But Chrome (up-to-date as I type this at version 3.0.195.27) and Opera (up-to-date as I type this version 10.0 build 1750) don't. Chrome ignores the canvas rendering entirely. Opera renders the entire canvas as a white rectangle, obscuring the image behind it.
The late 19th century was dominated by two giants of opera: Italian Giuseppe Verdi and German Richard Wagner, both born in 1813. Verdi, whose operas include Rigoletto, Il Trovatore and Aida wrote in a tuneful and dramatic style. Verdi understood the human voice and the internal processes behind the characters he created. Perhaps his most popular opera is La Traviata, which tells the story of Violetta, a beautiful courtesan who is fatally ill with tuberculosis.
Opera Web Browser 10.00 Build 1750 Final .rar
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It seems that as long as there is a story to tell and ideas to be aired, opera will flourish. It is, after all, simply a heightened, multi-sensory means of making sense of the painful, glorious, complicated truths about the human condition.
What version of Opera are you using?I've noticed that the Betas seem to do quite well in starting up, though
Opera was never as fast at start up as some of the other browsers if you
had mail and other features working. That makes sense, given that the time
it takes to start the equivalent program functionality using a combination
of, say, Firefox + Thunderbird + XChat + Transmission + ..., takes a
while, and Opera is very fast given all the features that it has in it
(and lean).You might want to check the indexes or cache, as I think clearing some
stuff and having them start over was one way of improving them.On the other hand, if you are using the Betas, there was some kind of work
going on to do automatic integrity checking of mail and feed accounts, I
believe. Initially, I think this ran every time on start up, and I don't
know when they moved this out and started doing it according to some other
metric (which makes it feel much faster).Aaron W. Hsu
--
Of all tyrannies, a tyranny sincerely exercised for the good of its
victims may be the most oppressive. -- C. S. Lewis
The mail and news doesn't really affect the start-up time as they're tiny
components, with most of the required functionality being provided with
the parts that are needed for the browser anyway.The most common things that slow down the start-up time are long history
lists or a large cache. does it help of you clear your cache and history
list (including typed-in URLs?)Whether it's Opera 7 or 10, it's always taken 8 second to start up the
first time on my 3Ghz P4 machine with 512MB. I haven't seen recent
versions get any faster or slower at starting, though I've seen
improvements when it comes to rendering pages more quickly under certain
circumstances. I have my history limits set to 10 typed-in addresses, 1000
for the history list and 100MB for the disk cache.I also keep the drive I've installed Opera on defragged, and the drive
containing the profile and mail folders as defragged as possible.
Ah, that's been removed in modern versions, I see. It seems the history
system was rewritten so that now there's just one URL history list. If you
load opera:config and enter 'history lines' into the search, three
settings should show up that affect your history list, the middle one
being the same setting from the GUI dialogue. But if your settings are
alrealy low, I doubt this is the cause of your slow start-ups.
I think that when I first installed Opera it was Opera 9 and the installation file automatically created the path C:\Program Files\Opera 9 and I have since just ungraded Opera to this folder, and Opera has updated to all folders with "opera 9" in them.
One other thing I do is make an "HTML" backup of bookmarks, which you can make from within the opened browser, "File\Import and Export\Export Bookmarks As HTML". This file can usually be imported easily into other browsers.
If you don't want the favicons showing in your browser favourites, you can disable that feature in "Tools\Preferrences\Advanced\Browsing\Page Icons", setting the drop down menu to "Icons Only" or "Show No Icons".
The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician, Johann Ambrosius, in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lneburg. From 1703 he was back in Thuringia, working as a musician for Protestant churches in Arnstadt and Mhlhausen and, for longer stretches of time, at courts in Weimar, where he expanded his organ repertory, and Kthen, where he was mostly engaged with chamber music. From 1723, he was employed as Thomaskantor (cantor at St Thomas's) in Leipzig. There he composed music for the principal Lutheran churches of the city, and for its university's student ensemble Collegium Musicum. From 1726, he published some of his keyboard and organ music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer, a situation that was little remedied when he was granted the title of court composer by his sovereign, Augustus III of Poland, in 1736. In the last decades of his life, he reworked and extended many of his earlier compositions. He died of complications after a botched eye surgery in 1750 at the age of 65.
