The French managers Olivier Lorsac (aka Olivier Lamotte d'Incamps) and Jean Georgakarakos formed the band Kaoma in France after Lorsac was exposed to lambada in March 1988 during his visit to Porto Seguro, Bahia, Brazil. Lorsac and Georgakarakos bought the musical rights to over 400 lambada songs from the Brazilian music publisher Continental. Lorsac admitted he and Georgakarakos had heard a "remarkably similar" song by the Hermosa brothers, later recognized by French court to be Mrcia Ferreira's hit cover version.[41][42][43][5] In France of 1989, Kaoma's song was used in a television advertisement for Orangina.[44]
In France, "Chorando Se Foi (Lambada)" was covered by another music group, Carioca, which peaked only at No. 22 on 9 September 1989 and remained in the charts for nine weeks.[96] It was also covered, around that time, by other Brazilian singers, such as Faf de Belm, whose 1985 album Aprendizes da Esperana was an early example of the lambada music genre. In the same year, a cover by Regina appeared on the album Lambada Tropical (credited to Chico Mends) and on the compilation albums Max Mix 9[97] and Hits '89.[98][99]
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The lyrics for Jack'sauce's "Lambada Danando" describe the singer's fascination with a beautiful woman ("Morena") whose movements and demeanor render him utterly relaxed and consumed by desire. The opening line, "Morena cintura de mola," refers to the woman's curvy waist, likening it to the elasticity of a spring. Her "jeitinho" (little way) of dancing the lambada is depicted as a powerful, transformative force, enabling the singer to forget his troubles and experience joy and ecstasy. The repeated refrain of "Danando Lambada" emphasizes the seductive and infectious nature of the dance, with its call-and-response structure inviting the listener to join in the celebration.
As the song progresses, the singer's desire for the Morena intensifies, characterized through descriptions of their physical closeness and the "aflio" (anguish) of their unfulfilled longing. The sexual tension is heightened by the imagery of their "corpo roar" (bodies rubbing against each other), which underscores the sensuality of the dance and the feverish atmosphere it creates. Overall, the song's lyrics capture the intoxicating allure of the lambada dance and the visceral pleasure it engenders, personified by the Morena archetype who embodies the spirit of the dance itself.
I ordered the seared ahi tuna to get started and I think, out of everything I ate, it was a favorite of mine. It was seared to perfection; the presentation was excellent, fanned out on a bed of a great wasabi cream sauce. It was very tender and truly did melt in your mouth.
The small coffin on the plate made of dark and rich chocolate plays lambada in your mouth, which will numb you for a second before you realize you're dealing with (quite a lot of) popping candies. To complete the surprise, the menu also has a cute chestnut cake decorated with a chocolate-made bat, a ghost-shaped white macaron with cassis filling and a blue mallow gelee, which resembles a mad scientist's laboratory equipment and undergoes an interesting transformation once you add the attached lemon sauce.
Well, my fellow meat sticks, it looks like we made it through another year. Soon our reptilian overlords will descend from their base on comet Pion to bite off our ears and tails like you do to your helpless Easter bunnies and YOU WILL DESERVE IT! Poor little chocolate rabbits. Much better in a brandy and plum sauce, but I digress. e24fc04721
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