Beyond the Horizon, by Jeffrey Gibson, Smart Museum of Art, University of Chicago, 2022
Everything You Know about Indians is Wrong by Paul Chaat Smith, Minneapolis: University of Minnesota Press, 2009.
The Land Carries Our Ancestors, Contemporary Art by Native Americans, National Gallery of Art, 2023
Native Visual Sovereignty A Reader on Art and Performance by Candice Hopkins/ Published with Forge Project, Center for Curatorial Studies, Bard College, Mackenzie Art Gallery, and SITE Santa Fe.
Speculative Relations, Indigenous Worlding and Repair by Joseph M. Pierce. This is not the real Geronimo. Elbridge Ayer Burbank’s haunting paintings of the Apache leader capture a likeness that was only ever real from the vantage point of a White man with a gun, canvas, or camera. By Joseph M. Pierce, Hyperallergic, August 18, 2025. (Published by Duke University Press, August 26, 2025
Art of Native America, the Charles and Valerie Diker Collection, The Metropolitan Museum of New York. This landmark publication reevaluates historical Native American art as a crucial but underexamined component of American art history.
Everything You Know About Indians is Wrong, Paul Chaat Smith, Minneapolis: University of Minnesota Press, 2009. In his journey from fighting activist to federal employee, Smith tells us he has discovered at least two things: there is no one true representation of the American Indian experience, and even the best of intentions sometimes ends in catastrophe.
Future Imaginaries, Indigenous Art, Fashion, Technology, Autry Museum of the American West, Los Angeles in Association with the University of Washington Press, Seattle.
In Our Hands, Native Photography, 1850 to Now, Jill Ahlberg Yohe, Jaida Grey Eagle, Casey Riley, Editors, In Our Hands, Native Photography, 1850 to Now, Minneapolis Institute of Art, 2023
Kay Walkingstick/Hudson River School, Wendy Nalani E. Ikemoto, New York Historical Society, New York, 2023
Speaking with Light, John Rohrbach and Will Wilson, Sante Fe: Radius Books, 2022. Authored by the curators of the recent exhibiton, Speaking with Light, this is one of the first major museum surveys to explore the practices of Indigenous photographers working over the past three decades. Featuring works by more than 30 contemporary Indigenous photographers, the exhibition highlights the historically underrepresented views and voices of Indigenous communities. The works aim to shift power dynamics and bring attention to misrepresentations by focusing on Indigenous perspectives, exploring themes of history, loss, identity, and representation.
The rediscovery of America, Native Peoples and the Unmaking of U.S. History,Ned Blackhawk, New Haven: Yale University Press, 2023. National Book Award winner and best seller is now in paperback. A good review of American history from the perspective of a Western Shoshone Native.
There, There, Tommy Orange, New York: Vintage Books, 2019. This award-winning novel tells a tale of growing up today as indigenous in Oakland, CA. It is a true resource in understanding the challenges and travels of living as an Indigenous individual in the 21st century.
Indigenous Glass Indigenous Glass Art Takes Center Stage at the National Museum of the American Indian, Clearly Indigenous: Native Visions Reimagined in Glass” celebrates culture, craft, and storytelling. Now on view in New York City, National Museum of the American Indian. Hperallergic, December 18, 2025
The Indigenous Histories That Georgia O’Keeffe Forgot. An exhibition at the Georgia O'Keeffe Museum includes works by Tewa Pueblo artists, helping dispel the problematic “O’Keeffe Country” narrative. By Nancy Zastudil, Hyperallergic, December 5, 2025.
Florida's Florida’s Indigenous ArtistsTake Center Stage at Miami Art Week. An exhibition organized by the History Miami Museum and the Ah-Tah-Thi-Ki Museum is an ode to Seminole creativity and resilience. By Valentina Di Liscia. Hyperallergic, December 1, 2025.
