Team 6: What is Loki’s purpose as a character? (Food for thought: How does Loki serve as a reflection of humanity?) Can trickery ever be harmless or even good? How does trickery thematically function in Norse Mythology?
Depicted as a cunning and clever, Loki embodies the "trickster" character in Norse mythology. Loki uses his mischief to play practical, lighthearted jokes, as well as to evade responsibility from more serious consequences. Although his mischief serves as a convenient catalyst for conflicts in many Norse myths, Loki also functions as a symbol of human behavior. For example, Loki is imperfect. He lies, cheats, and deceives-- sometimes out of necessity-- but mainly just because he thinks it's fun. This is a representation of humanity's vices. Furthermore, Loki's tendency to defy the status quo represents the existence of different opinions within a wider conversation. Loki's clever insights always bring a different perspective-- sometimes it's positive, and other times it's not. Regardless, this demonstrates how adding different opinions and outlooks into a conversation results in more valuable discussions. By representing the duality of playfulness and destruction, Loki represents the nuance that exists within the realm of human behavior and thought.
Team 5: Does awareness of fate change the justification for revenge?
I think it is possible to argue that the awareness of fate changes whether or not an action is defined as "revenge" at all. For example, in the case of Odin and Fenrir, since Odin's prophetic vision already told him what would become of Fenrir, Odin's choice of whether or not the commit the act of changing Fenrir would not have changed the final outcome. Knowing this information does not negate the fact that Odin betrayed Fenrir's trust.
Team 4: As it is human nature to find out about the unknown, how has curiosity been portrayed across tales? // How is the cost of knowledge shared across cultures?
The theme of curiosity reminds me of the Garden of Eden. When Eve makes the decision to eat the apple from the Tree of Knowledge, it's seen as the beginning of original sin. Consequently, Eve is at fault for making the first human error which resulted in the presence of evil in our world. However, it's possible to see Eve's decision not as an act of original sin, but rather as an act of original thought. For the first time in the world, a human committed the act of making a choice-- of exercising free will over their own lives. I think this represents the duality of human inquiry. Curiosity is good because it encourages us to make sense of our lives and to take control of our own knowledge. Yet at the same time, knowledge can be dangerous. Still, I think there is something powerful about how seeing the eating of the apple as the first sign of original thought rather than original sin. The ability to think and make decisions for ourselves (whether it's "good" or not) is a part of what it means to be human.
The fact that Odin was willing to do so much in order to get the mead of poets demonstrates exactly how important the gift of poetry of knowledge was to him and the rest of the gods. Furthermore, the fact that Odin-- who gave up his own eye in order to gain the gift of wisdom-- was the one who went after the mead further reinforces the importance of knowledge in Norse society. Additionally, the Greeks worshipped Athena, who was the embodiment of the balance between strength and wisdom. Similarly, Neil Gaiman describes Kvasir "the joining of the Aesir and the Vanir .., the wisest of the gods: he combined head and heart."
Team 3: Loki throughout this tale made promises that he ends up not fulfilling. What lesson are the Vikings trying to convey in regard to trust and in regard to merchants?
The connection between trust and merchants relates to the Viking lifestyle. Out at sea, the Vikings interacted with many different people-- particularly merchants. It makes sense for their myths to depict Loki (a symbol of merchants in this story) as shady and untrustworthy because Vikings most likely came into contact with many grifters during their adventures. The Viking lifestyle required the Vikings to be hyperaware of their surroundings in order to protect their treasures, supplies, and lives.
Team 2 (My Team's Presentation): Life in the Viking Age: War and Love
While analyzing Thor's character in "Hymir and Thor's Fishing Expedition," my team used the evolution of morality to dissect Thor's character and to try to understand his appeal to Norse society. First, we had to understand the historical context of the Viking Age. The value system of the Norse was a direct reflection of the society that spawned it. Out at sea, the Vikings had to be strong and courageous in order to survive. Life was tough-- Vikings had to raid villages, fight off enemies, man their ships to take on the relentless sea, and brave the bitter, winter cold. Therefore, it makes sense for their most respected god to be Thor-- the perfect embodiment of power and bravery. Even if Thor doesn't seem like the perfect hero through the lens of our modern value system, he was beloved by the Norse because his strength ensured survival.
Furthermore, we connected the idea of the harshness of Viking life to the theme of "love" in the story of "Frey and Gerd." While it may seem surprising for a tough society of Vikings to value something like romance, love was actually one of the most important values in Norse society. The importance of love is demonstrated by Frey's ultimate sacrifice, when he gives up his sword for the hand of Gerd. Perhaps the importance of love in Norse society can also be explained by the historical circumstances that surrounded the Viking Age. Because life was brutish and short, love was valued even more.
Team 1: Drawing Activity
(Not pictured.) Captured in Team 1's Video Lesson.
