Spring Issue
of I'm A Mess Magazine
Spring Issue
of I'm A Mess Magazine
March 2026
Editor’s Note
Here we are again: the second official issue of I’m A Mess Magazine. I genuinely cannot express how thrilled I am to share this collection of poems with you. I feel incredibly lucky to have read so many carefully crafted pieces throughout the making of this issue; truly, the amount of stunning work submitted was astonishing, and narrowing it down to just eighteen poems was extraordinarily difficult.
Each of these poems was selected carefully and thoughtfully, chosen not only for its individual strength, but for the way it speaks to the poems around it. Every piece in this issue can stand on its own, but together, they create something even larger. The voices gathered here vary in age, experience, and style, yet they balance one another in a way that makes this issue feel like private hurt spoken aloud in individually shaky voices that, together, become a chorus reminding you: you are not alone.
You are not alone when a seemingly ordinary routine turns out to be a flood. You are not alone when envy and the chase for perfection begin to consume you. You are not alone when it feels like your body is fighting against you. You are not alone.
To every author who trusted us with your work: thank you. You are endlessly appreciated, and each of you will hold a small part of my heart for being part of only our second issue. To every reader: I hope you find comfort in this slightly messy but deeply sincere issue, that I find to be a quietly haunted chant of survival, vulnerability, and connection.
Now, with all the joy and excitement I can muster, may I present:
The Spring 2026 Issue of I’m A Mess Magazine.
Sincerely,
Isabel
What if you knew
That the man meandering slowly along the road
Holding up traffic and getting in your way
Had just heard from his doctor
That his test came back positive.
What if you knew
That the woman blocking the aisle in the store
Leaning across her shopping trolley when you’re trying to get through
Is trying to hold back tears
And control her emotions
After losing her pet.
What if you knew
That the teenager slouching in the corner
Exhibiting signs of rage and frustration
Is battling demons of darkness and despair
That weigh heavy on his days.
What if you knew
That the girl laughing in all the wrong places
During the show
Is suffering with a tumour
Pushing gently on her brain.
What if you knew
That the irritating couple on the flight
Marching up and down the aisle
And humming loudly
Are desperately trying
To amuse an exhausted child.
What if you knew
That the woman in the car behind
Nudging you to go faster as she shadows your route
Just had a call from a nursing home
That her mother has taken a turn for the worse.
What if you knew?
Would you stop moaning
Act kinder
Move slower
Smile gentler.
What if you knew
That everyone is haunted by something?
Would you slow down and take a breath
Let him pass,
Let her sing?
And hope that others will do the same
When that someone is you.
The horizon does not speak.
It bruises the sky
where light forgets itself.
I have stood there
between almost and never
with a mouth full of unsaid things
and hands that tremble like unfinished prayers.
The distance is tender,
a soft cruelty.
It keeps its shape by refusing me,
by dissolving each time I name it.
I carry my shadow forward,
let it arrive before I do.
Perhaps that is what survives
the part of me willing to be lost.
The horizon bends,
not away,
but inward
a wound that teaches light how to leave
without goodbye.
Trembling hands, they write down.
The time has passed, all replaced.
Heart is still there, Mind still there.
Memories remain, the unscripted ones.
Wounds have mended, scars remain.
I survived though, I'm still surviving
Engulfed by ungratefulness, I say to myself
Life hurts everyone, deserving or not
Moments are gone, the good and the bad
"You're helpless before laws of nature", Time said
Helpless as a lad to trap water in a sieve
Can not grasp it, the water
That's time, passing without waiting
Oh! To be as cruel as time
But the sensei it was to teach me
To live with the pain, it taught me
Oh! To be as good as time
The art of taking a glance at both sides, it whispers
Lessons can not be lifetimes, I write down
So let that moment be a lesson,
As the memory fades
It’s odd how you realize, one quiet day,
That you’re not seven anymore in any way,
And you haven’t been seven for years gone by,
And your mother doesn’t pause when she makes you cry.
