Test and run a detailed analysis of sound systems using your computer. Check out tools like a low distortion signal generator, a digital level meter, a crest factor meter, a dual trace oscilloscope and a high-resolution real-time analyzer. Adjust the frequency, amplitude, and wave type.
In order to achieve this, I need the maximum sound level (SPL level) and dynamic range of the reference pianos. Then I can adjust the volume and dynamic range in my Pianoteq setup so that my sound meter will read the same.
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Is the information about the maximum sound level and dynamic range of each of the reference pianos (or one set of number in general if all the pianos are very similar) available? Or is this the proper way to approach this?
Also - keep in mind a grand is by nature projecting sound waves to fill a large space - so as beautiful as they can sound loud, putting one in a small physical space may not sound as good up close as one on an acoustically appropriate stage (but in headphones and in recordings of course very fine coming out 2 speakers - but maybe just not for the purposes of player positional realism - if that makes sense.) Small spaces among other things can include big thumping early reflections among other things subjected to high bassy audio. So, some tweaking of presets might be a good thing to get to grips with. A few quick thoughts, include lowering 'early reflection' in reverb, altering reverb 'tone', using an EQ preset or making one to reduce some bass. That's before getting to other issues like running things through a DAW of choice and using some plugins gain a studio level of control over more aspects of your sound.
A: What sound level (in db, typically at 512 hz / # C4), at the listener's ears, related to each of the different conventional levels (ppp, pp, mp, mf, f, ff, fff) could we advise "typically" (although this is highly subjective) in the following 4 cases on a real grand acoustic piano:
** as a player, (for his own pleasure, without worrying about the presence of possible listeners - but with preservation of his ears long-term) cf "monique" hearing curve measured a few years ago, damaged in several places by 15 years of play, several hours a day, at a little too high sound level on a 2m bosendorfer, in a living room, yet closed lid, ...
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** as a player, to prepare to please loved ones, in the context of an audition in an "ordinary" living room with listeners at 2.5 m on the back of the instrument
** as a player, to prepare for an optimal hearing for the audience in a concert hall
** as an auditor, placed in the front row in a concert hall (not too close anyway to enjoy the stage).
B: always, about the sound level, I was always surprised with Pianoteq by a very important level shift between:
* playing .midi files from Minnesota International Piano-e-Competition (recorded on a Yamaha Disklavier Pro), much higher level than:
* the game on a midi keyboard (in my case my Casio GP500 midi output-> Pianoteq), with a linear velocity curve, regardless of the level of pressure on the keys, from ppp to fff.
NB1: In the case of listening with headphones, I tried to estimate the perceived sound level from the sensitivity characteristics of headphones (n db for 1V at 1khz "at its" impedance at this frequency, by modulating the value of the perceived sound level according to the losses in db according to the frequency from the frequency response curve of the manufacturer of the headphones). The measurement of the voltage was made with an electronic voltmeter, calibrating it at 50 Hz according to the sound level of the sinusoidal signal generator (trueRTA software+inboard audio soundcard), and by measuring, beforehand, at a level in db given by the generator, the level of weakening of the set (generator + voltmeter) when the frequency becomes higher or lower between 15hz and 20khz to "try" to avoid bias in the measurement.
Its useful to me to hear that you also find ARC suggesting lower subwoofer levels. Perhaps what the director intended is not what we like! or as you say there is a bump in one frequency causing the calibration software to overreact. From my manual calibration years ago, I noticed that its quite easy to tame peaks without distortion, but trying to raise deep troughs can push the equalizer to distortion. 589ccfa754
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