Taking from a reading of Donald Judds now renowned essay 'Specific Objects' these works seek to challenge a notion of painting, a notion that suggests that the painting is a static object, a container of meaning, separate and distinct from the room, objects, people around it. A meaning portrayed in the illusionistic content of the painting and not in the actual materials present. 

These paintings and performances seek to challenge this notion by forcing themselves into a dynamism, more fitting for the ever presence of images in our daily lives, paintings are ripped and sown into other canvases, placed in relation to each other and reference what is outside of itself.  The works seek to allude the process of commodity fetishism by never being one static object but rather existing within a dynamic process of painting.