Not out of cruelty, not out of spite,
But because you’re meant to be stronger, ready to fight,
The world doesn’t soften the way it once did,
Comfort’s a language you slowly outgrow as a kid.
Pain used to live on your skin and knees,
In scraped-up legs and unwanted peas,
In burns on your tongue from food you despised,
Hurts you could name, and clearly describe.
Back then pain waited for someone to see,
A plaster, a kiss, a “come here” for free,
It had an address, a start and an end,
And left when it healed, like a well-behaved friend.
Now pain is a mess you can’t point or explain,
It hides in your chest, it speaks in the rain,
In rooms filled with silence, in words left unsaid,
In thoughts that stay loud when you lie in your bed.
You learn how to smile, how to soften the truth,
To carry your age with borrowed-proof youth,
To clean up the messes that aren’t even yours,
And lock all your feelings behind closed doors.
And sometimes you miss being seven—
Not the age,
But the safety of knowing
That someone would come running
The moment you broke.
I don’t like it,
I don’t like it when my shoes are tied,
I don’t like it when I have to hide.
I don’t like it when she keeps me inside,
Trapped in a world where my dreams collide.
I don’t like relatives calling at noon,
“Beta, what are your grades?” It makes me swoon.
I don’t like being told to finish my chai,
Even when I just want to watch the sky.
I don’t like the curfew, the small rules they give,
The way they tell me how to live.
I want to be free, can’t you see?
I want to watch the stars and just be me.
I want to love who I want to love,
And not feel Mama’s gaze pushing from above.
I want to go somewhere I can breathe,
But then why do I still keep tripping?
Why do I keep slipping?
All I wanted was to be free,
To live my life, just let me be.
This isn’t what I imagined.
This isn’t what I saw on the screen.
The world is far from being green.
Maybe I shouldn’t fight.
Maybe I should keep my laces tight.
Maybe I should thank her
for having shoes tonight.
I will not admit it
how I held the world in my hands
only to watch it slip through my fingers
How I say I’m fine
but there’s a sweetness in the lie
that leaves a sour taste on my tongue
How I so often tell them what they want to hear
but the truth? It lingers
too bitter to swallow, too raw to say
How I struggle to surrender
to spaces, to people
I remain guarded
How I fear fragments of my past are fading
as if time is erasing me
Piece by piece
How I wish I could go back
just to feel it all again
the highs, the lows, the rush of something real
How I replay old conversations
rewriting them in my head
finally saying the things I never said
How I ache for love
the kind where my name is spoken like a promise
not just as a passing thought
And the sound of your name
makes me feel alive in a way
I’m too afraid to admit
And I won’t
Not now
Not ever
I bought you flowers today–
tulips, lilies, lotuses.
I hope they’d mean enough.
I don’t know if love
can be offered like this,
or if giving it makes me smaller
than I already am.
Can you grow from what I give,
or will it wither
before it even reaches you?
I stand here,
hands empty and trembling,
wondering if I was ever enough.
You asked me once—quite casually—
What good I was, if not materially.
The question rested lightly in the air,
As though it named a fact we both could share.
You did not raise your voice, nor press your claim;
You spoke as one reciting something plain.
The room remained as orderly as before;
No glass was broken. Nothing struck the floor.
I searched for words that might enlarge my place,
But found no language fit to shift that scale.
My silence filled the space where worth had been,
And passed for calm. You took it as serene.
I nodded—yes—not wisely, not with grace,
But as men nod when time has picked its face.
I thought of all I’d carried, all I’d tried,
And felt it fail to qualify my side.
You turned away—not sharply, not in spite—
As one who ends a thought already right.
I stood there, holding nothing I could prove,
Still shaped like someone eligible for love.
Later, alone, I practiced what I’d say
If worth were not a thing that had to pay.
The lines arrived too clean, too late, too whole;
They fit no hour that had taken toll.
So this is all the answer I can give:
I stayed because I did not know to leave.