Diné Weaver Venancio Aragón Dyes Wool With Kool-Aid. The Diné weaver and teacher reimagines pre-trading-post-era weaving techniques, continually coloring his practice with new aesthetic and material horizons. By Sháńdíín Brown and Zach Feuer, Hyperallergic, November 18, 2025
Historic Diné Weaving Relabeled to Center Native History The majestic “Diyogí Tsoh,” or “The BigRug,” is now known by its Diné name at the Affeldt Mion Museum. By Maya Pontone, Hyperallergic, October 29, 2025.
Indigenous Artists Reclaim The Met’s American Wing. An unsanctioned exhibition uses AR to insert works by Native artists, like Cannupa Hanska Luger and Jeremy Dennis, into the museum’s 19th-century landscapes. By Monica Uszerowicz, Hyperallergic, October 15, 2025.
For Duane Linklater, It's a Buffalo World. The Omaskêko Cree artist ties the well-being ofthe animals to that of the Indigenous people with whom they have long lived symbiotically—not in nostalgic terms, but in futurist ones. By Aruna D’Souza , Hyperallergic, October 12, 2025.
Six Artists Win MacArthur “Genius” Grants. Jeremy Frey and Gala Porras-Kim are among this year’s fellows, who receive an $800,000 award. By Maya Pontone, Hyperallergic, Oct. 8, 2025.
George Morrison Painted a Different Picture of Abstract Expressionism.The Ojibwe artist was active in New York’s midcentury art scene and embraced by fellow Abstract Expressionists, yet he’s rarely in canonical histories today.By John Yau, Hyperallergic, October 7, 2025
The Trailblazing Pueblo Potter Who Forged Her Own Path. Though Jody Folwell has always felt rooted in her culture, she pursued a ceramics practice in the early 1970s with a desire to find a distinctive voice. By Lauren Moya Ford, Hyperallergic, Sept. 25, 2025.
A Dine' Weaver's Sacred Looms. DY Begay, best known for her abstract textiles featuring undulating bands of color, speaks about her decades-long practice of experimenting with pigment and form. By Shaddin Brown and Zach Feuer, Hyperallergic, Sept 24, 2025.
Jeffrey Gibson's Guardian Animals Grace the Met's Facade. The artist's bronze sculputres for the museum exterior suggest the merging of the natural and the artistic, the real and the mythical. by Lisa Yin Ahang, Hyperallergic, September 12, 2025.
Decades After “Heartbreaking” Thefts, Santa Ana Pueblo Recovers Stolen Artifacts. The repatriation effort is significant not just for the amount of time that has elapsed, but also because it is completely organized and funded by the Pueblo itself. By Matt Stromberg, Hyperallergic, September 3, 2025.
The Mesmerizing Wonder of Wabanaki Weaving. Jeremy Frey’s first museum show presents the artist’s virtuosic craft as must-see contemporary work. By Julie Schneider, Hyperallergic, August 22, 2025.
Dispatches from the Ever Evolving Indian Market in Sante Fe. By Erin Averill, Hyperallergic, August 20, 2025.
We Can’t Afford to Lose the Institute of American Indian Arts.The threat of defunding this precious, influential university is heartbreaking to those of us who know the worth of the IAIA experience. By Rose B. Simpson, Hyperallergic, August 12, 2025.
Homeland Security's Genocidal Aesthetics. By posting paintings like “American Progress,” the DHS signals its white supremacist beliefs. By Ed Simon, Hyperallergic, August 1, 2025.
Trump Seeks to Defund Institute of American Indian Arts."Nearly 63 years of progress in Indigenous higher education and artistic expression is at risk,” said IAIA PresidentRobert Martin.By Isa Farfan, Hyperallergic, July 3, 2025.
Artist Jeffrey Gibson to create four new sculptures for The Met's Fifth Avenue. artdaily, June 24, 2025.
The Dine' Weaver Who Turns Microchips Into Art. Marilou Schultz, a math teacher and fourth-generation weaver, pushes the boundaries of the artform by combining technological aesthetics and Diné techniques.By Zach Feuer, Hyperallergic, May 26, 2025.
