Diatonic and Chromatic Harmony

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GENERAL HARMONY

Part-Writing Guidelines

Part-Writing using Seventh Chords

Table of Key-Related Diatonic Harmonic Analyses

Table of Key-Related Harmonic Analyses

Common and Less-Common Chord Progressions

DIATONIC HARMONY

Chords Built on the Supertonic

Submediant and Mediant Chords

Minor v and Major VII Chords

CHROMATIC HARMONY

Table of Triadic Harmonic Analysis based on Scale Degree

Table of Seventh Chord Analysis based on Scale Degree

CHROMATIC HARMONY: SECONDARY DOMINANT and LEADING TONE CHORDS

Introduction to Secondary Dominant Chords

Introduction to Secondary Leading Tone Chords

CHROMATIC HARMONY: BORROWED CHORDS and the NEAPOLITAN SIXTH CHORD

Borrowed Chords

The Neapolitan Sixth Chord

CHROMATIC HARMONY: THE AUGMENTED SIXTH CHORD

Introduction to Augmented Sixth Chords

Examples of Augmented Sixth Chord Usage

CHROMATIC HARMONY: NINTH, ELEVENTH, and THIRTEENTH CHORDS

Ninth, Eleventh, and Thirteenth Chords

MODULATION

Modulation to Closely-Related Keys

Tables of Available Pivot Chords for Modulation to Closely-Related Keys

Advanced Modulation to Distant Keys

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