Love, why are you running away?
Like a shy child?
In case I let go of you
I tried holding you tight
But the longing chases after me
So love always runs away
Though it would be nice if it just rests for a moment
Caroline Cochran and Caitlyn McFadden are currently immersed in preparation for Florida's first-round game in the ALC tournament on Friday in Nashville. They have all week attended practices and team meetings and taken part in other duties associated with the arrival of the postseason, one the fourth-ranked Gators hope ends with a celebratory tone.
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Still, this week has also been something else. Something very different and far removed from the game on the field. It has been a time of reflection for Cochran, a junior attacker for the Gators, and McFadden, in her first season as a Florida assistant coach following a distinguished career as a player at the University of Maryland.
On the day that news spread of Love's death, Cochran was moving out of her UF dorm after finishing her first school year at UF. She started her college career at Virginia, hosted by Love and Cavaliers teammate Kaitlin Duff on her recruiting visit.
McFadden knew the same Love. She grew up in Maryland with Love, playing on the same recreation league teams as a kid, a team that McFadden's mom coached. They both later attended Notre Dame Prep in the Baltimore area, sharing the same homeroom and same giggles starting in sixth grade.
Their friendship continued when McFadden opted to attend Maryland and Love decided to go to Virginia. As ACC rivals, they played against each other regularly and always took time to catch up with each other's lives before and after games.
At the time of Love's death last year, the NCAA Tournament was about to start. While they continued to grieve, Love's Cavalier teammates responded by making a dramatic run in the postseason that captured national attention.
This has just brought everybody closer,'' said McFadden, whose Maryland team would go on to win the NCAA title over Northwestern. A lot of it has to do with Yeardley's family and how they have just sent the message out to keep her spirit alive and how they have stayed really positive.
I think it's been really good for the lacrosse community. They have stayed away from commenting about any negative thing that you might see coming from this. They just want to do as much good as they can.''
As part of the family's movement to honor Yeardley, her mother Sharon and sister Lexie created the One Love Foundation, an organization devoted to encourage and develop in children and young adults four qualities that Yeardley exemplified: service, kindness, humility and sportsmanship.''
I wear my One Love band every day,'' McFadden said. It's always there as a reminder of her. It's really important. It's just so good to see that her spirit is living on and everyone that is involved with One Love works hard to remember her and how positive she was and how much she loved life.''
I was really upset by it,'' Cochran said. There was a lot of commotion that day. I had to be out of my dorm at a certain time and I was very upset, and thankfully my friends down here really helped and tried to make it as best as possible.''
Cochran speaks to Virginia junior Bailey Fogarty, her former roommate, at least a couple of times a week. There are good days and bad days, but Cochran senses that Love remains a huge part of the team when she talks to her friends at Virginia.
I know it's a hard time for them right now,'' she said. It was very hard when it happened and the last year. They are doing well. They have coped with it and they have done the best they can to try to move on and make people aware of her situation.
McFadden got an up-close-and-personal experience of Love's impact a year ago, attending Love's viewing a few days after her death. She was unable to make the funeral because Maryland faced Dartmouth in its final regular-season game that day.
Yeardley was an amazing and caring person I'm glad I met. Her story and her spirit have touched so many lives, even people who never met her,'' McFadden said. They are like the nicest family I have ever met.
Chris joined FloridaGators.com in 2011 after nearly three decades as a sports reporter at newspapers in Tampa and Orlando, including 10 years covering the UF athletic program and another 10 covering the NFL.
Scott joined the UAA in 2010, returning to the campus where he earned a journalism degree. Prior to that, he spent the majority of his newspaper career at The Tampa Tribune, where he covered the Tampa Bay Devil Rays, Tampa Bay Lightning, Florida State, USF and horse racing over that span.
This is FRESH AIR. I'm Terry Gross. A new revival of Stephen Sondheim's musical "Sweeney Todd" just opened on Broadway. The original show premiered on Broadway in 1979 and won eight Tony Awards. The music is extraordinary and our guest, Josh Groban, gets to sing it. He stars in the title role. New York Times theater critic Jesse Green called the revival, quote, "ravishingly sung, deeply emotional and strangely hilarious." Josh Groban talked about "Sweeney Todd," his life and career with FRESH AIR's Ann Marie Baldonado.
