"If I had a newspaper here - even the Fiji Sun - it would have a horoscope in it. There are thousands of books on the subject. Astrology is a word defined in the dictionary. The belief patterns associated with Astrology have modified the behavior patterns of millions of hominids on the planet for thousands of years. Astrologists have often steered the course of human history.
"No matter how fantastic, no matter how distant from the actual relationships between the physical arrangements of planets and the shaping of human events on the planet, the involved and complex communication network associated with Astrology is propagated by the social media of the world and Astrology continues to influence the behavior of human civilizations." My coconut students are watching the moon, whispering frondly to each other.
Same thing with the Bible, although I don't say this out loud. I clear the end of the beach and join the coconut trees, looking up at the full moon. Magnificent. I can see the sweep of Sea off to the North, the beaches, the ebbing tide, the coconut plantations, the dark islands, simply magnificent.
"In the beginning there was the Word and the word was God."
For the hominid control systems of planet Earth there can be no truer statement. God's message to Jesus and Mohammed stressed the absolute importance of language. Nearly all hominid behavior is mapped onto the words and pronouncements of one view or another of God. All these pronouncements are words.
Words dictate the behavior of hominids. Human behavior is the warp and words are the woof weaving hominid social networks. Belief patterns woven into the Bible/Koran have modified the behavior of billions of hominids on the planet for thousands of years, the Clergy at the helm of human history. Ordained by God to shape the course of destiny.
Basic social behavior patterns of hominids interlock. So, for example, Astrology and Christianity have a set, written relationship. So do the Rules of War, the System of Justice, the Morality of Politics, the Commission of Economics, and on and on. These written guides integrate into the manifestation of an emerging, evolving network of being: Mankind. The interlocked network of guides direct hommind behavior to foster their own survival, feeding on the lives of hominids, breathing their minds, pissing on the environment.
I stroll back to the camera site, scuffing the cool, moist sand with my bare feet, continuing my discourse to the trees in a loud, bold voice.
"Within this framework, the question about the coconut falling has a different context. When it falls and no part of the 'system' is there to 'record' it, the falling coconut sound does not exist. If nobody finds the coconut, the coconut does not exist. It has no 'meaning' to the great march of humanity. Any argument to the contrary is disregarded because Bishop Berkeley already wrote the rules concerning the non-existence of noises in forests where nobody is listening. To violate this established network of belief is dangerous. It is social sedition, leading to loose threads, misconception, misinterpretations, and finally breaking right down into anarchy, chaos, bedlam, confusion, where all behavior is helter-skelter."
"But out here, on this beach, far away from anyone, who is to know if we risk a peep into chaos to catch a glimpse at the forbidden relationship of relationships?"
"Hello, Richard," I nearly jump out of my skin. It is one of the Fijian guys from Plantation. He is standing on the beach in the moonlight, looking at me. Further down the beach I see five or six other people. Two are women. They are sitting down on the beach. It is nearly midnight and the tide is low. I guess they have just finished work at the nightclub and are on their way home.
"Good evening," I shape the words to ask 'What can I do for you?' a little embarrassed to have my nocturnal classroom interrupted. I wonder what they made out of peeping into chaos to catch a glimpse at the forbidden relationship of relationships?
"It's me, John," he says softly. Fiji John, they call him.
He looks a little uncomfortable. No doubt he's wondering what I'm doing out here all alone discoursing to the coconut trees. The sooner I explain, the sooner they'll go. "I'm taking photographs of the tide."
He absorbs this for a beat and asks, "How can you take a photograph of the tide?" Sensible question.
"Well, you take a series of photographs every four minutes and when you play them back quickly you see a movie of the tide coming in and going out." The Olympus accentuates the reality of this by going 'Click'. Fiji John turns to look at it.
He squats down on his haunches (temporary stay) about two meters away from me. The others are all watching from down the beach. "But there is no flash. No light." he whispers.
"The camera is still open. It opens to let in the light and stays open almost 4 minutes. The moonlight goes into the camera and makes the picture but it takes a long time." Actually I wish I could keep it open about 8 minutes.
"Where is Freddy?" He means, am I alone? And if so, who was I talking to just now?
"On the boat, asleep." I am alone. He nods his head, the big white smile is gone. He gets up and walks back down to his friends. Great.
Let's see. Perspective. Relationships. Now I'm getting there.
This reminds me of the teak square in the head. John Linsey and his girl friend came to stay with us on Moira when we were in Sydney. They took a shower together and while apparently involved in some kind of sudsy athletic activity in there, John busted off the shower head from the white Formica bulkhead. I covered the broken Formica with a little square of teak.
