Hello, I have been looking to buy another air compressor as my Harbor Freight one died. Right now I am trying to decide between Dewalt and Ingersoll Rand. It seems to me that every shop seems to have a IR but those are larger models. I am looking to use mine to power a impact wrench, air chisel, air ratchet, air wand, and do some painting as well. I like the oiled ones as I think those last longer abit they are noisy which I do not mind. I am looking at the 20 gallon ones which are 110V as I do not have 220V. What do you guys recommend?
I was experimenting today with using different stock compressors to side chain a sub bass. They each add something different to the sound, so im assuming all are viable options. Would love some input though. Does anyone have have a go to compressor for sidechaining? Im working with a house/four on the floor type of rhythm
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I recently released UglifyJS, a JavaScript compressor which is written in JavaScript (runs on the NodeJS Node.js platform, but it can be easily modified to run on any JavaScript engine, since it doesn't need any Node.js internals). It's a lot faster than both YUI Compressor and Google Closure, it compresses better than YUI on all scripts I tested it on, and it's safer than Closure (knows to deal with "eval" or "with").
EDIT: By the way, "best" is open to debate, since the criteria for "best" will vary depending on the needs of the project. Personally, I think ShrinkSafe is a good balance; for some people that think smallest size == best, it will be insufficient.
Maxima is a great, clean, easy to use automatic gain control AU. For me it takes the place of where I would normaly use a straight up compressor and end up overblowing things. It is crazy awesome for me.
Maxima is both compressor and limiter, and works as maximizer / leveler. It compresses nearly everything to its maximum and also makes sure that nothing clips.
I tend to put it into my "mix / master" folder instead of "compressor / limiter".
Rough rider - good simple and free
Ddmfs compressor - real good but requires a bit of cpu
Barkfilter - really complex(too complex for my taste) and lets you tweak the sound more than you would want, meaning that there are millions of knobs and settings all over the app you dont likely need and are just there to crowd the UI
Maxima - great more maximizer type of compressor
Pressit - has 3 bands, but is still very simple compared to bark filter. Nice compromise between high tweakability and simplicity
There are other apps that compress, which may not be compressors really. For example daw casettes one setting compresses the sound quite a bit in nice and unique way, giving that lofi casette sound as well. Also i think the multi fx app from virsyn has compressor as well, so if its compressor does what you want from compressor and you prefer one app/plugin with multiple fxs, it might be more your thing.
And you can then, very, very easily make it a 2, 3 or 4 band compressor, as you see fit.
Whatever number of bands you need, up to 27.
This 27 is just there, because it is a usefull partitioning of frequencies!
Not that compression should be avoided in electronic music, but if your levels are consistent, the goals are different, and more nebulous, from conventional volume control- usually people are trying to sweeten the sound, with "character" compressors, that partially behave like a preamp, and add eq and saturation side effects; or to use it as a sound effect to achieve a sense of movement, or percieved loudness. It is a different goal, so it might take a different tool, and definitely different settings, away from conventional level control.
That's why apps like Maxima aren't compressors even though the result may be very similiar. Peaks are treated in a special way to avoid such distortions.
(which means they are fairly useless if the signal doesn't contain peaks anymore)
'Character compression' (as mentioned) is the other way around:
You accept all non-linearities because they are the source of a specific sound you're after.
This works best with prominent parts of the mix (often lead vocals, single drum elements, a special bass, something that stands out). Otherwise your mix ends in mud.
Really the best way is to play around and find what works best for you. I usually explore in this order: mix to 100, ratio to max, threshold, attack, sidechain, release, back to threshold and ratio to ease back, makeup gain, mix in original signal.
It will be more expensive but it is super handy to have a battery operated compressor. You can put it in your trunk or take it anywhere in your garage. This makes super helpful if you race or take your bike any place to ride besides home. I have recently switched my cordless tools to milwaukee and their cordless compressor is amazing. It is quiet, fast, and easily seats a bead. Of course you end paying the name brand price premium. I have heard that people also like the Bauer model.
You can buy a compressor for about the same price as a single tire. Well worth it to me. The bonus is you can use the compressor for a number of other things. I also have a presta chuck with a gauge on it. Takes a few seconds to get the right pressure on each bike.
So, one of the main things that led me to get rid of my PodXT Live was that, its compressors really really sucked. By the time you finally got the sustain right, the attack was sooo horrible that it was completely unusable. All I got was a wretched "thunk" sound on the attack - all bass and no highs. I've used guitar compressors for a long time and never had any of them do that except for some of the early Boss compressors. I hope that some of you can assure me to some degree that they, Line 6, have actually learned about how guitar compressors are supposed to sound like. This is my only trepidation about having ordered another Line 6 product.
Therein lies the rub. The LA2A is a fine studio compressor but it doesn't work very well as a guitar compressor. Never has, never will because it doesn't have the right kind of squish that guitar compressors are supposed to have.. I really really hope that Line 6 has not taken the same approach with all of their compressors as they have in the past. That compressors should be "invisible". While this attribute is desirable for studio compressors, it is absolutely wrong for guitar compressors. Through the years, Boss, Digitech, Zoom, Vox and Yamaha's guitar compressor simulations have been far superior to that of Line 6's. I hope this has changed with the Helix and I hope to see models of the vaunted Ross, DOD Milkbox and Orange Squeezer compressors.
I also like a little bit of squish in my compressor for most guitar sounds. I like having a transparent one available for acoustic guitar and some presets but usually I prefer a little bit of squish in both the feel and the sound, especially when it is accompanied by improved sustain.
The Red Squeeze kind of gets it for me but if I had my way there would be yet another choice that had all the soul sucking, tone destroying, sustain of some of the old Boss and other less "transparent" offerings. Often that is just the tone I am gong for; just a personal preference thing for me. I like having a note that goes on forever until I mute it for legato phrases and I don't want it to sound brittle. I have always liked that warm almost slightly muted sound I think you are referring to. If you put a tone control on it for restoring some of the highs that can get removed with these kind of compressor-sustainors, all the better.
The Red Squeeze kind of gets it for me but if I had my way there would be yet another choice that had all the soul sucking, tone destroying, sustain of some of the old Boss and other less "transparent" offerings. Often that is just the tone I am gong for; just a personal preference thing for me. I like having a note that goes on until I mute it for legato phrases and I don't want it to sound brittle. I have always liked that warm almost slightly muted sound I think you are referring to. If you put a tone control on it for restoring some of the highs that can get removed with these kind of compressor-sustainors, all the better.
LOL, yes "soul sucking" was perhaps a bit of hyperbole to acknowledge the fact that this kind of compression can suck some tone and attack but I like that sound nevertheless. I am glad you brought this topic up. Despite the fact that I like the compressors on the Helix I would love to see one of these "muddier" compressors with a ton of sustain on tap added. Maybe I just need to play with the ones that are already there a bit more.
An orange squeezer is pretty much the definition of 'splat' when it comes to compressors. I'd also love to see a better typical 'guitar' non-transparent compressor added to the collection. My vote goes in for orange squeezer clone.
That being said, I still use transparent ones for acoustic guitars and giving a little 'transparent' boost into the front of a distorted amp model for less 'gainy' distortion, while maintaining saturation at that lower gain setting. Kind of like the best of distorted sustain without the over-the-top 'can of bees' that high gain can produce. 589ccfa754
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