ANN MARIE BALDONADO, BYLINE: Josh Groban first auditioned for the role of Sweeney Todd back in high school for a summer camp production of the musical. He didn't get the part at the time, but he never really gave up that dream of playing the demon barber of Fleet Street. In the years since, Josh Groban did manage to become a multiplatinum artist. Not so long after that camp audition, he was discovered as a teenager and released his debut album in 2001. He went on to perform in front of huge crowds while on tour and developed a rabid following of his pop operatic sound. And he sold over 35 million records worldwide. He's appeared in movies and TV shows, often self-deprecatingly playing himself, and he's been nominated for Grammys, Emmys and a Tony Award. That Tony nomination in 2017 for best actor in a musical was for his Broadway debut in the show "Natasha, Pierre And The Great Comet Of 1812."
He's back on Broadway in the revival of "Sweeney Todd," the story of a London barber wrongfully convicted, imprisoned and separated from his beloved wife and daughter. After years, he escapes prison and is out to seek revenge on those who've wronged him. He partners with a struggling baker named Mrs. Lovett, with Sweeney killing his clients and Mrs. Lovett grinding up their remains and turning them into meat pies. Here's a song from "Sweeney Todd" at the point of the show when they first hatch their plan. Josh Groban plays Sweeney and Mrs. Lovett is played by Tony award-winning actor Annaleigh Ashford.
ANNALEIGH ASHFORD: (As Mrs. Lovett, singing) It's fop - finest in the shop. And I've got some shepherd's pie peppered with actual shepherd on top. And I've just begun. Here's the politician, so oily it's served with a doily. Have one.
BALDONADO: Congratulations on this great production. The story of "Sweeney Todd" is menacing. It's about grief, rage and loss. Also, it has grisly murder and cannibalism. In that song we just heard, you're talking about turning people into pies. I know this is a role that you've wanted to play for a long time, since you were younger. What was appealing to you about this show when you were a kid?
GROBAN: I mean, when you mention the storyline like that, I just - I think back to, like, what the elevator pitch must have been to this in 1978 when it was being written, you know? It has so many things about the show that are outlandish and terrible and melodramatic and beyond the realm of comprehension. And yet, like everything that Sondheim wrote, there is this throughline of human connectivity. And he had that genius ability to take these outlandish things and find the core human truth in them. And as a young kid who was, you know, finding my own way and having a hard time kind of getting out of my own shell and wondering, you know, how best to communicate myself, his work reached me at a very young age. There was something about it that felt like I knew - he - like he knew me.
And I think for those of us that have loved his work for a very, very long time, we, of course, love being swept away by the stories and by these sometimes crazy characters that we have nothing in common with. But the music and the lyrics and the way they all tie together make us feel deeper about who we are. They make us feel things that we never expected. And that's what first brought me to the piece as - just as a fan when I was younger.
GROBAN: Yes. I saw a production of it in Los Angeles by a wonderful cast called the East West Players, who are an incredible Asian company that works out of Los Angeles and around the country. And they blew my mind. It was my first time hearing the score. I then went out and got the VHS copy of the famous Los Angeles recording of George Hearn - wonderful George Hearn - and, of course, legendary late, great Angela Lansbury and - pun intended - devoured everything I could from the musicals, as I did for so many of Sondheim's shows. And, you know, as a young baritone who could sing OK and act OK but couldn't dance at all, these were the kinds of roles that really, you know, felt like the kinds of thing I could one day grow into.
BALDONADO: I know you're a huge fan of Stephen Sondheim, who passed away in 2021. Can you talk about what it is about his writing that you are drawn to most in general and in particular as a vocalist? You know, his songs - they're a feat to perform his songs.
GROBAN: They are. It's a beast to sing each night. I definitely - there's not any moment in this show to coast. It takes - it requires an enormous amount of focus and an enormous amount of checking in, you know, really tuning in with yourself, with your cast. There's so much that you have to kind of lift in this, emotionally and vocally, that it's tiring. You feel it at the end of the show. And what I love about his writing, especially this role, some of his writing can be very staccato. The writing for "Sweeney" is - has such incredible line and such incredible fluidity. There's this romanticism to the music for "Sweeney" in particular. 152ee80cbc
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