Jazmine Sullivan has returned with more tales for her heaux chronicles; "Hurt Me So Good," one of the new tracks on Heaux Tales Mo' Tales: The Deluxe, narrates the perils of staying in a relationship bad enough to make you question your worth but just good enough to make you stay despite the drama. Toxicity at it's finest. In the preceding interlude, "Jazzy's Tale," Sullivan invites insight into this mental state by sharing childhood experiences of feeling "undesirable" and a consequent need to seek validation from men: "It's a sad, scary and vulnerable place when you need to feel love so much that you're willing to accept anything."
In "Hurt Me So Good," Sullivan belts verses about being a shadow of who she once was over a busy percussive beat entwined with a jazzy piano melody. The track features Sullivan's raspy rap-singing as, effortlessly, her vocals go from floating alongside instruments to passionate lilts in the bridge and chorus. Sullivan ends the song with, "And I hate that I need you, when you know how to hurt me so good," followed by a cry-like run, a final plea to her lover for mercy.
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It's how when you're a teenager & you're all messed up & unhappy & getting with a girl is good even though there is the hurt when you realise it was just a one-nighter or you know that eventually you will break up.
The line is actually "you ain't as green as you are young," meaning he knows that though she is young he knows that she has slept around and is sexually experienced. For instance, if she was beating around the bush and trying to play hard to get then he's cutting right to chase saying basically, "Come on, Sweetheart. Don't play dumb with me. I know who you are and you know who I am. Are we gonna stand here all night or what?"
I think its just about sex period!!! He reflects on a time when he was younger and wilder and making it with girls. And there is this HOT girl. But I cant figure out if the girl is a new chick ("you aint as green as you are young") or a familiar girl he used to be with ("hey baby it's you") like he knows how she is. "sink your teeth right through my bones..." i think is oral sex. but i dont think its about a relationship really cuz he says at the end "i aint talking no big deals...I aint made no plans myself" meaning 'we're just having fun!!!
Sr. Mellencamp is obviously referring to a common variety of sexual intercourse most commonly known as anal sex. While very pleasurable this variation is also acutely painful, inspiring "hurts so good".
Well theachillestendon, if you want to see it (sex everywhere)... at least you are not the only one.
For me this song is about a "green old man" (viejo verde in spanish)... who wants to be or have sex with a young lady. Only that... is simple for me. Sometimes I lust for a girl in his early 20's and I am 32. I can understand it.
also, when he says 'i ain't as green as you are young', it's because she still thinks he's just a young boy having fun and he's not ready to change his ways so quickly for her because he doesn't know about love, but he's just doesn't show on the outside that he does know enough to change quickly so he says that "isn't as green" on the inside "as she is young" saying that maybe if anything she's the one who is too young to understand love, so in a way he's taking the ball and saying he knows what to do with it and then throwing it back to her court to say you look pretty young yourself are you sure you know how to play ball, but at the same time he draws a parallel between the two of them, to tell her that they have something in common which is that they both look inexperienced on the outside, but they each know more than they let on, so maybe they are two of a kind and should be together for that reason, and he can't think of a more perfect match, so he doesn't care what it takes, how much hurting it takes, because he can only see himself truly happy in the end if he's with someone like him, who looks greener than they really are, because that's the only person who can really understand how he feels, because people probably look at her and treat her the same way they treat him, and he thinks if they are finally together, two of a kind, they can finally get over how people see them as greenhorns, because when people see them together, they will obviously think differently when they see how much they really know, after they see what they see them doing together.
I believe this song to be about either the pain of love, or the way love helps pain, or both. Perhaps things "hurting so good" refers to how maybe nothing really hurts when he's with this girl, everything that hurts is or feels good; all is fine with her. On the other hand, perhaps it refers to some sort of issue in a relationship that hurts, but the feeling of love for this girl still feels good? I don't know, I'd be more confident in my first interpretation.
Come into his presence with singing. So, the kind of singing that I have in mind is the kind with which we come into the presence of God. Or another way to say it would be: make joyful noise to the Lord. The kind of singing I have in mind is to the Lord. It is in his presence and for his ears. We consciously choose to sing with his attention in view; it is a Godward act.
