Thompson continued to write for the National Observer on an array of domestic subjects during the early 60s. One story told of his 1964 visit to Ketchum, Idaho, to investigate the reasons for Ernest Hemingway's suicide.[27] While there, he stole a pair of elk antlers hanging above the front door of Hemingway's cabin. Later that year, Thompson moved to San Francisco, where he attended the 1964 GOP Convention at the Cow Palace. Thompson severed his ties with the Observer after his editor refused to print his review of Tom Wolfe's 1965 essay-collection The Kandy-Kolored Tangerine-Flake Streamline Baby.[28] He later immersed himself in the drug and hippie culture taking root in the area, and soon began writing for the Berkeley underground paper Spider.[29]
From the late 1970s on, most of Thompson's literary output appeared as a four-volume series of books entitled The Gonzo Papers. Beginning with The Great Shark Hunt in 1979 and ending with Better Than Sex in 1994, the series is largely a collection of rare newspaper and magazine pieces from the pre-Gonzo period, along with almost all of his Rolling Stone pieces.
Hunter S Thompson Collection
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Many of these columns were collected in Gonzo Papers, Vol. 2: Generation of Swine: Tales of Shame and Degradation in the '80s (1988) and Gonzo Papers, Vol. 3: Songs of the Doomed: More Notes on the Death of the American Dream (1990), a collection of autobiographical reminiscences, articles, and previously unpublished material.
Thompson's next, and penultimate, collection, Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century, was widely publicized as Thompson's first memoir. Published in 2003, it combined new material (including reminiscences of the O'Farrell Theater), selected newspaper and digital clippings, and other older works.
Thompson was a firearms and explosives enthusiast (in his writing and in life) and owned a vast collection of handguns, rifles, shotguns, and various automatic and semiautomatic weapons, along with numerous forms of gaseous crowd-control and many homemade devices. He was a proponent of the right to bear arms and privacy rights.[83] A member of the National Rifle Association,[84] Thompson was also co-creator of the Fourth Amendment Foundation, an organization to assist victims in defending themselves against unwarranted search and seizure.[85]
Following its Genesis P-Orridge/Psychic TV release, PLEASURES has now offered its latest project with the estate of Hunter S. Thompson. An ode to a true counter-cultural icon, the Hunter S. Thompson by PLEASURES collection celebrates the enduring legacy of the American journalist and author.
The artworks displayed in each collection represent a small cross section of what is available.Most of the artwork in the collections is available for license. If you would like to see a complete collection of works, receive more information about the work of Ralph Steadman and how to either license existing work or discuss a new commission, please email info@ralphsteadmanartcollection.com.
One of Ralph Steadman's most iconic collections of work, Fear & Loathing in Las Vegas was his famous collaboration with Hunter S Thompson. The novel is a psychedelic journey to the heart of the American Dream and epitomises the newly emerging Gonzo Journalism, a term coined by Cordoza to express a style of writing whereby instead of simply covering a story, the writer is immersed in the story and becomes subjectively central to it.
2022 saw Johnny Depp's debut collection Friends & Heroes sell out almost immediately across the world. The collection focused on people he has known well, and who have inspired him as a person, including Elizabeth Taylor, Bob Dylan, Al Pacino, and Keith Richards. Now, in 2023, we see the release of Johnny's much anticipated second instalment of Friends & Heroes including this vivid portrait of Hunter S Thompson.
All this had been rounded up the night before, in a frenzy of high-speed driving all over Los Angeles County - from Topanga to Watts, we picked up everything we could get our hands on. Not that we needed all that for the trip, but once you get locked into a serious drug collection, the tendency is to push it as far as you can.
Buffalo Bill was an American soldier, bison hunter and show man during the latter half of the 19th century. One of the most famous and colourful figures of the Old West, Buffalo Bill found fame with his touring shows, which featured cowboys, roughriders, Native Americans and sharp shooters.
The press release, which was included in Gonzo: Hunter S. Thompson, a collection of photos and letters from his life, and reprinted in Proud Highway, a collection of his personal correspondence, is a beautiful and belligerent salvo aimed right at his superiors:
At that time there were no rules or laws about the disposition of cultural property and as farmers and others discovered these small gold objects buried in their fields they either sold them or melted them down to reuse the gold. At the time Indonesia had no treaty with UNESCO, whereas now if something is discovered it must be sold to the state. All the elements in the collection were purchased outside Java at auction and through dealers, Hunter Thompson assured me.
Over the next ten years a number of events took place to advance scholarship in the area of old Javanese gold and precious metals in Southeast Asia. In 1987 the Asian Museum in Singapore mounted an exhibition that included some of the Thompson collection. Through his collecting and interest in this area, Thompson had met John Miksic, an expert in Javanese gold, and in 1990 Professor Miksic published the first edition of the catalogue that accompanies the current exhibition at Yale. While it initially documented this important private collection, it also included essays on the role held by gold objects in Medieval Java. This volume became the definitive reference guide until its current reissuance with updated and expanded information on new advances in the field over the past 20 years.
In 1995 an exhibition was mounted at the Tropenmuseum which consisted primarily of elements from the Hunter Thompson Collection. In lending the collection and encountering various cross-border issues, Thompson began to think about its final disposition and started to pursue this with greater urgency.
A very rare funerary mask is on view (see lightbox above). It is spectacular in its superb condition and in the facial expression it presents. These masks are not widely present in other collections and this example is noteworthy for its completeness and the curious horizontal marks on the nose, which are not seen in other examples.
Working with Woods Contemporary, curators based in Baltimore, we approached 30 artists -- including Bob Dob, Nathan Spoor, Justin Bua, Nanami Cowdry, and Tatiana Suarez -- to be a part of the collection.
Most of my friends discovered Hunter in the pages of Rolling Stone. Not me. I was more of a Creem and Crawdaddy kid. The latter were writing about the music I was listening to at the time, and they were much easier to shoplift from Beal's Newsstand & Bookstore than the early tabloid style of Rolling Stone. But as a stroke of luck and fine taste, the Andrew Carnegie public library in my speck of a hometown had a copy of "The Great Shark Hunt: Gonzo Papers Vol. 1, Strange Tales from a Strange Time." It was a collection of his works up to the late '70s. Nixon, napalm, Vegas, Watergate, Carter and cocaine. Six hundred pages long and after the first few lines, I devoured the beast in about six hours. I didn't realize you could live that lifestyle, write those words, and not only get away with it, but actually make a living at it. 589ccfa754
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