In 1963, she returned to collaborate with S. D. Burman.[61] She had sung in R. D. Burman's first film, Chhote Nawab (1961), and later in his films such as Bhoot Bungla (1965), Pati Patni (1966), Baharon ke Sapne (1967), and Abhilasha (1969).[62][63] She also recorded several popular songs for S. D. Burman, including "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet with Kishore Kumar) and "Piya Tose" from Guide (1965), "Hothon Pe Aisi Baat" from Jewel Thief (1967), and "Kitni Akeli Kitni Tanhaa" from Talash.[64][65][66][67]

Rajesh Roshan's collaboration with Dev Anand in Lootmaar and Man Pasand resulted in songs such as "Paas Ho Tum Magar Qareeb" and "Sumansudha Rajni Chandha" respectively. Lata had duets with Rafi such as "Mujhe Chhoo Rahi Hain" in Swayamwar (1980), "Kabhi Kabhi Bezubaan" in Johny I Love You (1982), "Tujh Sang Preet" in Kaamchor (1982), "Angrezi Mein Khete Hai" in Khud-Daar (1982), "Ankhiyo Hi Ankhiyo Mein" in Nishaan (1983), "Dushman Na Kare" in Aakhir Kyon? (1985) and "Wada Na Tod" in Dil Tujhko Diya (1987), later featured in the soundtrack of the 2004 film Eternal Sunshine of the Spotless Mind.[103]


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Bappi Lahiri composed some songs for Lata, such as "Dooriyan Sab Mita Do" in Saboot (1980), "Baithe Baithe Aaj Aayi" in Patita (1980), "Jaane Kyun Mujhe" in Agreement (1980), "Thoda Resham Lagta Hai" in Jyoti (1981), "Dard Ki Ragini" in Pyaas (1982), and "Naino Mein Sapna" (duet with Kishore Kumar) in Himmatwala (1983).[104]

Mohammed Zahur Khayyam continued to work with her during the 80s and composed songs such as "Hazaar Rahein Mud" (duet with Kishore Kumar) in Thodisi Bewafai (1980), "Simti Huyi" from Chambal Ki Kasam (1980), "Na Jane Kya Hua" in Dard (1981), "Chandni Raat Mein" in Dil-e-Nadaan (1982), "Dikhayi Diye" in Bazaar (1982), "Chand Ke Paas" in Dil-e-Nadaan (1982), "Bhar Lein Tumhe" and "Aaja Nindiya Aaja" from Lorie (1984) and "Kiran Kiran Mein Shokhiyan" in Ek Naya Rishta (1988).[105]

In the 1990s, she began singing duets with Roop Kumar Rathod, Hariharan, Pankaj Udhas, Abhijeet, Udit Narayan, and Kumar Sanu.[164] Her most notable work of the 90s was Dilwale Dulhania Le Jayenge, with songs such as "Mere Khwabon Mein Jo Aaye", "Ho Gaya Hai Tujhko To Pyaar Sajna", "Tujhe Dekha To Yeh Jana Sanam", and "Mehndi Laga Ke Rakhna".[165]

In the 2000s, her duets were performed mainly with Udit Narayan and Sonu Nigam. 2005-06 were the years of her last well-known songs: "Kaise Piya Se" from Bewafa (2005); "Shayad Yehi To Pyaar Hai" from Lucky: No Time for Love (2005) with Adnan Sami; and "Lukka Chhupi" in Rang De Basanti (2006 film) with A. R. Rahman. She sang "Ek Tu Hi Bharosa" from Pukar (2000). Other notable songs of this decade were from Veer-Zaara (2004), sung with Udit Narayan, Sonu Nigam, Jagjit Singh, Roop Kumar Rathod, and Gurdas Mann. One of her latest songs was "Jeena Hai Kya" from Dunno Y2 (2015).[166]

In 1974, Guinness World Records listed Lata Mangeshkar as the most recorded artist in history, stating that she had reportedly recorded "more than 25,000 solo, duet and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by Mohammed Rafi, who was claimed to have sung around 28,000 songs.[204][205] After Rafi's death, in its 1984 edition, the Guinness Book of World Records stated her name for the "Most Recordings", but also stated Rafi's claim. The later editions of Guinness Book stated that she had sung no fewer than 30,000 songs between 1948 and 1987.[206]

The entry was discontinued by Guinness editions in 1991 without explanation, while several sources continued to claim that she recorded thousands of songs, with estimates ranging up to figures as large as 50,000.[207][208] However, even the earliest Guinness claim of 25,000 songs (between 1948 and 1974) was disputed and claimed to have been exaggerated by several others, stating that the number of songs sung by her in Hindi films to 1991 was found to be 5025.[209][210][211][212] Mangeshkar stated that she did not keep a record of the number of songs she recorded, and that she did not know from where Guinness Book editors got their information.[213] In 2011, the entry was revived by Guinness crediting the record to her sister Asha Bhosle as the most recorded artist in music history, "for recording up to 11,000 solo, duet and chorus-backed songs and in over 20 Indian languages since 1947".[214] Since 2016, current record in this category belongs toP. Susheela, for recording at least 17,695 songs in 6 languages, not counting some lost early recordings.[215][216]

I have to now stop describing films as B-grade. Saranga was a landmark score of Sardar Malik (father of Anu Malik). Though he was hugely talented, he could not hit the big league. This beautiful duet picturised on Sudesh Kumar and Jayshree Gadkar is but only one of several fabulous songs in this movie (Every Mukesh fan would know Saranga teri yaad mein).

If you consider the longest lasting, and the largest variety of singers for whom any music director has composed everlasting songs, SD Burman would be perhaps the undisputed king. His talent is awesome, another great duet from this film Tere bin soone nain hamare figured in my best ten list of Rafi-Lata duets. 

This is my fourth blog-post on dual versions of same song sung by our playback singers in Hindi films. The first post had two parts and was devoted to the inimitable Kishore Kumar. One version was sung by him while the other version was either a solo or a duet sung by other singers. The second post had songs where the two versions were sung by Mohammed Rafi and Lata Mangeshkar. ff782bc1db

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