In January 1749, Bach's daughter Elisabeth Juliane Friederica married his pupil Johann Christoph Altnickol. Bach's health was declining. On 2 June, Heinrich von Brhl wrote to one of the Leipzig burgomasters to request that his music director, Johann Gottlob Harrer, fill the Thomaskantor and Director musices posts "upon the eventual ... decease of Mr. Bach".[96] Becoming blind, Bach underwent eye surgery, in March 1750 and again in April, by the British eye surgeon John Taylor, a man widely understood today as a charlatan and believed to have blinded hundreds of people.[97] Bach died on 28 July 1750 from complications due to the unsuccessful treatment.[98][99][100]
Bach published or carefully compiled in manuscript many collections of pieces that explored the range of artistic and technical possibilities inherent in almost every genre of his time except opera. For example, The Well-Tempered Clavier comprises two books, each of which presents a prelude and fugue in every major and minor key, displaying a dizzying variety of structural, contrapuntal and fugal techniques.[109]
Although Bach did not write any operas, he was not averse to the genre or its ornamented vocal style. In church music, Italian composers had imitated the operatic vocal style in genres such as the Neapolitan mass. In Protestant surroundings, there was more reluctance to adopt such a style for liturgical music. For instance, Kuhnau, Bach's predecessor in Leipzig, had notoriously shunned opera and Italian virtuoso vocal music.[119] Bach was less moved. One of the comments after a performance of his St Matthew Passion was that it all sounded much like opera.[120]
From about the year 1720, when he was thirty-five, until his death in 1750, Bach's harmony consists in this melodic interweaving of independent melodies, so perfect in their union that each part seems to constitute the true melody. Herein Bach excels all the composers in the world. At least, I have found no one to equal him in music known to me. Even in his four-part writing we can, not infrequently, leave out the upper and lower parts and still find the middle parts melodious and agreeable.[128]
Some of the surviving secular cantatas have a plot involving mythological figures of Greek antiquity (e.g. Der Streit zwischen Phoebus und Pan),[153] and others were almost miniature buffo operas (e.g. Coffee Cantata).[154] Although Bach never expressed any interest in opera,[155] his secular cantatas, or drammi per musica, would have allowed Leipzig audiences, deprived of opera since 1720, to experience musical performances comparable to the royal opera in Dresden. These were not at all "poor or makeshift substitutes for real opera" but spectacles displaying "full mastery of the dramatic genre and the proper pacing of the dialogues."[156]
Conclusion User scripts provide a wonderful way to add those special little tweaks and functions into Opera or any other browser. Have fun! LinksGet User Scripts at Userscripts.org
Akemi Iwaya has been part of the LifeSavvy Media team since 2009. She has previously written under the pen name "Asian Angel" and was a Lifehacker intern before joining LifeSavvy Media. She has been quoted as an authoritative source by ZDNet Worldwide. In addition to her articles on How-To Geek, she has been hard at work conducting research, helping manage the fun facts, and other behind the scenes work. She is a huge fan of Windows, Linux, and portable browsers. When she is not busy with work, you are likely to find her enjoying a fantasy or sci-fi novel, or playing a table-top role-playing game.
I appreciate your attention to detail. Here is precisely what happened:
I tried both routerlogin.net and 192.168.1.1. I land on the page using a web browser. I tried opera, chrome, edge, and firefox, all to no avail. I get the prompt for the password login.
I tried on windows PC, my android phone, and my wife's iphone.
When I type it in, it accepts and goes blank. I did try typing it in incorrectly on one of the browsers to see if maybe the screen was just because of an invalid password, but this did cause the username/password prompt to appear again. 589ccfa754
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