Native Tribes Sue U.S. Over Abuse and Deaths at Boarding Schools. A class-action lawsuit filed in Pennsylvania argues that Native tribes have never been compensated for the child abuse or for money taken from tribal trust funds to operate the schools. by Jack Healy, NY Times, May 22, 2025.
Tuan Andrew Nguyen and Andrea Carlson on View at the Goldfarb Gallery, Goldfarb Gallery, Exhibition Announcment, Hyperallergic, May 21, 2025.
The Alaska Native Heritage Center Is a Home of Ancestral Knowledge. The Anchorage institution exists to be a purposeful, active place where culture is embodied, enacted, and shared. By Seph Rodney, Hyperallergic, May 14, 2025.
They Invented the Game. Will They Be Allowed to Play it in the Olympics? By S.L. Price, NY Times Magazine, May 13, 2005.
Dakota Mace's Quiet Enactment of Dine' Philosophy.The artist's show at SITE Santa Fe shows how Indigenous thought and contemporary exhibition-making can co-exist without compromise. By Shaddin Brown, Hyperallergic, May 14, 2025.
Who is Searching for Emmilee Risling? By Corina Knoll, reporting from the Yurok Reservation, NY Times, May 14, 2025.
The IAIA Museum of Contemporary Native Arts Is Weaving Indigenous Futures The Santa Fe museum actively cultivates the soil for current and future generations of Native artists to thrive, a duty that extends far beyond preservation and display. Seph Rodney for Ford Foundation, Hyperallergic, April 29, 2025.
Indigeneous Humor and Resistance Shines at The Photography Show. The most striking works on view at this New York fair channel political urgency into personal explorations, embracing sincere introspection. By Daniela Mayer, Hyperallergic, April 25, 2005.
Tribal Colleges Rely on Federal Funding. Their Leaders Fear the Trump Years By Alan Blinder, Photographs by KC McGinnis, NY Times, April 15, 2025..
The Artist Reviving a Native Hawaiian Clothmaking Traditions . Lehuauakea, one ofthe few kapa practitioners under the age of 30 working in the artform today, is the recipient of a Walker Youngbird Foundation grant for emerging Native American artists .By Isa Farfan, Hyperallergic, April 14, 2025.
Indigneous Art History Has Been Waiting for You to Catch Up. The late Jaune Quick-to-See Smith’s final curatorial salvo—the largest show of Native American art to date—carries an elegiac weight, but also thrums with life. By Petala Ironcloud, Hyperallergic, April 8, 2025.
After 120 Years Stored in a Museum an Indigenous Shrine Returns Home, By Julia Jacobs, NYTimes, March 30, 2025.
The Met receives major gift of relief prints by renowned Inuit printmakers. artdaily, March 29, 2025.
Smoke in Our Hair, Native Memory and Unsettled Time. Hudson River Museum. Smoke in Our Hair: Native Memory and Unsettled Time explores the nuanced layers of the past, present, and future within contemporary art by Native American, Alaska Native, First Nations, and Métis artists. February 14–August 31, 2025.
Tribes and Students Sue Trump Administration over Firings at Native School. More than one quarter of the staff members at the only two federally run colleges for Native Students were cut in February. By Rachel Norstrant, NY Times, March 9, 2025.
I Told a Native Story That Earned an Oscar Nomination, There Are So Many More to Tell. By Julian Brave NoiseCat, NY Times, March 1, 2025.
Martha Gorman Schultz,Influential Diné Weaver, Dies at 93. She was known for her mastery and evolution of severaltraditional patterns through her lifelong practice of weaving on the Navajo loom. By Rhea Nayyar, Hyperallergic, February 27, 2025.
Smoke in Our Hair: Native Memory and Unsettled Time, Hudson River Museum, Hyperallergic, Feb.18, 2025.
Jeffrey Gibson's Venice Biennale Show is Heaing to LA, Opening at the Broad in May, the exhibition will include dozens of works featuring the artist’s telltale colorful geometric patterning and stylized text. By Rhea Nayyar, Hyperallergic, February 13, 2025.