I mistook quiet for a form of care,
And called myself enough by standing there.
If healing comes, it will not speak my name,
Nor dress this moment up as growth or gain.
It will arrive as truth arrives—too small
To save the man who thought he was at fault.
It waits in the corner of every room
and leans against every doorframe.
Even the traffic stops to let it through.
The streets of my mind, lit by the hope of you.
Your trace of a smile
that never fully forms.
Your hand that always hovers over the heart.
I patiently wait in that song I call ours
and the start of another.
That gets drowned out by your hair catching the light.
These signs you’ll never read.
Rewriting the map with each eye flutter.
Until it directs you to my heart.
You pass by my hands that wander without aim
and guide them to yours.
You catch my words that used to tumble into empty corners
threading paths for you to follow.
You trace all of the misfired humour
exchanging it for a ticket for one.
Our house floods every night the same way.
I set the table every morning.
I place dishes carefully
on a sopping tablecloth.
I pretend the chairs don’t remember
the sound of rising water.
I hum as I work.
His apologies are watermarks.
His promises smell like mildew.
He says he’s sorry.
i stop humming.
i wring out my hands
on a dishrag that’s damp.
i once fought the current—
i slammed doors, drained rooms.
i built sandbags and barricades
of explanations and hope.
I open the windows.
Rain spills onto the hardwood,
I gasp, take a breath.
He tracks mud across the kitchen.
He kisses me on the head.
He asks if breakfast is ready.
He complains his socks are wet.
He turns on the faucet.
He walks away.
He doesn’t fetch the mop.
He doesn’t see the mold crawling up the baseboards.
He does straighten the plate I just laid.
My work is remediation,
mine—always mine.
He tells me he’s hungry.
His discomfort an emergency,
his damp socks a crisis.
He says, “Breakfast is burning,” and departs.
He leaves the faucet running.
The sink overflows.
Rain spills onto the hardwood.
The window gets closed.
The faucet gets turned off.
The salvaged remains of breakfast
fill only his plate.
I ignore my hunger.
I find the mop.
I’ll eat later—
when the kitchen’s dry.
My slippers don’t dry anymore.
On chemo days I wake the children
I hope that they will remember when
I slowly turn on the light
They tell me the dreams they had last night
They need their mama, this I know
Guiding them to get ready to go
Those hard mornings, getting out the door
Hair to brush and hearts to reassure
When it’s a mission
It doesn’t feel like a chore
There’s nothing I would trade it for
On chemo days I don’t dress it up pretty
But I write it down real
The contrast of what’s presented
And the way it can feel
On the 5th floor no one stops to care
If your head is covered or if it is bare
Now I’m waiting in a line
I bring my own pillow
The seat doesn’t recline
On chemo days my body knows
From my bald head
To my trauma triggered toes
Because my body kept the score
Of a game I didn’t agree to play
No signed permission slip
Only an agreement to pay
And I can’t afford to lose
So I come every Friday
On chemo days I’m a child who yearns for a mother
An absence that can’t be filled by another
It’s a different kind of grief, because she’s still alive
A beating heart
That I could never revive
She’s outside somewhere smoking in cold weather
And I only miss her
When we are together
On chemo days I don’t have to be brave
I wear my comfiest clothes
I outrun the thoughts I don’t want to save
Anything I can talk about
On the two hours there
Anything to not think about
Getting in that chair
Then I become so quiet
But the staff is so loud
They’re talking about shoes
And laughing is allowed
I focus on my breath
I listen to meditation on my phone
I don’t want another panic attack
Like the last time I was there alone
Finally the machine beeps loudly
She bustles in and says “all done”
I just want to go home
Another chemo day chased the sun
#1
i am just calling to say
that choosing to marry you
was not a mistake
#2
it has been lonely without you
please call me when you get the chance
i know you are busy
but i just want to hear your voice again
#3
you said you would be back a week ago?
please call me
this isn’t funny
do you know how much i gave up?
just to be with you
#4
was that you on the other end?
when i called i only heard senseless mumbling
and what sounded like mocking laughter
please talk to me
with words
not whatever that was
#5
i talked to your parents
and they told me not to worry
but i love you too much to be apathetic
call me and we can talk this out
if you have plans
i understand
but we need to communicate
for this relationship to work
#6
it's been a year already
did you die?
what kind of sick joke is this?
