Squeaky Message Tone Download
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Since updating my Watch to 6.1, my notification sounds are varied. It used to always just be a "ding" or something similar and now it's not. The notification for certain things comes in as a tiny squeak or it sounds a little bit like a bird chirp. The notifications for text messages is still a ding and other notifications are the same. I've already checked the 6.1 update notes, restarted my phone, force restarted my Watch, repaired my Watch, checked online forums, and haven't seen anything about a weird squeak or chirp. I'm not sure if it's just a new feature from the update or if something is legitimately wrong with my watch. Any ideas? Thanks.
_________________ (a nickname given by radio listeners) is a utility shortwave radio station that broadcasts a distinctive sound. From around 2000 until 2008 the station's attention tone was a high-pitched two tone signal that vaguely resembled a squeaky wheel. From 2008 the channel marker changed to two different tones in a short sequence repeated with a short silent gap. The frequencies were 5473 kHz (day) and 3828 kHz (night).[1][2] Several times voice messages in Russian military format have been reported. The exact transmitter site is unknown, but is thought to be near Rostov-on-Don, Russia.[2] The signal strength is weak in Central Europe and the signal sometimes even disappears for days in the noise.
So how can we improve the rate at which our message is taken on by clients as the message of authority? Style of delivery is key. It is often said that the squeaky wheel gets the oil. Well further to that, a wheel that has a pleasant squeak will generally get loads of oil ahead of another which sounds like fingernails down a chalkboard.
I believe all consultants are primarily rewarded on how well they are able to transfer their message, beliefs and positive energies to potential clients and of course we must back up the message with positive results.
Details
- Open A and D stings sound fine. A string is completely fine.
- The D string is 100% squeaky with any fingering. It's impossible to get an acceptable sound.
- The G and C strings squeak a little bit open OR fingered.
- It definitely feels like the bow isn't catching the strings enough, but I could be wrong because it catches just fine on open A and D.
Clean the strings with alcohol VERY CAREFULLY. Do not get any on your cello.
Use something like a thick microfiber rag and put a little alcohol on it, not enough to drip, just enough to be damp. First vigorously wipe the strings with any dry cloth to remove the build of the resin. Then carefully to avoid any possibility of touching wood, wipe the strings with the alcohol rag. With the wet spot between two fingers hold the wet spot on the string and move it back and forth until the string is pristine.
I have tried a dozen rosins, and I can definitely tell you the rosins are likely your problem. The rosins are very sensitive to temperature, humidity, and bow - and probably your cello. I have 3 bows now and each likes a different rosin. The two rosins that work best for me are D'Addario (very dark) and Gustave Bernardel redish. Jade is okay, but not as good for me. If you read reviews on Rosins you will find everyone has different experiences - so you need to find YOUR rosin. I have about 10 different ones now. My luthier gave me like 5 or 6 different ones until I found Jade worked "ok". Then I started trying/accumulating my own from Amazon and various places. With my CodaBow Diamond a mix of D'Addargio and Gustave Bernardel works best - best being good warm smooth tone, little to no squeaking or scratching - easy bow changes and string changes. With my $90 Chinese carbon fiber bow the Jade works best. With my $75 Fiddlerman Carbon Fiber Bow (which is almost identical to my $90 Chinese Carbon Fiber bow) the Gustave by itself works best by itself.
With the Jade on my Diamond I get a lot of squeaks and scratches on bow and string changes. Very hard to get the string vibrating cleanly, especially the C.
Tone quality varies widely also based on the rosin, each seems to have it's own sound.
How much rosin is another area that everyone seems to have their own opinion. First, I do not like he rosin to be soft enough to gum up the strings - those rosins don't get used. I want the rosin to grab the string, but I want the residue to be more power than gummy. I watched the David Finckel videos (Excellent information) and he recommends that you can not have enough rosin. I started that way and really piled it on, then I started backing down. I now use 3 or 4 heavy rubs full length every two or three days - normally - of practice (I practice about 2 to 4 hours a day). Sometimes I use more, but not often. At the end of a practice session I have a light coat of dust on the belly of the cello, and the strings are fairly solid white where I was bowing. That all gets wiped off (strings rubbed vinously with microfiber cloth) daily, belly wiped gently with a microfiber cloth every practice session. If a practice results in a heavy load of dust on the belly, I feel like I used too much and don't add any until it calms down. If there is no dust (not much) on the belly or strings I add more rosin to the bow hair.