How Craft Helps Chamorros Reconnect to the Ocean, Its contemporary practice reinfuses values into ourselves and our culture, which was deemed unimportant by colonization.By Olivia Quintanilla, Hyperallergic, February 10, 2025.
NEA Throws Out Grant Program for Undereserved Communities. Its contemporary practice reinfuses values into ourselves and our culture, which was deemed unimportant by colonization.By Isa Farfane, Hyperallergic, Feb. 7, 2025.
RISD Museum announces Metcalf endowment and new Indigenous Art Curator, artdaily, Feb. 6, 2025.
Woven Being, Art for Zhegagoynak/Chicagoland, Indigenous artists offer perspectives on the art of Chicagoland in this new exhibition, The Block Museum of Art, Northwestern University.The Block Museum of Art, Northwestern University, Jan. 31, 2025.
Yael Medrez Pier's "Pájaro de Fuego": Portraits of Mexico's Indigenous communities at MARC STRAUS, artdaily, Jan. 26, 2025.
Interior Dept. Is Caught Between Tribes in Casino Battles.The Biden administration's consideration of three proposed casinos in California and Oregon has touched off a fierce debate about tribal sovereignity and land rights. By Aishvarya Kavi, NY Times, Dec. 28, 2024.
Ann Rockefeller Roberts, Champion of Native Americans, Dies at 90. The eldest daughter of Nelson Rockefeller, she founded a nonprofit to support Indigenous culture and helped fill two institutions with artifacts. By Sam Roberts, NY Times , December 20, 2024.
Worlds collided when a museum steward found clues about her Chippewa family in Harvard's possession. The Woodbury Collection lies at the heart of the Peabody Museum's struggle to come to terms with its past. By Malcolm Gay, Global Staff, Updated December 11. 2024.
Indigenous Mayans want their sacred cenotes to have personhood status, AP News, By Teresa Demiguel, Updated 2:17 PM EST, December 9, 2024.
Stamps Gallery Exhibition Centers Black Ash Basket Weavers Kelly Church and Cherish Parrish, University of Michigan, Stamps Schol of Art and Design, December 3, 2024.
Weaving Through the History of Dine' Textiles. Horizons:Weaving Between the Lines with Dine' Textiles brings together varied stylistic traditions and artists of different centuries to display the breadth of Dine' weaving. By Nancy Zastudil, Hyperallergic, Nov. 27, 2024.
Native Cinema Showcase Highlights Indigenous Films from the Western Hemisphere and Artic. Featuring 32 films from 25 nations, this online showcase by the Smithsonian's National Museum of the American Indian stars streaming on November 22, National Museum of the American Indian , November 1, 2024.
Overlooked No More: Go-won-go Mohawk, Trailblazing Indigenous Actress. In the 1880s, the only roles for Indigenous performers were laden with negative stereotypes. So Mohawk decided to write her own narratives. by Elyssa Goodman, NY Times, Nov. 9, 2024.
A Swell of Native Pride at Jeffrey Gibson's Venice Symposium. The sense of collective strength throughoutthe three-day event was as palpable as the beats ofthe drums during the performances,the rhythms we felt in our gut. by Shandlin Brrown, Hyperallergic, Nov. 6, 2024.
Indigenous Perspectives in Higher Education: Reflecting on the Past to Inform the Future, Cornell University, Monday, November 4, 2024.
Biden Apologizes for U.S. Abuse of Indian Children, Calling It a 'Sin on our Soul'. From the early 1800s to the late 1960s, the federal government forced Native American children into boarding schools where they faced abuse and neglect that led in some cases to death. Peter Baker traveled with President Biden to the Gila River Indian Community in Arizona. Aishvarya Kavi reported from Washington, N.Y. Times, Oct. 25, 2024.
From the Ruins of the Past, Indigenous Artists Fashion New Futures , Future Imaginaries gathers work by a range of Native artists who are wielding fashion,technology, and sci-fi to carry ancestral knowledge forward. By Joelle E. Mendoza, Hyperallergic, October 24, 2024.