#7
i finally talked to my parents
(i’d been avoiding them because of you)
and they told me you don’t exist
that i never had a wedding
that i made us up
Am I jealous of her?
I prefer the word envy.
Am I envious of her?
No, silly.
I just like her hair.
And her eyes.
And her carved nose.
And her clear skin.
And her perfectly proportional body.
But I do think for once,
Her smile lingers in my head everyday,
Her body is like
The one I yearn for.
And I research,
Wanting to be like her.
Steroids came first,
Plastic surgeries second.
I book an appointment,
Being the fastest.
And turns out I'm
Qualified for it.
I go to doctors,
Surgeons next.
My face becomes clearer
And my body perfect.
Something was still yet missing,
Something I couldn't name.
Something that was the last thing
For being perfect.
I looked at the mirror,
Pointing out all the flaws.
Made a list,
And showed it to the doctor.
He asked—
Are you fine?
I just joked
Why wouldn't I be?
I looked at her social media
Below the table—
No this isn't stalking.
Just… admiration.
Perfect forehead.
Perfect straight nose.
Perfect small ears.
Perfect bow shaped lips.
Perfect face.
Perfect small waist.
Perfect arm circumference.
Perfect width of hips.
Perfect calves.
Perfect body.
I was at home.
Wasn't I at the doctor's?
It was night.
Wasn't it day?
I need to be perfect.
Perfect.
Prefect.
Prefcet.
Precfet.
Refrcte.
Then more things changed,
And my body faded one by one.
One day I looked in the mirror,
And didn't see me anymore.
Just a body decaying,
Full of flaws.
Acne on my cheeks
And my waist is ugly.
I look into the mirror again,
And feel nothing.
I close the door,
And slide down the bathroom door.
I hold the steroids
In my hands.
And start fidgeting with it,
Like a little toy.
The tiles
Are cold beneath me.
Then the thought
Comes and goes—
It
was
the
way
she
carried
herself.
…it was always the way she carried herself.
But the realization
came too late,
And by that time
I was already on the floor.
Big coyote spotted roaming neighborhood
streets. Residents eagerly notified via Facebook
and Nextdoor. Put your pets away, the glut of posts warn.
In days past, town criers gave notice of impending
Viking raids, helmeted marauders intent
on plundering with ravenous appetite.
Today, worries of such an invasion
are replaced by the perceived danger
emanating from a clever animal searching
between double parked Amazon trucks for
rich garbage, leftover dog food, or a plump pup.
Coyote warnings scramble human minds,
making people fleetingly forget threats
of earthquake, wild fires and floods,
placing a mangy scavenger high on any
contemporary hierarchy of panic. Is it
the canine’s conspicuous hunger that rattles us,
upsetting a sense of suburban abundance,
made evident by our insatiable quest for
procuring warehouse size eating quantities?
Looking out my kitchen window to catch
a glimpse of the sharp-toothed intruder, I stalk
my front yard like a seasoned hunter, while staying
within arm’s reach of a well-stocked pantry.
Speaking of hunger, imagine the social
media mayhem –the flurry of jumpy posts –
if this opportunistic omnivore were to
attack the Uber Eats delivery person, putting
a critical food supply source in grave danger.
Most likely, we would react as commonly
done in response to previous perils – by taking
a trip to Costco, stocking up on toilet paper,
then buying a twelve-pack of big muffins
along with a giant-sized pizza. I envision
neighbors noshing away, cell phones
in hand, furiously posting from a state of terror.
You tell me you were born a murderer, and I smile.
I tell you I've been a casualty.
You tell me you came from a memory, and I lean into you.
