Many modern Cab Sim Pedals such as the TC Electronic Impulse and Two Notes Torpedo C.A.B. M+ feature IR loading, making using IRs easier than ever. You can simply carry all of your favourite presets on your pedalboard.
To put it simply, convolution reverb refers to the simulation of a reverb, echo or the sonic quality of a space using impulse responses. As described earlier, a short sound is played, with the response then being measured and recorded, then recreated using algorithms. Popular convolution reverb plugins include Logic Pro X Space Designer, Waves IR1 and Space by Avid.
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As mentioned earlier, convolution reverb is the simulation of ambience using an impulse response. Algorithmic reverb is totally artificial, recreating the effect of ambience by simulating natural echoes, EQ, decay times and other elements.
Impulse response pedals like the BOSS IR-2 or IR-200 combine an impulse response with cabinet simulation. The result is a self-contained direct sound solution for performance, recording, and woodshedding. These pedals provide enormous amp tones in a small package. After creating tones, sending them to a stage amp, PA, or DAW is easy.
An IR has been physically recorded and measured, then recreated via an IR loader. It is a scientifically accurate, virtual snapshot of real-world physical equipment. So, where a cabinet simulator might interpret the sound of an Orange closed-back 412, an IR would faithfully recreate the sound of the particular Orange closed-back 412 used for reference.
Additionally, the hard work of setting up and perfectly recording a fantastic guitar rig is complete. There is no need for expertise in mic placement or an engineer. You are free to focus on being creative and sounding great.
Using IRs in a guitar rig also lets the player be completely ampless. IRs represent the complete setup, amp, cab, and microphone, and you can send them straight to the front of house. Setup and changeovers get streamlined, and transportation becomes much more manageable. Players can integrate a simple IR pedal into a pedalboard or pack it quickly into a gigbag.
IR pedals allow you to integrate your pedalboard with your rig seamlessly. Pedals like the IR-200 come equipped with a stereo output. This allows players to try different combinations of amplifiers without having to purchase and set up a second amplifier to determine if it blends with your first. Just rotate through a catalog of amplifier combinations to easily find the right pairing for your tone.
That tone can go to the front of house at a performance without concern about cabinet micing or bleed from drums and other instruments. In addition, for vintage amplifier owners who worry about taking them out on the road, IRs offer a simple solution. They allow those players to keep their amps in a safe environment while still getting that classic tone night after night.
Try integrating your favorite IRs into your recordings. Having instant recall of your favorite saved live tones can make sessions move quickly. You can even map guitar tones as IRs before tracking to maximize recording time. Also, impulse response software is readily available, and there are many online resources where musicians collect IRs.
When choosing a pedal, both the hardware and software make a difference. While there are numerous impulse response pedals on the market, cheap models cut corners on build quality. Integrating IRs can supercharge a guitar rig, so investing in a long-lasting pedal with cutting-edge technology will reap great rewards. In addition to their legendary roadworthiness, BOSS IR pedals offer class-leading IR reproducibility and up to 500 ms of IR time.
Click on a cabinet below and browse our extensive collection of impulse responses, including: Marshall, Budda, Mesa, Orange, EVH and many more! Purchase our bundle packs for added savings on our top cab models. See for yourself what sets our cab IRs apart from the rest.
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When talking about modeling, there are two things that usually get modeled: 1. the guitar amp, and 2. the speaker cabinet. Only the latter is modeled by an impulse response, which means that the cabinet is simply represented by an LTI system and implemented by convolution. This is of course an approximation but it works fairly well. You can find a lot of such measured impulse responses on the internet.
As for the guitar amps, there is no such thing as an "impulse response guitar amp simulator". As mentioned in the comments and in Marcus Mller's answer, guitar amps are much too complicated to be modeled by a simple impulse response. They are non-linear and dynamical, and the corresponding digital models are quite complex. There's a good reason why the big players in amp modeling (Kemper, Fractal Audio Systems, Line6) do not publish their modeling algorithms.
There are two basic approaches to modeling of nonlinear analog circuits: 1. black-box models, which only try to emulate a measured input-output relationship using a set of test signals, and 2. white-box models, which try to simulate the actual analog circuit in all details.You can read a good summary of the basics in A Review of Digital Techniques for Modeling Vacuum-Tube Guitar Amplifiers.
If you're an EE student, you will have encountered the term LTI System (or you certainly will soon enough!): A system that, no matter the absolute time, outputs, given the same input, the same output; if you scale the input by a factor, the output is scaled by the same factor. Linear, time-invariant, so to speak.
