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much of my work develops as a meditation on structure; the relationship of integrated ideas.
Often, these can be read formally as schematics and poignant metaphor for situations or conditions
from the early nineteen nineties on, the power of ornament and the thinking behind it became a fascination. Synthetic form based on nature became re-occuring consideration in many pieces.
Early on, in the late 1980's CAD for me was an interesting approach to making. More powerful personal computer and new technologies for 3D printing emerged. By 1999, I was creating solid forms for jewelry objects.
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