Is the teak square there right now, with nobody looking at it? Sure it is. If I was aboard, sitting at the dinette, I could lean over and peer into the head and look at the wall and what would I see? A teak square? No. I'd see a teak rectangle, because I would be looking at the piece of teak from a side angle. Would the teak then become a rectangle because this was the way I viewed it? No. Because I could get up and take another look from directly in front of the teak block and it would, from that angle, be a square.
Oh no! The whole group is coming down the beach. I ignore them.
This is about patterns and how information develops when viewed from different angles and intervals. The information in my notebook is redundant because this is the way mind works. It looks at a problem from many sides, from different times, until it arrives at a conclusion.
They hesitate about 4 meters away. I have not invited them to sit by me. A severe breech of Fijian etiquette. They mill around, uncertain. I hear the girls murmuring to the men.
The solution to the mystery of the rainbow and the moon river is in this line of thinking. The moon river follows me, moves from the horizon directly to my eye. To each eye. To each person. I can photograph it. But if I look away from Sea, there IS no moon river. It does not exist. Isn't this the same problem as the sound of the falling coconut? The shift from a rectangular to a square point of view?
A model of reality, a view, is not obtained by a single data point. It is improved and broadened by many data points. The moon river is actually a flow of information from Sun to Moon to Sea to Me. The pathway is created by ripples on the sea scattering the light. On a perfectly calm sea I'd see a round moon reflected, not a river. If all of us here on the beach looked at the reflection, we would all see the same moon reflected on the same Sea, but it would not be the same reflection because each person would see the reflection off a different portion of Sea's surface. The moon river is significant because it is the interaction of my perspective with the environment at one interval of awareness.
But what is really being modeled are aspects of the reflectivity of Sea. It takes more than one point of view and one look at Sea to understand what is being observed. Reflectivity is Moon River. Sea is reflective if I look at it or not.
A rainbow is about refraction of sunlight through droplets of water. It is in a different place for each viewer. It is not there if nobody looks. The rainbow is like the moon river. It is an interaction, an information flow between sun, rain, and mind. A condition, a process, a pathway, a flow of information, a part of perception. And therefore a long standing mystic symbol. Catch on to the meaning of the rainbow and you get a pot of philosophic gold.
They are all sitting down on the beach about three meters away. One woman and one man have left, walking into the Sealess pass, heading home. Why are the others still here? I can't really ignore them. Even if I don't look at them, I know they are there. I also know they are aware of me. Are here because of me. And I suppose I actually know why, too.
Here in the islands you hardly ever see anyone alone. And never for long. Good, bad, or indifferent, everybody must have somebody else near at all times. Especially at night. Who knows what their mind map is, why this is so? But it seems these people have decided I need to have someone with me. Even if I am a prick and didn't ask them to sit with me. They talk ever so softly, touching hands now and then. Not looking directly at me, just being here for me.
I get up to change the film in the camera. Damn! The batteries are dead in the camera. I guess keeping the electronic shutter open for a few hours has drained them. OK, no problem, I have a spare set. I manage to get them in and the camera back on the tripod and reaimed before the next click. It's hard to be sure I've aimed it right because the moonlight is just barely bright enough for me to see the tree on the hillside.
My movement has generated a lot of interest in my babysitters. John comes over and asks, "You going home now?" in a voice that rings with hope.
"No, but John, really, you and your friends do not have to stay with me, I'll be fine all by myself. I like being here by myself. Really."
"It's alright," he mumbles and heads back to his group. They just sit there. Well, I can't MAKE them go. Maybe they know something I don't. Maybe there is a group of drunks headed this way who would, perhaps, thrash the ass of someone out here all alone. What the hell, I'll go sit with them.
No reaction when I sit down with them. Two of the men are talking in Fijian and there is no pause, no hesitation in their soft conversation. After awhile everyone is quiet. I stare out over the moonlit pass, the gleaming white sand. They stare into nothing, their eyes resting wherever their face happens to be pointed. About thirty minutes after I sit down John asks, "Will fire hurt photographs?"
"No, not at all, might give them a nice color, but it has to be out of the direct field of view. Right here where we are sitting is fine." Everyone gets up and goes out to gather wood for a fire. I gather some coconut husks to get the fire going and soon a friendly little flame is dancing away, lightening the mood. I pick up my other camera and walk out into the pass to take a shot of the flames warming the coconut trees from underneath while the moon frosts the leaves from above.
Then I wander out over the flats with a little flashlight, looking into the tide pools.