▸ 竹林鬼內

▸ Bamboo Linguine

┈┈┈┈┈┈┈┈　2022

以身體介入展覽，行為藝術作為一種強調「身體介入」的藝術種類，回應藝術家劉開平以城南地區水文迴圈延續的竹環雕塑作品。行為藝術家李文皓萃取竹藝雕塑的動力曲線以及彈性張力作為行為動詞的起始。

呼應藝術家劉開平受到水的影響，李文皓將利用身體與日常物件進行一系列的行為展演。日常物件例如義大利細扁麵。表演名稱《竹林鬼內》便是取自義大利細扁麵 Linguine 的諧音，Linguine 不僅在造形上與竹片相似同時也對照了竹片的彈性張力。藝術李文皓運用身體與義大利細扁麵，遊戲其材質的彈性張力並且開展至展覽空間與觀眾，同時也探詢人際關係之間的韌性與脆弱。

Performance art or live art as a body practice to act and react with the exhibition. Echoing with the bamboo sculptures created by Kai-Ping, Liu, the artist Wen-Hao, Li is inspired by the curves and the tension of the bamboo sculptures and use the dynamics as the idea of the performance.

Considering that Liu’s works were influence by water and rivers, Wen-Hao, Li composes the performance with a serial of daily actions and objects. Objects such as Linguine, a kind of pasta, resembles the shape and texture of the bamboo. Performing with body and Linguine, Li plays the elasticity and the fragility of the pasta with space and audience. These actions not only echo with the sculptures but also play with the resilience and fragility of human relationships.