▸ 看得見的音樂表演 ―
▸ 從合奏到合作
▸ From Musical Collaboration
▸ to Interpersonal Collaboration
┈┈┈┈┈┈┈┈ 2021
▸ From Musical Collaboration
▸ to Interpersonal Collaboration
┈┈┈┈┈┈┈┈ 2021
《看得見的音樂表演 ― 從合奏到合作》提問了音樂家從分進的合奏,轉變為共同合擊的合作關係時,將帶給音樂家的身體與心理的效應。
本作演出結構採取了美國後現代舞蹈探索日常行為以及群體審議的姿態,利用任務、行為、獨白、舞蹈、遊戲與合奏散射出合作關係其中所包雜的親密、焦慮、猜忌以及競爭。
雖名為合作,四位表演者的獨白無不傾吐著對人際關係的冀望與失落,並雜揉臺灣史進程中反覆的合作與爭鬥,呈現個人至整個海島不斷徘徊於孤獨與群體之間。
From Musical Collaboration to Interpersonal Collaboration question what might happen to the musicians’ bodies and minds if they have to collaborate physically. The performance is inspired much by American post modern dance for it explore daily actions and community. The performance were composed by tasks, games, monologues, movements and music exploring intimacy, anxiety and contest.
Though being named Collaboration the monologues from performers told stories of expectation, lost and metaphors for Taiwan history.
看得見的音樂表演 — 從合奏到合作
From Musical Collaboration to Interpersonal Collaboration
導演/文本:李文皓
Director / Script:Li, Wen-Hao
表演者:李俐錦、周芯、柯昭銘、陳群翰
Performers:Li , Li-Chin、 Sarah Chou、Ke, Zhao-Ming、Chen, Qun-Han
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