During the spring of 2019, Mike Durkin, a performance director, contacted me with a project proposal. He said that The Barnes Foundation had charged him with creating a performance art event in honor of Matisse's birthday. He described the work as collaboratively built by artists and community members through knitting and needle craft meshed with the stories and motions created in the making spaces. He asked me to join the team as the artistic director of the piece.
My first job was the visually conceptualize the piece and share it with others to gather volunteers for generative work. Our first Sunday meeting in one of the Barnes Foundation Classrooms was an energetic whirl of fun, crafting, and improvisation. It became clear that our project was going to be rather large, and the group felt a strong pull to not create more waste but rather to gather every day materials we could upcycle into the fantastical pieces we would need for our final piece.
Donations and volunteers quickly followed and our installation was filled to brim with all manner of things: jeans and t-shirts, the most muppet-y of yarns, plastic bags transformed into plarn, ribbons, vividly colored tulle, and boxes of pom-poms. On our performance day, our colorful installation was filled with dancing performers young and old while musicians played and visiting patrons crafted alongside artisans adding their own piece to the our Joy of Life.
In the spring of 2017, Melanie Stewart approached me with a radical project idea for her Creative Glassboro Collective. The group wanted to activate the newly opened Downtown Glassboro Park with a creative placemaking event to be held during the weekly SummerFest. I joined a team of artists and community members to conceptualize a large scale project with weekly modules that could be completed by SummerFest visitors, young and old.
First, Creative Glassboro built a wooden Tree framework, a central form for the creative projects the public would be engaging in. Then, the team brainstormed some common household materials that would be accessible to most attendees - plastic bottles and cups, newspaper.magazine/paper products, mismatched socks, spare buttons, even wine corks and bottle caps. I scoured the web and my crafting network for high impact upcycling projects that would not involve long, complicated steps. I themed these to the materials we would use weekly and put together basic tutorials for my team of volunteers to teach from. I also created themed Pinterest pages and social media posts to further engage and inspire attendees.
Each week, my small team of volunteer crafters and I would set up near the tree and engage attendees in crafting instruction while also discussing recycling, upcycling, and the impact of waste was having on our environment. As each craft project was completed, we assisted the maker in attaching it to our wooden "CommuniTree" which evolved and blossomed over time.
The CommuniTree nearing completion.
Detail image showing the variety of materials and embellishment techniques.
My team fashioned aprons from old button down shirts and added our logo. The sloth was made from mismatched socks and stuffed with plastic bags.