50.000 Lightyears from Home
White buildings and structures stand in a dramatic landscape of light and deep shadows. In the foreground, a dark and mysterious environment emerges, while behind the enormous city, an endless cosmic space unfolds, filled with stars, nebulae and distant galaxies. 

This work began in 1968 as a coloured drawing on a piece of wallpaper that I created for an exhibition at my secondary school. With the help of AI, it resurfaced as a new and powerful surrealist artwork in the twenty-first century, while preserving the original drawing. 

La Destruction Du Monde
The original black & white drawing from 1968 is brought to life through Artificial Intelligence as a striking surrealist composition, confronting the  viewer with an uncompromising depiction of devastation - a fascinating yet frightening fantasy from my younger years. 

Futuristic City Within the Largest Reflecting Pool
A surreal city rises beneath an immense and dramatic sky, its white architecture reflected almost perfectly in the still waters of a vast reflecting pool. The origin of this artwork is, once again, a simple black-and-white drawing I made in 1968 - this time on nothing more than a scrap of paper. More than half a century later, I used AI to transform it into this new and unexpected surrealist artwork.

Universal Digital Art
Inspired by astronomy and satellite communications, the pieces ‘Universal Digital Art’ provide an imaginary view on the universe through the eyes of the artist, combining rectangular structures with the apparently chaotic, yet overwhelming beauty of space. 

New Public Slaughterhouse
The origins of this immense work lie in a black-and-white drawing I made in 1968. As a young artist, I imagined a strange industrial installation in which technology, machinery and reality came together in an almost absurd way. More than half a century later, I used this old drawing as inspiration - and with the help of AI - to create an entirely new work of art. 

Twin Figures in a Fractured Landscape
Two figures share a single form within a landscape fractured into lines, planes, and shifting horizons. Originally created as a black‑and‑white drawing in 1968, this AI‑enhanced version brings new depth and clarity while preserving the tension of the original. 

Small Surreal Animal with the Operable Thought Engine
Based on a tiny original drawing from 1976 and transformed with AI in 2026, this work expands the creature into a new surreal landscape where consciousness and machinery gently intertwine. 

Random Digital Art - Four Seasons

These four works are a surprising abstract interpretation of the four seasons. No leaves, no clouds, no sun -o nly rhythm, contrast and balance, with each panel capturing the mood of its season in a distinctive abstract form. The block pattern (QR code fragments) is entirely defined by randomly generated numbers while the color scheme fits the particular season. 

Fantasy 1969
A tower rises from a circular base, surrounded by floating spheres and ribbon-like structures that swirl around the building like thoughts. Originally a black-and-white cover design for a student magazine in my early days, now brought to life through Artificial Intelligence as a striking surrealist composition. 

Eclipse

This triptych features an exceptional abstract representation of three phases of a solar eclipse. A solar eclipse occurs when the Moon passes between Earth and the Sun, thereby obscuring the view of the Sun from a small part of the Earth, totally or partially. In a total eclipse, the disk of the Sun is fully obscured by the Moon. Although a total solar eclipse occurs somewhere on Earth every 18 months on average, they recur at any given place only once every 360 to 410 years.

Fantasy 1968
One of my earliest surreal drawings, now revived through Artificial Intelligence as a dreamlike vision of impossible architecture and motion. A timeless fusion of imagination and technology, where the boundaries of reality quietly dissolve. 

Random Digital Art - Fire

In this series of Random Digital Art, consisting of eight pieces, the block pattern (QR code fragments) and the format (square or rectangular)  is entirely defined by randomly generated numbers. After generating these numbers, the recipe is fixed and needs only to be executed, thereby removing any further influence of the artist. By placing all eight artworks in the exact sequence 1-8, the idea behind these series of contemporary art is best preserved.

The Silent Architecture of a Distant Dream
What began in 1968 as a simple sketch now unfolds as a dreamlike landscape, reimagined through AI.  It is both a reconstruction and a rediscovery: the silent architecture of a distant dream, now given a tangible presence. 

Waterbound Structure (1968 – 2026)
A rediscovered architectural black‑and‑white fantasy from 1968, transformed through Artificial Intelligence into a serene, surreal monument rising from the water. A quiet fusion of geometry, reflection and imagination.

Daybreak over the Dolomites

A digital reproduction of an earlier work, made by patiently cutting and pasting pieces of photos from a magazine, transforming these ‘memories in black and white’ into a dramatic view on these famous Italian mountains.  

10.000 Lightyears from Earth

“Oumuamua avant la lettre”. A fantasy city on a rock flying through space. Originally a small drawing from 1968. During my digital period, it was first given a cosmic backdrop, and now – with the help of AI – the final, fully realised version has emerged. 

Oumuamua is the first interstellar object to be discovered in 2017 and to have passed through our solar system. The name comes from the Hawaiian ‘ʻoumuamua’, meaning 'scout ’, and reflects how the object can be likened to an explorer or messenger sent from the distant past to reach humanity.