From a practical standpoint, impulse responses let you instantly recall your favorite speaker/mic/room combo. You can use them both for live shows and in the studio to retain the essential qualities of your tone.
In very general terms, an impulse response (IR) is the measurement of an output reacting to a short burst of input signal (the impulse). Convolution reverbs have been using impulse responses for quite some time to generate their sounds.
Taking an IR of actual acoustic environment, convolution reverb plugins then digitally recreate the sound of that space. The idea is the same with guitar cabinet and microphone IRs; an engineer can capture the sonic fingerprint of a physical rig and then reproduce it digitally.
Impulse responses are typically saved as generic WAV files. Lots of different companies, producers, and artists put out their own impulse responses which allow you to recreate their sound. You can even make your own IRs should you feel so inclined.
Swedish producer/engineer Jens Bogren has worked with some of the most influential bands in metal, including Opeth, Katatonia, Dimmu Borgir, Between the Buried and Me, Dark Tranquility, Amon Amarth, Ihsahn, and many more. His company Bogren Digital produces impulse responses of his go-to metal rhythm guitar chain, including all the incredible outboard equipment he uses.
Joey Sturgis is another producer/engineer working primarily in the metalcore scene with bands like Asking Alexandria, The Devil Wears Prada, Miss May I, and more. JST makes impulse response packs, drum samples, mixing plugins, and guitar/bass amp plugins.
Celestion, one of the most trusted names in guitar speakers, offers a complete digital IR collection of their speakers. Everything from the beloved V30 to the A-Type and everything in between. You can shop in bundles, or shop per speaker.
Eminence is another huge name in speakers who produces IRs of their physical equipment. Likewise, the Eminence Digital shop lets you purchase individual speakers or collections containing multiple speakers.
OwnHammer is another premier source of guitar and bass speaker cabinet emulations. They have all sorts of classics like Fender and Marshall IRs, but their real unique collections are those catering to down-tuned and modern progressive metal players.
Last but not least is the Tone Junkie IR store, featuring a modest but high-quality selection of speakers and cabinets. Many of their speaker IRs are taken straight out of vintage amplifiers so you can add some retro authenticity to your sound.
The impulse response will always go after the amplifier, just like a speaker on a combo or cabinet when paired with an amplifier head. There are a couple of ways you can go about using an impulse response, however.
The second option is to use a hardware unit like the Neural DSP Quad Cortex or Line 6 Helix units. You can import your impulse responses into these units to be used live on stage, allowing you to take your well-crafted tone wherever you want with a minimum of fuss. The way you do this will depend upon your particular unit, but this will be covered somewhere in the manual.
The line between impulse response and cab sim is a little blurry, but typically a cab simulator is used with an actual guitar amplifier, whilst an impulse response will be used with an amp simulator or a floor modeler like the Quad Cortex, Helix, Kemper, or Axe-FX. They both do a similar thing but the use case is ever so slightly different.
Amp modeling is rapidly taking over the world of guitar and whether we're recording at home or playing live, more and more guitarists are turning to amp and cab sims for their guitar tones. Many stock cab sims remain unconvincing, which is where the best impulse responses come in. They allow you to capture the magic of a professionally recorded guitar cabinet, load it into your modeler or DAW of choice, and take that perfect tone from your home studio to rehearsal, to the stage, and back again.
Matt is a Junior Deals Writer at Guitar World and has been playing guitar as his main instrument for well over 20 years. He also plays drums, bass, and keys, producing out of his home studio in Manchester, UK. He has previously worked for Dawsons Music, Northwest Guitars, and freelanced for various magazines and blogs, writing reviews, how-to's, and features. When he's not downloading the latest VSTs or justifying yet another guitar pedal purchase, you'll find him making a racket with Northern noise hounds JACKALS. "}), " -0-7/js/person.js"); } else { console.error('%c FTE ','background: #9306F9; color: #ffffff','no lazy slice hydration function available'); }Matt McCrackenSocial Links NavigationMatt is a Junior Deals Writer at Guitar World and has been playing guitar as his main instrument for well over 20 years. He also plays drums, bass, and keys, producing out of his home studio in Manchester, UK. He has previously worked for Dawsons Music, Northwest Guitars, and freelanced for various magazines and blogs, writing reviews, how-to's, and features. When he's not downloading the latest VSTs or justifying yet another guitar pedal purchase, you'll find him making a racket with Northern noise hounds JACKALS. 152ee80cbc
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