But weirdly enough, we have somehow made peace with the fact that 90s and 00s songs remain as bankable as ever. While most of these new renditions sound rather generic, some do manage to evoke nostalgia and novelty at the same time.
Ole Ole is the epitome of those funny songs that are played towards the end of a party, once everyone is tired of being pretentious. Ole Ole 2.0 , despite the presence of the same star, doesn't really feel the same.
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The original banger from Janbaaz sounds cleaner and leaves an impression upon the first listen. The remix sounds ordinary in comparison, especially with the drum beats that are peppered throughout the song.
This one does not sound anything like the original. Hell, I would not even classify this as a remix. But you know that it is technically a remix / rendition. The point is that this song is fresh AF and a cheeky favourite among youngsters.
Our playlist Bollywood Remix Station features a diverse collection of songs in mp3 format, ready for you to download and enjoy without any charges or FREE of cost. With a mix of old favourites and new hits, there's something for everyone. Whether you're looking for the latest chartbuster songs or some classic tracks, our Bollywood Remix Station playlist has got you covered.
Indian-British composer and singer Manj Musik, who has composed some brilliant songs for Bollywood movies, has let his feelings be known on the current remix culture of Hindi music in Bollywood. Manj, whose real name is Manjeet Singh Ral, has composed songs for the hit Bollywood films like Namastey London, Singh Is Kinng, Kambakkht Ishq, Tanu Weds Manu, Yamla Pagla Deewana, Bullet Raja, and Good Newwz.
Whatever you think, he certainly is one person who is entitled to his opinion on Hindi music, having been part of the industry for quite a while. And according to him, the whole new trend of remixing old Hindi songs along with the big music labels is eating up the talent of independent music artists.
The song is from the upcoming film SatyaPrem Ki Katha, featuring Kartik Aryan as SatyaPrem and Kiara Advani as Katha. The makers have so far released five songs from the film. These are Naseeb Se, Aaj Ke Baad, Gujju Pataka, Sun Sajini, and Pasoori Nu. Produced by Sajid Nadiadwala and directed by Sameer Vidwans, this romantic film is scheduled for a theatrical release on June 29, 2023.
A remix can be elucidated as a media composition that has been customized from its original condition by augmenting, eliminating, and altering segments of the music/tune. In the current era of exceptional remixes, a shortfall of originality in the music industry is discerned as several people are of the opinion that any unsanctioned extract taken from an already established work amounts to copyright infringement. Furthermore, the remix has made a significant input to the society by providing entertaining content and has become a consequential part of User-generated Content (UGC). Remixes have also made a substantial contribution when it comes to social media, for instance, Facebook, Instagram, YouTube, Snapchat, Pinterest., etc. Additionally, the Copyright Act incorporates sound recordings that account for any song with or without music and may encompass podcasts or audios. Taking the example of Spotify, all the audios and podcasts are copyrighted. We are quite aware of the fact that the moment something is created, it is conventionally considered as a copyrighted work (whether it might be registered or not). If a remix is created without taking prior consent from the original owner, it will result in an unsanctioned remix and other repercussions for the same. Hence, to make it permissible a legal checklist should be followed.
The person seeking to create the remix cannot make modifications without having the consent of the owner or cannot make alterations that are not obligatory for the conformity of the work. The new sound recording must not be promoted with labels or covers that might deceive the public about the originality of the artist. The remix should not be produced until the expiration of two years following the year-end in which the original song was created.
Ownership under the Act: The original owner has the right to scrutinize all the records and publications with reference to the remix. The assent of the owner of the original song is consequential as the original sound recording was made by the owner and thus, he possesses the exclusive right of the title. If the possessor of the copyright brings a complaint to the effect that royalty has been unpaid or if the Copyright Board is prima facie, contented about such complaint, it may warrant an order bringing halt in production of sound recordings and after carrying out further inquiries, it may adopt the necessary measures as per its suitability. Section 52 (1) (j), states that works as music and sound recordings must acquire a permit from the owner of the copyright for specific performance and modifications. This acts as a legitimate sanction to use the copyrighted work in a certain sense provided that the user pays the requisite fee or else meets the stipulations in the law.
Notwithstanding, for all practical justifications, an individual can create remixes without permission, thereby attenuating the rights of the original owner. To this day, it is obscure that whether the law apprehends remixes as cover versions under the said Act.
Copyright Act protects the work of the artist/proprietor and confers the owner with the right of selling and distributing their work. A remix song is legal only when the owner of the remix song informs via notice declaring their intentions behind the remix song and pays a royalty to the original proprietor. This might seem uncomplicated but the act has few loopholes that demand rectification as the requirement for copyright protection is augmenting in the music industry. With the changing trend in the music industry, the laws and regulations must also be amended to meet the necessity of the industry. A perspicuous definition of a remix song must is proclaimed along with the specific cost of royalty which is to be paid to the original artist so that the liberty of the owner is not exploited.
Bollywood playback singer Sunidhi Chauhan, whose voice remains unforgettable because of songs like 'Ruki Ruki' and 'Mehboob Mere', is all set to be seen in the upcoming music reality show The Remix, which will stream on Amazon Prime Video India. She will be judging the contestants along with music composer Amit Trivedi, and DJ Nucleya. Ahead of the show's launch on 9 March, the celebrated singer spoke to Firstpost about reality shows on TV, the state of Bollywood music these days and the lack of essence in newly released songs.
Chauhan in particular is known for her versatility and distinct vocal texture. There was a time when party songs and high-tempo dance/item songs were composed keeping Chauhan in mind, and she did complete justice to these compositions. Right from her debut with 'Ruki Ruki' and 'Mast', to 'Dhoom Machale', 'Beedi Jalaile', 'Sajna Ve', 'Kamli', 'Ainvayi Ainvayi' to more recent songs like 'Radha' and 'Gudgudi', Chauhan continues to leave a mark.
Chauhan was first spotted in the 1996 reality show Meri Awaaz Suno, hosted by Annu Kapoor and judged by Lata Mangeshkar, Manna Dey, Pandit Jasraj and Bhupen Hazarika. The show was backed by Doordarshan, Mangeshkar and Yash Chopra's Metavision. Since then, Chauhan has been part of many reality shows as a jury member, but she claims The Remix is very different. "While the previous ones were singing talent shows, The Remix has a DJ paired along with a singer, both contributing equally to the song and recreating it. Of course, those are Bollywood songs (old ones as well as new), but the whole idea of creating something absolutely new, regardless of whether it is relevant or not, and then making those songs sound new, is very exciting," says Chauhan. 17dc91bb1f
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