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much of my work develops as a meditation on structure; the relationship of integrated ideas.
Often, these can be read formally as schematics and poignant metaphor for situations or conditions
Brown shell brooch image

from the early nineteen nineties on, the power of ornament and the thinking behind it became a fascination. Synthetic form based on nature became re-occuring consideration in many pieces.

Ero-Blu set of 3 brooches, enamel on copper 1995

Early on, in the late 1980's CAD for me was an interesting approach to making. More powerful personal computer and new technologies for 3D printing emerged. By 1999, I was creating solid forms for jewelry objects.

Knobby Bracelet image. 3D print with enamel powder and epoxy, sterling silver

Like most people, I am fascinated by grotesquerie...