nature and spiritual things. I love this song.

@1flyersfan I think that you can shift who you are talking to. So, much of what you are saying about the relationship problem may be true, he may at other times in the song refer to God. & then verbatum kind of clinched when he's quoting Roger himself e24fc04721