I tell you I came from a dream.
You tell me you died in a fire, and I take your hand in mine.
I tell you I died by drowning.
You tell me about happiness and I sigh.
I tell you about longing.
You tell me about broken things and I offer you my heart.
I tell you about the turn of the tide.
You tell me everything and I blink.
I tell you nothing.
Neither of us have ever known safety.
You ask me about cuts and I frown.
I show you scar tissue.
You ask me about magic and tilt my head.
I show you a bow and arrow.
You ask me about mercy and I scoff.
I show you the bodies of your ancestors.
You ask me about tragedy and I roll my eyes.
I show you a house on the hill.
You ask me about exits and I sniff.
I show you an empty eyed doe.
You ask me about idols and I hide from you.
I show you what you should already know.
Neither of us will ever see peace.
You wonder about morals and I laugh.
What are those things when in the presence of the old gods?
You wonder about religion and I grow angry.
I teach you about the forest's heartbeat.
You wonder about beauty and I calm down slightly.
What is it, if not shallow and easily seen through?
You wonder about my beginnings and I offer you a rue.
I introduce you to winter and his accomplice.
You wonder about speed and I steal your breath.
I tell you what the white stag is sworn to protect.
You wonder about ruination and I raise an eyebrow.
I point you in the way of your own species.
Neither of us have ever known warmth.
You hunger for an easy answer and I spit on the ground.
I show you split, bloodied skin.
You hunger for war and I pity you.
I show you tattered flags.
You hunger for art and I gesture to the forest.
I show you the world is full of it.
You hunger for a voice and I offer you herbs.
I show you the harm humans do when they possess one.
You hunger for glory and I give you a pin.
I show you the rivers that once glittered.
You hunger for rank and I back away a little.
I show you the charred aftermath of that hunger.
Neither of us have ever known freedom.
Swing your scythe
dark farmer,
the weeds have overrun
their borders
and now tighten their grip
on the young.
Swing your scythe
heretic thresher
and raze the field of
its false and
strangled.
The landowners count
and recount their
copper
while they dream of life
on a cloud.
Swing your scythe
coal lidded Spaniard.
Your cape bold as ripe apples
before the fall.
You scatter your bitter
seeds into the local
night tales and pour
bloody libations
into the ground.
Your blade a clean
arc of sun
sweeping the streets
of stale droppings
before
the passing
of a bewildered
Aeon.
When the world is driven by foolishness,
Be a man who keeps his head,
When you're cornered by deceptive knaves,
Be a man who does what he's said,
When your country is full of traitors,
Be a man of unwavering loyalty,
When the room is full of doubts,
Be a man of splendid credibility,
When the crowd is disoriented and dispersed,
Be a man who can make them unite,
When your men tread in darkness,
Be a man who can show them light,
Even in worst of your times,
Keep your virtues as close as you can,
Let the world look at you with admiration
And say," He is the man,"
"A Man of Honour."
How can I blame the wind
for the mess it made?
It was I who opened the window,
forgetting that to invite motion
is to also invite ruin.
Every force in nature is innocent.
The river only floods
because it knows no stillness.
The fire only burns
because it refuses to be cold.
The wind only scatters
because scattering is its truth.
It is not the world that deceives us,
but the illusion
that we can open doors
without consequence.
And so the question is never
why the wind entered,
but why I believed
I could remain untouched
while reaching for air.
Meet the Authors
Gabrielle Yetter
Gabrielle Yetter is a former journalist and author of two non-fiction books about Cambodia, (where she lived) two children's books and a novel (Whisper of the Lotus). She has been writing poetry since lockdown in 2020 when she was inspired to write about people, lifestyles and hope. She lives in southern England.
Rose Albert
Soresdesire is a poet whose work explores silence, endurance, and the fragile spaces between pain and hope.
Wareesha
Based in Haripur, Pakistan, Wareesha Iftikhar is a 16-year-old student who writes to preserve unscripted memories and untangle unspoken emotions. Her poetry moves between ache and hope, reminding readers that no storm lasts forever. She believes words can become small lanterns in dark places. You can contact her at: wareeshak77@gmail.com.