The duty of singing praises to God, seems to be appointed wholly to excite and express religious affections. No other reason can be assigned, why we should express ourselves to God in verse, rather than in prose, and do it with music, but only, that such is our nature and frame, that these things have a tendency to move [and express] our affections.
Why were they singing? Yes, it was a witness. The prisoners were listening. But Luke says they were singing to God. Why? Because they needed to experience the nearness and the goodness and the greatness of God. God was their sustainer. And they experienced it in singing.
And the ransomed of the Lord shall return
and come to Zion with singing;
everlasting joy shall be upon their heads;
they shall obtain gladness and joy,
and sorrow and sighing shall flee away. (Isaiah 35:10)
Singing will remain, rooted in suffering, forever. The greatest song will always be the song born of suffering. We will never forget the price Jesus paid so that forgiven sinners could sing with everlasting joy.
So, take heart. Though singing is sometimes stopped by suffering, nevertheless, our most common experience in this world is that singing sustains in suffering. And if the slain Christ is your song, then for you (and all the redeemed) the day is coming when suffering will be no more, and singing will follow the end of suffering forever.
Nathaniel Smith on cello, Sam Bush on mandolin, Russ Pahl on pedal steel, Guthrie Trapp on electric guitar, Steve Mackey on bass, and Josh Day on cajon and shaker. I played things exactly as John Hurt would have done, but when these musicians played around it, it turned into this magical thing. It sounded so good that I decided it would be a shame to just do Mississippi John Hurt songs.
Huh? Can you speak up? Oh! You want to know if loud music can hurt your ears. Are you asking because you like to put on your headphones and crank up the volume? Maybe your mom or dad has told you, "Turn that down before you go deaf!" Well, they have a point. Loud noise (from music or other loud things, such as lawn mowers or jet engines) can cause both temporary and permanent hearing loss.
You also could have tinnitus (say: TIN-ih-tis), which is a medical term for ringing in the ears. Your ears may feel "full" too. Don't worry, it should get better. But hearing loss can become permanent if you listen to loud music or hear loud sounds over and over again. To help prevent hearing loss, turn down the volume and wear ear protection the next time you're around loud noise.
If someone is around loud noise often, over a long time, permanent hearing loss can happen. This means the person's hearing won't ever be as good as it once was. That's why construction workers and factory workers need to wear ear protection. Lawn mowers and power tools, like chainsaws, are loud enough to cause tinnitus and hearing loss.
You too can help keep your hearing in tip-top shape. Protect your ears by wearing ear plugs or ear muffs when you're mowing the lawn or around loud machinery. Also remember to turn down the volume, especially when you're wearing headphones or ear buds or listening to music in the car. You also might want to give your ears a rest by not wearing headphones or ear buds all the time.
And if you're going to a concert, wear earplugs to protect your ears from the boom, boom, boom! If you're going to concerts a lot or if you're a musician yourself, you may want to look into special earplugs that can be made for you. Take care of your ears now and you won't be saying "What?" later on.
What Happened: Swift's first taste of expressing bitter heartbreak on a song came on the very first album. Before Joe or Harry, Swift's high school beau Jordan Alford hurt the young songwriter so deeply that she penned this searing, painful country track about how she'd tell all her friends that he was gay, date all of his friends and, of course, burn any photographic evidence of his existence. Swift's clapbacks have become more nuanced and progressive since then, but the track, released when she was a mere 16-years-old, offered an early glimpse at her pop power.
In 2014, the source of Swift's bitterness was revealed: Alford cheated on her with his now-wife and a former friend of Swift's. Chelsea Alford dished the dirt to The Daily Mail and wondered if any other songs were about her and her husband. "We just thought it was funny," she recalled. "[Jordan] was like, 'I'm not a redneck! She makes me look like some redneck!' But other than that, we just thought it was kind of funny."
Hardwick had no idea about the crush until the song came out, and he tried reaching out but Swift felt too awkward about it to return any of his phone calls. A few years later, Swift had a slightly more bitter tone about Hardwick, noting that he finally surprised her at her house a full two years after the song's debut. "I have theories about what he was doing," she told The Washington Post of Hardwick showing up on her driveway. "He had his friend with him, so maybe he was trying to prove to people that the song really is about him or whatever. Or maybe he was really trying to be friends. Or maybe he thought I was still pining away from him. Whatever!" 152ee80cbc