Indigenous Women In Home Economics Featured in Exhibit, by Jose Beduya, Cornell University Library, Cornell Chronicle, October 28, 2024.
With $32 Billion in Aid, Native Americans Push Against History of Neglect. A pandemic relief bill set aside long-term funds for tribal lands that have lacked the tax revenue, and infrastructure, to spur businesses and wealth. By Talmon Joseph Smith, NY Times, October 15, 2024.
What Makes a Successful Museum Land Acknowledgment? Some Indigenous scholars have come to regard the standard land acknowledgment as "hollow" and "not enough." By Rhea Nayyar, Hyperallergic, October 14, 2024.
The Ohlone Basket Weaver Who Revived a Rumsen Artistic Tradition. Linda Yamane taught herself the intricate and nearly extinct craft over 100 years after the last Rumsen basketmakers died. By Isa Farlan, Hyperallergic, October 14, 2024.
Largest-ever International Exhibition of Indigenous Australian Art to Tour to the Peabody Essex Museum, Today, the National Gallery of Art, Washington, and the National Gallery of Victoria (NGV), along with the Denver Art Museum in Colorado, the Portland Art Museum in Oregon, the Peabody Essex Museum (PEM) in Massachusetts and the Royal Ontario Museum in Canada, announce the largest exhibition of Aboriginal and Torres Strait Islander art and design ever presented internationally. Released September 19, 2024.
Melissa Cody's Disruptive Warp and Weft. The Diné artist demonstrates that traditional techniques and motifs are not static, but are dynamic bearers of emotional weight. By Ela Bittencourt, Hyperallergic, September 3, 2024.
Can Santa Fe's Indian Market Free Itself From the Settler Gaze? Despite its role as a hub for Native artists, SWAIA hasn't entirely moved past its origins in White Settler obsession with Native authenticity. By Sháńdíín Brown and Zach Feuer, Hyperallergic, August 27, 2024.
Investigation Into Canada's Residential Schools. Co-directors Julian Brave NoiseCat and Emily Kassle discuss the making of their documentary Sugarcane, told from the perspective of Indigenous survivors. By Dan Schindel, Hyperallergic, August 16, 2024.
Nearly 1,000 Native Children Died at Boarding Schools, Interior Dept. Finds. An investigative report, which also documents widespread sexual and physical abuse in a program of forced assimilation, calls on the federal government to apologize and “chart a road to healing.” By Aishvarya Kavi. Reporting from Washington, NY Times, July 31, 2024.
Museum of Natural History Says It is Repatriating 124 Human Remains. The museum reports having hundreds of consultations with Native American groups and says it is also returning 90 objects. By Zachary Small, The New York Times, July 28, 2024.
Native Modern Art: From a Cardboard Box to the Met. Nearly lost, Mary Sully’s discovered drawings riff on Modernist geometries and Dakota Sioux beadwork and quilting. Our critic calls it “symphonically bicultural.”By Holland Cooter, NYTimes, July 25, 2024.
Alex Janvier,Indigenous Painter of Evocative Abstractions, Dies at 89, The artist and residential school survivor created vivid works that meld Denesuline iconography with modern and contemporary styles. By Rhea Nayyar, Hyperallergic, July 17, 2024.
A White Buffalo Calf Arrives in Yellowstone with a Message, By Amy Ortiz, NYTimes, June 27, 2024
Weaver Roy Cady is a Shepherd First. That’s what traditional Navajo weaving is: an interpretation of your environment,” By Elaine Velie, Hyperallergic, June 22, 2024.
U.S. Catholic Bishops Apologize for Traumas of Indian Boarding Schools, The bishops acknowledged the church’s role in operating schools where Native American children faced abuses and forced assimilation. By Rachel Nostrant, NY Times, June 14, 2024..