The Ancient Egyptians perceived the afterlife as a continuation of life in which the soul reunites with the body for a chance to become immortal-- but only after completing tasks that put a human's experiences, knowledge, and heart on trial. To prepare the body, Ancient Egyptians developed a complex preservation process to keep the body in-tact. To prepare the soul, Ancient Egyptians created the Book of the Dead, which guided the dead through the afterlife. The reverence that the Ancient Egyptians had for the afterlife illustrates how the Ancient Egyptians sought to live moral and just lives in order to secure a place in paradise. In Ancient Egypt, the afterlife was more important than the present life-- not because the Ancient Egyptians longed for death-- but because they were fiercely afraid of being forgotten. If there is one absolute truth in the universe, it is that nothing lasts forever. I think this is a shared fear among most of humanity. It is why we have artists and writers and scientists who are all trying for one thing-- permanence. I am scared of death. I don't think I have matured enough to the point where I can confidently say that I "accept" the transitory nature of life, but I understand that death must exist in order to give life meaning. It's up to me to live my life while I am still lucky enough to know it. I am here for merely a moment-- and this is what makes life so compelling.
Review of Zeitoun by Dave Eggers
The end of the world starts with rain. Or-- in Zeitoun’s case-- a canoe. In the bestseller Zeitoun, Dave Eggers narrates the true and tumultuous account of Syrian immigrant Abdulrahman Zeitoun as he lives through Hurricane Katrina. Zeitoun-- stubbornly faithful to his work as a painter and contractor-- remains in New Orleans to watch over his clients’ property while Kathy and their four children evacuate the city. But it is only after the destruction passes that Zeitoun’s story accelerates into something like dystopia. After reading World War Z, I found Egger’s account of Zeitoun’s spirit and character to be incredibly profound. It was difficult to keep reminding myself that this story was not fiction but indeed someone’s reality.
The pull of Zeitoun extends far beyond its riveting subject matter. Perhaps the most compelling aspect of this biography resides within Eggers’s writing. For example, Eggers creates suspense by regularly switching between the limited perspectives of Zeitoun and Kathy. Eggers reconstructs scenes from Zeitoun’s life with a balance of flashbacks, description, and dialogue. This reminded me a lot of how Max Brooks crafted storylines in World War Z by first developing intriguing characters first-- which hooked the reader. Similarly, Eggers’s compassionate narration draws the reader deep into the lives of Zeitoun and Kathy, making readers fall in love with the Zeitoun family over and over again.
Zeitoun’s story is undoubtedly tangled in the political consequences of the United States’s “War on Terror”-- an unprecedented campaign against terrorism following the tragedy of September 11. Zeitoun’s unjust arrest paves the path for a conversation about the systemic wounds in many American institutions. Following Zeitoun’s traumatic accounts of his incarcerated life, Eggers’s “hands-off” narration style fades; the book reads less like a biography and more like a piece of literary journalism. Eggers writes, “... quite clearly, this wasn’t a case of a bad apple or two in the barrel. The barrel itself was rotten.” Eggers is forthright in his analysis of Zeitoun’s experience, skillfully weaving issues of social injustice into a compelling biography. Furthermore, Eggers builds upon this critique through the poetic and complex nature of Zeitoun’s story. Zeitoun’s family is not only devastated by the natural wrath of mother nature-- they are failed by America’s federal institutions, too. This quiet commentary was probably my favorite part about reading Zeitoun. Similarly, in World War Z, I found myself most interested in Max Brooks’s careful creation of the geopolitics in a zombie-infested world. Despite being written years ago, these books feel entirely "new," demonstrating how social awareness and critical analysis should always find a place in our conversations about both literature and life.
But the book is not entirely dark. Even in the flooded mess of his neighborhood, Zeitoun’s unyielding sense of hope prevails. Through Zeitoun’s eyes, readers meet the resolute residents of New Orleans as Zeitoun ventures into the city, rescuing civilians and animals. A practical man, Zeitoun braves the worst of the storm with an attitude that is unmistakably promising. Furthermore, Eggers cuts the dramatic nature of the memoir by describing seemingly insignificant activities (Kathy running her hands through her daughter’s hair, Zeitoun lying down to smell the strawberry shampoo on his daughter’s pillowcase). Although these details seem mundane, they add a relatable and humane third dimension to these characters. Above all, family and religion are the ultimate forces that propel Zeitoun through the events in this book. While Kathy and the kids bounce between neighbor and friend to find comfort, Zeitoun nestles himself deeper into his community. In their most desperate and overwhelming moments, Zeitoun and Kathy pray. Eggers perfectly weaves these threads of faith and love into every corner of Zeitoun, reminding the reader that this is not a story about destruction, but a story about restoration. “Yes, a dark time passed over this land,” Eggers writes, “but now there is something like light.”
