((TOP)) Download Wolf Tales

The Animal wildlands is a dangerous RPG world, where the forest animals guard their territory while hunting and surviving off the land. For centuries, the wolf packs have remained at the top of the food chain, maintaining the natural order, led by their alpha, the last remaining dire wolf. When the dire wolf goes missing, you must lead your pack to greatness. Select a gray wolf or a black wolf, and start building your ultimate wolfpack.

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Yes! You determine when and how users can access your recording. If you want us to wait a year or so for public access, we can do that. If you have any questions or concerns you can always contact us at library_wolftales@ncsu.edu.

As you complete levels, you'll get new attributes that will strengthen your wolf's powers. Also, from the main menu, you have a section where you can unlock new species to use in each one of the animal battles.

The exhibition showcases 23 objects, including elaborate wolf headdresses, rattles, baskets and a whale-bone dance club. Historic drawings created by Quileute teens who attended the Quileute Day School at Mora, near La Push, Wash., from 1905 through 1908, depict activities, including wolf ritual dances and shamanistic performances, house posts that were part of the Potlatch Hall and a whaling scene that shows a crew of eight men coming alongside a whale in their cedar canoe.

Deena is a priestess with more than her share of magical power and a unique ability that has made her a target. She welcomes Josh, seeing a kindred soul in the lone werewolf. She knows she can help him...

Josh is a werewolf who suddenly has extra, unexpected, and totally untrained powers. He is not happy about it - or about the evil jackasses who keep attacking him, trying to steal his magic. Forced to seek help, Josh is sent to an unexpected ally for training. Deena is a priestess with more than her share of magical power and a unique ability that has made her a target. She welcomes Josh, seeing a kindred soul in the lone werewolf. She knows she can help him...If they can survive their enemies long enough.

Marvels & Tales 16.2 (2002) 311-313 // -->

[Access article in PDF] Book Review A Wolf at the Door and Other Retold Fairy Tales A Wolf at the Door and Other Retold Fairy Tales. Edited by Ellen Datlow and Terri Windling. New York: Simon and Schuster, 2000. 166 pp. A Wolf at the Door and Other Retold Fairy Tales adds another collection to what is emerging as a fairy-tale genre of its own, specifically the "retold tale," [End Page 311] a tale that departs markedly though still recognizably from its more widely known cognate. Such retold tales range from the sophisticated literary retellings of Angela Carter and the poetic versions of Anne Sexton to children's books like Babette Cole's Princess Smartypants and the highly parodic Politically Correct Bedtime Stories of James Garner. Edited by Ellen Datlow and Terri Windling, A Wolf at the Door and Other Retold Fairy Tales is a collection of thirteen retold tales for young readers.

Datlow and Windling open the book with a brief introduction intended to provide some historical context to the collection while also encouraging young readers to see fairy tales as a more complex genre than "these sweet and simple versions that most of us know today" (vii). They suggest going "back to the older versions" (vii) to find the scarier, more interesting stories lacking in happy endings, and they give as examples Red Riding Hood's being gobbled up by the wolf, Rapunzel's lover being blinded by the witch, and the Little Mermaid dying when the prince opts to marry a human. Regardless of the fact that these incidents still exist in the classic fairy-tale versions of these stories (e.g., Kinder- und Hausmrchen) or, as the case may be, in the literary tale of Hans Christen Anderson's The Little Mermaid, Datlow and Windling's vague and imprecise introduction does little to repair what they perceive as the problem with how fairy tales are understood today. They do, however, provide interested readers with references to other collections and to websites where they might find more information about fairy tales.

The stories themselves seem typical of stories written for young readers. As retold tales, however, they tend, with a few exceptions, to suffer from the relative obscurity of the tales from which they choose to depart. That is, retold tales depend--for their effect, for their pedagogical value, for their humor, etc.--upon the tension that exists between the transformed version of the story and the reader's cultural familiarity with the original. Thus, if the reader is not already familiar with the tale being retold, the retelling loses all of its transformative power and is simply another story.

Each story in A Wolf at the Door and Other Retold Fairy Tales is followed by a short author biography in which most authors describe their own fascination with fairy tales as well as their decisions for choosing the tales they use as the basis for their own retellings. In some cases, the authors even make explicit their intentions in retelling the chosen tale (see, for instance, Jane Yolen's explanation of her story "Cinder Elephant," though here Yolen's explanation is unnecessary as the tale's retold meaning seems quite obvious given the cultural familiarity that most readers have with "Cinderella"). It's possible that A Wolf at the Door and Other Retold Fairy Tales would benefit from reprinting versions of the original tales along with the author biographies, [End Page 312] though even then the disjuncture created between the two might not carry enough cultural relevance to convey the intended meanings.

With the brilliance of Angela Carter's retellings and Anne Sexton's transformed tales and James Garner's humorous parodies, even young readers interested in retold fairy tales would be best served by these new "classics" than by the stories in A Wolf at the Door and Other Retold Fairy Tales.