Thomas Cole's Landscape Painting Through an Indigenous Lens “Native Prospects: Indigenous Peoples and the Landscape-Painting Tradition” by Scott Manning Stevens (Akwesasne Mohawk) in the catalog Native Prospects:Indigeneity and Landscape, published by the Thomas Cole National Historic Site with the Florence Griswold Museum and available online. Unlike European Christian notions regarding human dominion over all of creation, the Haudenosaunee belief is that our relationship with the earth is one of responsibilities. Books, Hyperallergic, June 14, 2024.
First Female Leader in Centuries Returns a Tribal Nation to Its Roots.Lisa Goree took the helm of the Shinnecock Nation in April as the Long Island tribe navigates disputes over burial grounds and projects to build a casino and a gas station. By Corey Kilgannon, NYTimes, June 10, 2024
Susanne Page, Who Took Rare Photos of the Hopi and Navajo Tribes, Dies at 86, She was the first photographer allowed to document life among the Hopi, in the Southwest, since the early 20th century. Her work appeared in books and magazines. By Sam Roberts, NY Times, May 29, 2024.
Haaland Confronts the History of the Federal Agency She Leads As the first Native American Cabinet member, the Secretary of the Interior has made it part of her job to address the travesties of the past. By Casey Cep, the New Yorker, April 29, 2024.
Baskets Holding the Identity of an Indigenous People.The baskets of Jeremy Frey from the Passamaquoddy tribe in Maine have caught the attention of the art world. By Hillary M. Sheets, NY Times, April 26, 2024.
Indigenous Artists Win Top Prizes at Venice Biennale, Archie Moore and the Mataaho Collective took home Golden Lions for Australia and New Zealand, respectively. By Rhea Nayyar, Hyperallergic, April 22, 2024.
Indigenous Artisits are the Heart of the Venice Biennale, Here are highlights of the range of work produced by Native artists in thepavilions and a central exhibition that proudly calls itself “Foreigners Everywhere.” by Julie Halperin, The New York Times, April 13, 2024, updated April 20, 2024.
Glimpse into Jeff Gibson's Historic US Pavilion at the Venice Biennale. The exhibition brings resounding ehoes of resistance amid an eduring struggle for Indigenous autonomy across the American continents, By Valentina Di Liscia, Hyperallergic, April 19, 2024.
Contested Native Artworks Resurface at Art Fair, Drawing Scrutiny. The drawings, taken from ledger books made by Native people imprisoned in the 19th Century, were sold in auction in 2022 against tribal members' wishes. By Matt Stromberg, Hyperallergic, April 17, 2024.
Can We Find Our Way to Indigenous Joy? Brian Johnson explores the decolonial practices of Indigenous and
Native American poster designers. By Brian Johnson, Hyperallergic, March 22, 2024.
These Native artists are decolonizing the Future. New School Free Press, March 23, 2024.
Why a Native American Nation is Challenging the U.S. Over a 1794 Treaty. The Onondaga have asked an international commission to find that the United States violated the treaty guaranteeing the nation 2.5 million acres of land. By Grace Ashford, N.Y. Times, March 13, 2024.
6 Objects that Explain New rules on Native Displays in Museums. A look at how the Field Museum in Chicago is responding to recent federal regulations that have led officials to cover objects they may need to return to tribes. By Julia Jacobs, reporting from Chicago, NY Times, Feb. 21, 2024.
Caroline Monnet’s Indigenous World Building, From feature films to installations,the multidisciplinary artist explores the hybridity of identity and the unremitting impacts of colonization in North America. identity and the unremitting impacts of colonization in North America. By Erin Joyce, Hyperallergic, January 28, 2024.
Leading Museums Remove Native Displays Amid New Federal Rules, The American Museum of Natural History is closing two major halls as museums around the nation respond to updated policies from the Biden administration. By Julia Jacobs and Zachary Small, NY Times, Jan. 26, 2024.
For This Indigenous Bead Maker, Every Stitch Is An Act of Resistance. Teri Greeves builds on a legacy of artistry, rarely recognized by mainstream institutioins, that stretches through generations of Native women.By Julia Carmel, Photographs by Sasha Arutyunova, NY Times, June 6, 2024.
