Intentionally using the extreme operating modes of the system (working within the framework of a deliberate glitch), a series of works was created whose task is not the critical component of the “pure glitch”, «accidental», but its decorative qualities. In them, as well as in the works of the Impressionists, there is an attempt to capture what is naturally unstable — an incomprehensible impulse, an elusive effect, a transforming image. At the forefront is not the process of destroying the photo, but the result. The glitch itself is just a kind of "paint" to create a new work, a pop cultural artifact.