That is what works for me. My goal is tone quality right now and I am extremely critical on how each rosin sounds, and they all sound different - to me. The rosins that are very soft just don't sound very good to me.
Oh one last hint - I watched a lot of videos about cleaning the bow hairs. MY opinion is that it is not necessary. I started out cleaning the bow hairs between each rosin change - cleaning as it taking the frog off and dipping the hair curled up into a jar/bowl with alcohol in it multiple times until all the rosin was removed. Then putting it in front of a fan until the hair was dry. I don't know if it damages the hair, I don't think so, but I don't see any point. Now I wipe the hair down gently until the cloth comes away "clean" and then add a little new rosin, play a few minutes to work it in, then wipe it down and add some more. A few times and I leave it alone, each successive day that I add more rosin I do that for a few days, then I stop wiping it down - most of the rosin is no the new one. And don't be afraid to mix the rosins on the hair. Some mixtures work well too.
HM2 has a weird sound so its hard to capture and too much gain especially a noisey signal will set it off. You could use a noise gate but it does zap the tone so proceed with extreme caution. What I've done to help reduce noise is get better cables.
3. I will try this tomorrow: on the preamp (vintech x73 in my case), a gentle (or not so gentle) roll-off on the lows might alleviate the problem. Ideally, the roll off would be low enough not to affect the tone you are trying to capture.
When talking about sound only kids can hear, there is one theory that keeps popping up. This theory says that adults above the age of 25 cannot hear a sound called the 'mosquito tone' which is a sound at a frequency of 17.4 kHz. If you want a chance to test this sound out for yourself, you can find it here.
Turns out I'm wrong about this part - I cut some Capricorn XS tubing last night, and it did certainly squeak against a utility knife blade. This might be due to some of the additives in the tubing (it's not pure PTFE), but I stand corrected nonetheless. However, while the tube squeaked when cut, it had a different tone or sound than the distinct PETG/PETG friction sound.
In his book, 1_____________________, Dr. Gottman reveals that when it comes to assessing the meaning of communication in relationships, only 7% of that meaning comes from the spoken word, while 38% comes from the tone of voice in communication.
How quickly or slowly do you speak when you and your partner are in the middle of an argument? During a presentation at work? In addition to fine-tuning your talking tone, you must also be mindful of your pace. When you slow down, you can help your audience understand what you are saying and they will be better able to absorb your message. However, speaking too slowly can be misconstrued as demeaning and offensive. To really get your message across, focus on articulating and conveying your message as clearly as possible by speaking at a steady, even pace.
This goes without saying: Yelling at your partner will backfire, either by causing an argument or making them retreat from the conversation entirely. This is often how tone of voice affects relationships negatively, but it also applies to conversations with colleagues, family and anyone else you encounter. Speaking too loudly makes you seem aggressive and insensitive. Instead of raising your voice, if you want to emphasize something, slow the pace of your words. Pause to highlight major points or to give your audience time to take in your point.
Your tone of voice is powerful because it projects who you are as a person. Your friends, family, clients and partners are people just like you who respond best to words and phrases that make them feel good. But your tone of voice is at its most powerful in your romantic relationships.
We have known Pip and Squeaky Wheel to be associated witheach other for several years now owing to several factors. When a"monolith" is transmitted by Pip with the callsign 1(JVB1) there is always a following "monolith" messagetransmitted by Squeaky Wheel with the callsign -45(Al'fa-45) between 2 and 10 minutes afterwards, albeitwith different message content. This, however, is usually not thecase when Pip transmits a message with multiple header groups andonly one codeword - in this case Squeaky Wheel will not typicallytransmit a follow-up message.
There have been instances of transmission from Squeaky Wheelwith clearly audible Pip channel marker in the background havingbeen picked up by the operator's microphone such as the belowexample. This demonstrates a direct connection in that the SqueakyWheel operator is clearly monitoring the Pip. As can be deducedfrom the complete lack of follow-on message from Pip after aSqueaky Wheel transmission and also having never observed SqueakyWheel channel marker bleeding into Pip transmissions, it seems thatPip does not need to monitor Squeaky Wheel. 5376163bf9
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