Of course, Jennifer does have an input and many of her songs are 100% her. But others do use the vocals of other well-known women for choruses and ad libs - with many being credited as background singers on the songs, whilst Jennifer's busy lip-syncing in music videos.

Of course, Jennifer sings 100% of many of her songs, and she does a pretty impeccable job of fulfilling the vast other requirements of the perfect pop star - her dancing, for example, is flawless. But next time you're doing a J.Lo song at karaoke, it might be fun to remember that you might be singing more of it than Jennifer herself.


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The Hold Steady: tag_hash_107_________________________ (Vagrant)Sasha Frere-Jones has nominated the Mountain Goats, and now theDecemberists come to mind even though their songs are fictive ratherthan reported/recollected/observed, but for me the nearest parallel tothis band is the Drive-By Truckers. Both bands match the descriptionsthey stuff into their traditional narrative structures to a specificrock tradition: Skynyrd-Allmans for the Truckers' songs of the South,Springsteen for Hold Steady's new generation of shadows in thebackstreets. That said, this album lays it on too thick--all rightalready with the keyb flourishes, which suit their mawkish new emolabel all too well--and declines the thematic burden of "SeparationSunday." As stories, on the other hand, the songs could convinceanyone that kids have a hard time--without giving whiners any sort ofgo-ahead to throw their lives away. All accomplished without directlyreferencing ye olde rock-and-roll lifestyle--unless you count"Chillout Tent," in which two strangers freak at a festival and liveto make out about it. But that's about fans, not bands. This band isfor the fans. A MINUS

Maria Muldaur: tag_hash_108______________________________________(Telarc) A pop connoisseur even as a kid in a jug band, Muldauralways brings savoir-faire to "folk" materials. But she's never sungwith so much attention, delicacy and lyrical intelligence. Sheextracts meaning from songs a younger Dylan played aslook-ma-June-spoon throwaways, lifts the title tune from well-earnedobscurity, lays "Lay Lady Lay" across her big brass soul and rescues"Make You Feel My Love" from Billy Joel. And also from Bob Dylan. Evenwhen the songwriter does this kind of material straight, he's notsexy--not like Rod Stewart or Al Green. But Muldaur, who's been knownto slather the libido on too thick, is serious about getting into bedwith him. A

The Who: tag_hash_109____________ (Universal/Republic) The albumis unlistenable for a simple reason: Roger Daltrey. Now 62, he'sincapable in body as well as mind of negotiating the first new Whomaterial since 1982's dreadful It's Hard. Gesturing futilelytoward high notes as he tries to remember his acting lessons, hecroaks, growls, shouts, emotes and otherwise bollockses songs he'ssure are profound. When the leader spells him seven tracks in, thesharp uptick in modesty and lyricism comes as a relief until the "Wakeup and hear the music" jag at the end. But it's the leader who decidedprog was a peachy idea, the leader who designates yet another songcycle a "mini-opera," the leader who gives the orders around here. Sothe album is also unlistenable for a complicated reason: PeteTownshend. C 006ab0faaa

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