Zeitoun is an exceptionally crafted biography. This family’s story is searing, and their love is deafening. I find myself forgetting that this is a work of non-fiction-- that these stories belong to real people-- and that Zeitoun is still out there: rebuilding and rebuilding and rebuilding.
My favorite part about reading Grendel was analyzing Gardner’s carefully constructed imagery and symbols. I was really amazed by the depth of Gardner’s writing, the precision of his language, and his ability to layer so many concepts and symbols into one cohesive narrative. I feel like Grendel is a novel that I can reread many times over and still find new connections in. In class, my group and I analyzed the significance of snow in chapter nine, and we concluded that snow symbolized the inevitability of death. Typically associated with winter, snow represents the coming of the final season– the season of death. Throughout the novel, the changing of seasons aligned with Grendel’s coming of age story. For example, springtime represented Grendel’s youth and naivety, while autumn represented Grendel’s maturation. Now that winter has arrived, it’s likely that this is an indication of a major change in Grendel’s life. I found it really fascinating how snow also served to foreshadow the coming of Beowulf. Unlike other examples of foreshadowing (such as the old woman warning of a “giant across the sea” in chapter ten and of the dead hart in chapter nine), the snow in chapter nine is a much more subtle reminder of Grendel’s fate. Furthermore, snow symbolizes death because it falls on everyone and everything– the same way that death touches all life. Throughout the chapter, Gardner describes snow falling on everything, including the priests, the animals, Grendel, and even the physical world itself. Gardner even writes, “the town is dead.”
Additionally, in the same chapter, Ork identifies time as humanity’s greatest enemy because it is what causes everything in life to decay and wither away. In this way, snow can also be seen as a symbol of time, which, like death, spares nothing. This reminded me of an excerpt from a book I read last year by physicist Brian Greene titled Until the End of Time. In a chapter about time and thermodynamics, Greene explains how the second law of thermodynamics powers a theory that may lead to the heat death of the universe. Brian Greene describes it like this: “anything that thinks may burn up in the heat generated by its own thoughts. Thought itself may become physically impossible.” I was extremely unsettled the first time I read this passage. I remember grappling with the same questions Grendel asked himself throughout the novel. So what? What’s the point? But in Grendel, the humans seem to have it all figured out. They have the Shaper. They have poetry, religion, and meaning– and this is enough. While reading Grendel, I immediately thought of Brian Greene because throughout his novel (which reads almost like a love letter to existentialism) Greene explains how mathematics, language, creativity, and religion all help us forge our own meanings in life. He quotes Toni Morrison: “We die. That may be the meaning of life. But we do language. That may be the measure of our lives.” Personally, I hope to embrace existentialism so that I can fully embrace every moment I am lucky enough to know. I love the idea that I can decide for myself what I want my life to mean– because if I can believe in anything, why not believe that life can be beautiful?
For our independent exploration of the Bible, my team and I decided to research and present the story of the Good Samaritan. This parable is simple and familiar; it tells the story of three individuals– a priest, a Levite, and a Samaritan– as they pass a wounded traveler on the side of the road. As each individual happens upon the traveler, they have the choice of either helping the wounded man or passing by without intervention. Only the Samaritan stops. On the surface level, this parable teaches the “Golden Rule”: treat others the way you want to be treated. Although this connection is accurate, it does not fully describe the implications of the Samaritan’s actions. While researching this story, I learned more about the historical context surrounding these events. For example, I learned that during this time period, Jewish people deeply disliked the Samaritans because they worshiped differently and were seen as outsiders. Reading this parable through the lens of this context allowed me to understand exactly why it was so surprising that the Samaritan was the one who showed compassion for the traveler. Even though we might expect him to be enemies with this presumably Jewish traveler, the Samaritan is able to see past these divisions and have mercy for his enemy. Furthermore, understanding this context helped me understand why the man at the beginning of the parable asks Jesus, “Who is my neighbor?” It is critical to understand this parable’s historical context in order to fully answer this question. By demonstrating how the Samaritan was able to see past ideological divisions and have mercy for his enemy, readers learn that the definition of “neighbor” has nothing to do with closeness. Rather, the condition of being “neighbors” relates to every human being. Loving your neighbor doesn't just mean loving those around you, but loving everyone.
