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John A. Rice, History of Music
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"La folia" in Late Eighteenth- and Early Nineteenth-Century Vienna
"Lodi al gran Dio": The Final Chorus of Metastasio's Betulia liberata as Set by Mozart and Gassmann
A Bohemian Composer Meets a Mozart Singer: Kozeluch's Rondò for Adriana Ferrarese
A Libretto Collection from the Circle of Vincenzo Calvesi, Mozart's Ferrando
Beethoven, Reicha, and the Eroica
Benedetto Frizzi on Singers, Composers and Opera in Late Eighteenth-Century Italy
Editing Italian Operas for Vienna, 1765–1800
Essays on Opera, 1750–1800
Expression of Enlightenment Values in Viennese Instrumental Music of the 1780s
Gli sciti: Voltaire's Play, Beretti's Ballet, Mayr's Opera
Grand Duke Pietro Leopoldo's Musical Patronage in Florence, 1765–1790, as Reflected in the Ricasoli Collection
Manzoli
Marianna's Weekly Conversazione: An Account by an Italian Visitor to Vienna in 1793
Mid-Eighteenth-Century Opera Seria Evoked in a Print by Marc'Antonio dal Re
Montezuma at Eszterház: A Pasticcio on a New World Theme
Music and the Grand Tour in the Eighteenth Century
Music in the Age of Coffee
New Light on Dittersdorf's Ovid Symphonies
Opera at the Court of Frederick the Great: Graun's Montezuma as Royal Autobiography
Operatic Pyrotechnics in the Eighteenth Century
Palestrina's Saint Cecilia Motets and the Missa Cantantibus Organis
Sarti's Giulio Sabino, Haydn's Armida, and the Arrival of Opera Seria at Eszterháza
Sense, Sensibility, and Opera Seria
The Blind Dülon and His Magic Flute
The Musical Bee: References to Mozart and Cherubini in Hummel's "New Year" Concerto
The Operatic Culture at the Court of Emperor Leopold II and Its Connection to Mozart's La Clemenza di Tito
The Staging of Salieri’s Les Danaïdes as Seen by a Cellist in the Orchestra
The Temple of Night
The Temple of Night at Schönau
Two Centers of Musical Ferment in the Eighteenth Century: Bohemia and Minas Gerais
Violence, Pathos, and Comedy in Salieri's La finta scema
John A. Rice, History of Music
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