'To the Future or the Past? Ligeti's Stylistic Eclecticism in His Hamburg Concerto.', Contemporary Music Review, Vol. 31 parts 2-3, 2012, pp. 239-246.
'Ligeti's Le Grand Macabre: How he solved the problem of writing a modernist opera.', Tempo, (October 2012), pp. 29-38.
Ligeti’s Stylistic Crisis: Transformation in His Musical Style 1974-1985, Lanham, MD: Scarecrow Press, 2010.http://www.amazon.co.uk/Ligetis-Stylistic-Crisis-Transformation-1974-1985/dp/0810872501/ref=sr_1_2?s=books&ie=UTF8&qid=1292844800&sr=1-2
‘Ligeti’s ‘Third Way’: Non-atonal elements in the Horn Trio’, Tempo, 216 (April 2001), pp, 17-22.
'Peer Assessment in Composition', chapter in Peer Learning in Music (a Resource Pack), University of Ulster, 2000, pp. 106-114 (ISBN 1 85923 143 8) (with Dr. Tim Ewers)
‘Ligeti the Post-Modernist?’ Tempo, 199 (Jan. 1997), pp. 9 - 14.
Book reviews of American Pioneers by Alan Rich and Minimalists by Robert Schwartz, Tempo,199 (Jan 1997), pp. 42-3.
‘An Evaluation of the Use of Peer Assessment in Higher Education: A Case Study in the School of Music, Kingston University’ Assessment and Evaluation in Higher Education, Vol. 22, No.4, (1997), pp. 155-163 (with Dr. Tim Ewers).
‘Peer Assessment in Music’, The New Academic (Summer 1997) (with Dr. Tim Ewers).
‘Peer assessing composition in Higher Education’, British Journal of Music Education, Vol. 13 (1996), pp. 155-163 (with Dr. Tim Ewers).
Record review of Vol. 1 of Ligeti’s Piano Music played by Fredrik Ullen, Tempo, 198 (Oct 1996), pp. 58-9.
‘Ligeti’s Chamber Concerto: summation or turning point?’ Tempo 168 (March 1989), pp.30-4.
Marabou (2007) for soprano and piano, written for, and performed by, Jane Manning http://eprints.kingston.ac.uk/6283/
Arias and Ghosts (2006) for Saxophone quartet, written for the Delta Saxophone Quartet (recorded for DVD – 2009) http://eprints.kingston.ac.uk/6285/
Two Images for Four Instruments (2000) arrangement for western instruments of the above work for Chinese ensemble. Performed by Fibonacci Sequence 2000
Two Images for Four Chinese Instruments (1998) recorded on Hugo CD (1999)
Lament and Dance for Solo Trumpet (1997), published by Brass Wind Publications (1998) Commissioned for the opening of the Picker Gallery, Kingston University.
Soundscapes for Wind Band (1995) performed by Kingston University Wind Band 1995
Soundscapes and Pathways for Chamber Orchestra and soloists (1993) performed by Kingston Chamber Orchestra (2000)
Brasswork for brass ensemble and percussion (1992)
Ten Sketch Variants for amplified piano (1992) written for Roger Beeson
Four Larkin Songs for Chamber Choir and flute (1991)
Variations for Tuba and Tape (1991) written for Melvyn Poore
Kaleidophones for mixed ensemble of ten instruments (1990-91)