This idea of seeing past ideological divisions in order to find shared humanity is timeless– and it resonates now, in our modern political climate defined by polarization and antagonism. America’s hyper-partisanship is reflected by the steady decline in congressional productivity, as well in the general political atmosphere surrounding the public. Furthermore, hyper-partisanship is exacerbated by media polarization. Online, citizens are able to divide themselves into echo-chambers and virtual “factions” in which they can reinforce shared beliefs, resulting in more extreme ideological differences between different groups. This is particularly dangerous for American democracy because it makes compromise and effective communication more difficult than it already is. This is where the sentiment of “loving your neighbor” comes in. Although it might seem too idealistic, I think that this whole process of “depolarizing” America starts with this concept of looking past divisions and trying to find ways in order to compromise. Of course, I’m not trying to say that we should look past ALL divisions; healthy debate and disagreement is what keeps democracy alive. However, I feel like the United States’s hyper-partisanship is preventing these key discussions from happening– especially on online platforms where it is easy to antagonize others. Perhaps embracing the idea of “loving your neighbor” means making room for recognizing the humanity that exists in all people in order to create a level of respect that facilitates effective communication. This will hopefully make room for more nuances in our political conversations.
Villanelle for Persephone
There are spring girls weeping in your red hands,
In Narcissus fields, in soul-soaked seas--
Old enough to learn, too young to understand.
A daughter swallowed into untamed lands,
Where he waits in the silence to seize--
There are spring girls weeping in your red hands.
An innocence smeared by violent hands,
The guilty taste of a pomegranate seed--
Old enough to learn, too young to understand.
Even the earth aches under burning lands,
A mother’s ragged grief, her desperate plea--
There are spring girls weeping in your red hands.
Her missing voice echoes winter’s span,
Just a few more months until she’s free--
Old enough to learn, too young to understand.
Coerced to endure, to brave, to withstand,
We have no choice but to let the blood be.
There are spring girls weeping in your red hands--
Old enough to learn, too young to understand.
Understanding “Yeh-hsien” through the perspective of new historicism highlights how the social, cultural, and moral values of the author’s contextual time period (the ancient Tang Dynasty) manifest in the story through literary symbols and events. For example, considering Yeh-hsien’s “fish … with red fins and golden eyes” in the context of Chinese culture explains the fish’s significance as a good luck omen (Yeh-hsien 107). In Chinese culture, red and gold are “lucky” colors, and fish typically symbolize wealth. Using universally accepted references allows the author to establish a sense of familiarity with the audience, ultimately making readers more receptive to the author’s message. For example, the author embeds culturally important symbols with positive connotations into the story in order to prompt his/her target audience, the society of the Tang dynasty, to root for Yeh-hsien. Similarly, another example of a significant symbol is the man from the sky, whom the author describes as old by referencing the man’s “loose [hair] over his shoulders and coarse clothes,” (107). By advising Yeh-hsien, the old man represents filial piety, a major pillar of Confucianism that regards the oldest generation with the greatest honor because they have the most wisdom to guide younger generations. Additionally, Confucianism was the dominant moral philosophy upon which the Tang Dynasty established social order. Consequently, the author infuses Confucian teachings into “Yeh-hsien” in order for them to endure. These specific adaptations relate directly to the historical context of “Yeh-hsien” by revealing the culture, needs, and desires of those controlling the narrative.
Additionally, examining Yeh-hsien’s characterization reveals the social situation of women during the Tang Dynasty. For example, the narrator characterizes Yeh-hsien favorably; in addition to being “intelligent and good at making pottery,” Yeh-hsien demonstrates her kindness and generosity by feeding her fish “whatever food was left over from meals” (107). Yeh-hsien’s aptitude in domestic arts reflects how excelling in domestic crafts was one of the only ways for Chinese women to participate in the economic sphere during this time period. Furthermore, the author makes the protagonist of a fairytale talented, gentle, and caring in order to reflect the personality of an ideal Chinese woman. Like many other ancient societies, the Tang Dynasty did not want their women strong; within the patriarchal social order defined by Confucianism, women were always considered less than men in terms of power, intelligence, and respect. Consequently, the author did not design Yeh-hsien to be an active protagonist; ultimately, it is the old man from the sky who saves Yeh-hsien by telling her exactly what to do. Furthermore, Yeh-hsien’s ability to fit into the gold slipper that was “an inch too small even for the one among ... [the King] that had the smallest foot” might be a reference to foot binding (108). Foot binding was an ancient Chinese practice that involved physically binding women’s feet to stunt growth and achieve perfectly tiny feet-- a symbol of ideal, feminine beauty that also oppressed generations of women. The fact that Yeh-hsien’s physical ability to fit into a small slipper is one of her most valued characteristics demonstrates the patriarchal social context in which this text was produced. Furthermore, the idea of the Cinderella protagonist having small feet is present throughout multiple Cinderella stories-- even in cultures that don’t practice foot binding. Perhaps this indicates that despite differences in time periods and cultures, some social issues like sexism are historical continuities. Regardless, the story of “Yeh-hsien” demonstrates how fairy tales endure not in spite of cultural differences, but exactly because historical and cultural adaptations allow a multitude of societies to find their own meanings within their unique retelling.
Works Cited
Tatar, Maria. The Classic Fairy Tales. Second ed., Norton, 2017.
“Cinderella” (Pages 139 - 181)