A Conversation with Will Wilson. Will Wilson's photography, rooted in his upbringing on the Navajo Nation, intertwines the past, present, and future of Indigenous cultural practices. By Patricia Marroquin Norby, The Metropolitan Museum of Art, January 2024.
On the Hudson, Visions for a New Native American Art. A frisky group of indigenous performers, videomakers and sculptors have a presence in the art world they haven't had before. By Holland Cotter, NY Times, Aug 10, 2023.
War Pony (Film) Review: The Sad Absurdities of Reservation Life, Riley Keough and Gina Gammell’s stellar debut, starring many first-time actors, takes a deadpan look at a Lakota-Sioux reservation in South Dakota. By Amy Nichols, NY Times, July 17, 2023.
Why Is an Auction House Selling Works by Imprisoned Native Artists? The Kiowa Tribe is urging Bonhams to halt the sale of the books, which they believe “may have been wrongfully acquired.” Matt Stromberg , Hyperallergic, October 25, 2022.
Will Wilson's Portraits of Survivance, The New Mexico photographer and Navajo Nation citizen has devoted years to surveying the environmental injustice against his people. By Susannah Abbey , Hyperallergic, June 22, 2022.
10 Queer Indigenous Artists on Where Their Inspirations Have Led Them, Interviews by Samuel Rutter and Caitlin Youngquist, NY Times, April 23, 2021.
How Indigenous artists explore crossroads of past and future By Sara Miller Llana, Christian Science Monitor, April 19, 2022.
A New Source of Support for Indigenous Art. The Forge Project, based in the Hudson Valley, is Becky Gochman’s initiative to raise the profile of the artists and find homes for their work in collections and museums. By Ted Loos, NY Times, March 9, 2022.
Why Categorizing Native Art as “Traditional” and “Contemporary” Is Toxic, First American Art Magazine by FAAM Staff, February 6, 2020.
Outside the Box - Finding a Place for Contemporary Native-American Art by Victoria Hutter, National Endowment for the Arts, 2016.
How did totem poles become a symbol of Seattle? Burke (no date).
Missing and Murdered Indigenous Persons Awareness Day, National League of Cities (no date).
Native American Art and Abstract Expressionism, Museum of Contemporary Native Artists (no date).
An 'anti-World's Fair' makes its case: give land back to Native Americans, October 9, 2023, 1:30 PM ET, Heard On All Things Considered , NPR, By Jennifer Vanasco
Speaking with Light Symposium: Model for Critique, 1:25.59 min.
To celebrate the opening of the exhibition "Speaking with Light: Contemporary Indigenous Photography," the Amon Carter Museum of American Art hosted a symposium on October 29, 2022. Featured panelists were artist Tom Jones (Ho-Chunk), author and essayist Paul Chaat Smith (Comanche), and photographer Hulleah Tsinhnahjinnie (Taskigi/Diné). This video is part one; for part two, see "Speaking with Light: Imagining Community".
Ethnic Folkways Library FE 4401. Music of the Sioux and the Navajo, 1949@1953 Folkways Records and Service Corp., 43 W. 61st St. , NYC , USA.
David Boxley carver of pole for the Smithsonian Museum of Native Americans in Washington, D.C. YouTube (5 minutes)
Koote`eyaa Deiyi`- Totem Pole Trail "Sharing our History" Documentary YouTube (22 minutes)
History of Native American Indian Crafts, Owlcation, updated April 2024
First American Art, Timeline of Native American Art History (Divisions include: Before the Common Era, 19th Century, 20th Century and 21st Century.)
History of Native American Indian Crafts, Owlcation, updated April 2024
Indian Arts and Culture Board, (IACB), US Dept of Interior
Introductory Terminology, Towson University
The Impact of Words and Tips for Using Appropriate Terminology: Am I Using the Right Word? National Museum of American Indian
Bureau of American Ethnology Collection, Amon Carter Museum of American Art, Fort Worth