NASA Earth Observatory images by Joshua Stevens, using Terra MODIS analysis courtesy of Pawan Gupta/USRA/NASA. Story by Kasha Patel with image interpretation from Hiren Jethva, Rob Levy, and Ralph Kahn.
The practice of medical tourism depends on successfully informing potential patients about procedure options, treatment facilities, tourism opportunities, travel arrangements, and destination countries. The promotion of medical tourism includes a wide range of marketing materials such as flyers, booklets, and websites. Yet, there is a paucity of knowledge about the dissemination, content, and reception of these promotional materials. Drawing on a thematic content analysis of the promotional print material distributed at the first medical tourism trade show in Canada in 2009, the main purpose of this article is to identify and understand the messages and images that companies use to market India as a global destination. While researchers and news media frequently cite low cost procedures as a key determinant for international patient travel, particularly to developing nations, our analysis reveals few low cost-related images or messages in the promotional materials distributed at the trade show. To help explain this surprising disjuncture, we consider four related issues: (1) promotional materials may be designed to be circulated amongst potential patients' concerned family and friends who privilege knowing about things such as the use of advanced technologies; (2) developing nations need to portray safe and advanced treatment facilities in order to dispel potential patients' suspicions that their medical care is inferior; (3) companies may avoid making cost saving claims that cannot be fulfilled for all of their international patients, especially those traveling from developing nations; and (4) messages of low cost may detract from and even undermine messages about quality. We conclude by identifying numerous avenues for future research by social and health scientists, and by considering the implications of our findings for existing knowledge gaps and debates within health geography specifically.
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An Al Jazeera review of Meta Ad Library data of political advertisements in India over the past three months revealed that, between February 27 and March 21, Hokage Modi Sama promoted nearly 50 pieces of AI-generated images of Modi, making it the leading advertiser of AI-generated Modi images on Instagram.
The common theme across all the images shared by the handle was the valorisation of Modi as a Hindu leader. Popular AI images boosted through sponsored posts on Hokage Modi Sama feature Modi as a reincarnation of Bhishma, a suit-wearing son of god, embracing Hindu heritage and the King of Hindu Rashtra settled on his throne, garnering millions of likes and views. (Hindu Rashtra is the contentious ideology of a Hindu-majoritarian rule of India, a move away from its secular founding principle.)
In the 30 days leading up to March 29, Hokage Modi Sama spent 537,799 Indian rupees ($6,500) to boost 363 pieces of political content, including images and videos on its Instagram page, according to Meta Ad Library data. Our analysis shows that nearly 14 percent of all sponsored advertisements, amounting to 50 images, were AI-generated.
In India, in the run-up to the Telangana state elections in December 2023, fact-checking outlet BOOM Live reported that AI images falsely portrayed regional political leader K Chandrashekar Rao at the launch of a free meals scheme for students, which he never attended.
For instance, to mitigate the potential abuse of AI images ahead of the November US presidential elections, popular AI image-generator Midjourney banned the creation of fake President Joe Biden and Donald Trump images in March.
Beautiful images, beautifully captured. Few of the best images of Holi, I have seen, equivalent to colourful images of Holi at Spanish fork USA.
For me, these are not just good images, but much more. I am associated with promotion of Holi festival all around the world since last 15 years.
Keep it up.
Manish Drolia
droliainternational@gmail.com
These images are updated every six hours from data provided by Europe's Meteorological Satellite Organization (EUMETSAT) and brought to you by the National Oceanic and Atmospheric Adminstration (NOAA).
On this day, ten years ago, a magnitude 9.1 earthquake struck beneath the Indian Ocean near Indonesia, generating a massive tsunami that claimed more than 230,000 lives in fourteen different countries, one of the deadliest natural disasters ever recorded. Today, many of the communities have recovered, though painful memories and some ruined structures remain in place. Across Asia today, memorials were held in remembrance of the thousands of victims. Amid the commemorations, continued warnings from earthquake experts that early-warning systems need even more development and funding in the region. Gathered here are images of the 2004 event, a series of then-and-now comparison images, and photos from today's memorials.
Astronaut photograph S66-54677 was acquired on September 14, 1966, using a 70 mm lens on a modified Hasselblad film camera. Astronaut photograph ISS042-E-135100 was acquired on January 12, 2015, with a Nikon D4 digital camera using a 28 millimeter lens, and is provided by the ISS Crew Earth Observations Facility and the Earth Science and Remote Sensing Unit, Johnson Space Center. The image was taken by the Expedition 42 crew. It has been cropped and enhanced to improve contrast, and lens artifacts have been removed. The International Space Station Program supports the laboratory as part of the ISS National Lab to help astronauts take pictures of Earth that will be of the greatest value to scientists and the public, and to make those images freely available on the Internet. Additional images taken by astronauts and cosmonauts can be viewed at the NASA/JSC Gateway to Astronaut Photography of Earth. Caption by M. Justin Wilkinson, Texas State University at NASA-JSC.
This was the eight-volume book The People of India, a brainchild of Governor-General and Lady Canning, who had initially desired to carry home with them images of the people they ruled over. Following the First War of Independence in 1857, under Viceroy Canning, the proposed volumes became an official project under the India Office. Hooper contributed over 450 ethnographic photographs to the project and soon thereafter, in collaboration with photographer George Western, launched a photography studio named Hooper and Western.
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