Varnika
Varnika is a teen poet who is still figuring things out. Her work revolves around human emotions and the feeling of growing up too soon. She tries to weave these emotions into words. She is really extroverted and always ready to meet new people!
Maha
Maha, a seventeen-year-old writer from Pakistan, illustrates through her poetry the cracks the world tries to ignore. She explores raw emotions and questions what people accept as normal. In her free time, she enjoys writing poetry as a way of understanding both herself and the world around her. While writing, she often crouches on her chair like L Lawliet, with notebooks piled around her in chaotic devotion.
Sid
Sid is a poet and writer whose work navigates the fragile intersections of memory, love and self-discovery. She usually uses lyrical prose and intimate verses to explore the quiet fractures of human experience and the spark of joy that persists amidst shadow. Through her work Sid hopes to draw readers into moments of introspection, vulnerability and unspoken truths.
Anyigor Chris Monday
Anyigor Chris Monday is a Nigerian poet, educator, and literary scholar whose work interrogates memory, displacement, faith, and the socio-political textures of contemporary African life. He was shortlisted for the Joe Ushie 2026 Poetry Prize for “Blood at the Gate: Elegy for Ezza Effium,” with two additional poems long-listed in the same competition. His poem “The Fire We Carried in Our Bones” was shortlisted for the 2025 African Writers Awards, and “Unforgettable Moments at Home” was shortlisted for the 2025 African Verse – Narratives Against Poverty in Africa. A winner of the School of Arts Creative Writing Competition (2013) and recognized in multiple literary platforms since, his poetry is marked by lyrical intensity, moral urgency, and a deep commitment to cultural memory and human dignity.
Mohit Mitra
Mohit Mitra is a poet, pedagogue, and seeker based in India. After nearly a quarter-century guiding scholars at Welham Boys’ School, he turned his contemplative gaze to the cosmos, human potential, and the enduring wisdom of eminent thinkers, inventors, artists, and authors. His verses, numbering over two hundred, meditate upon life, learning, and the subtle harmonies that shape our world. He continues to write with quiet reverence for insight, reflection, and the truths that often elude notice.
Ffion Browne
Ffion writes poetry that captures the overlooked moments in life and the emotions we don’t always say aloud. She began writing to clarify her own thoughts and hopes her poem helps readers to recognize the small and meaningful moments that shape our days.
Jaimee Rector
Jaimee Rector is a writer based in British Columbia. Her work examines domestic life, emotional labor, and the quiet residue of relationships through everyday images and restraint.
Amy C Carmichael
Amy C. Carmichael is a poet whose work explores love, grief, mental health and addiction, healing, and hope. She is a licensed professional counselor currently living with advanced cancer and finding purpose in sharing her story, through language rooted in transformation, and testimony. Her writing focuses on emotional honesty and resilience. Her first poetry collection, Shadows of Hope, is in progress. You can find her on Instagram as @AmesCarmichael, and Facebook and TikTok as Amy Collins Carmichael.
JAB
JAB's poetry has appeared recently at I'm A Mess Magazine. They are especially passionate about existential philosophy, democratic socialism, alternative rock, and art generally.
Marlowe
Marlowe is a teen poet and writer whose work explores identity, emotion, and the little wonders of everyday life. She is always on pinterest on her official page @Gray_Marlowe. As a young teen author she is still figuring stuff out as she goes.
Steve Rodriguez
Steve Rodriguez is a retired U.S. Marine Corps officer and a retired high school English teacher. He resides in San Diego, CA.
Robyn Vale
Robyn Vale is a modern day victorian poet. Her poetry touches on longing, nostalgia for things that haven't ended yet and fantastical, liminal spaces. She has been writing poetry for nearly two years and spends all her free time, when she's not reading or drinking tea, expanding her catalogue.
Beth Robie
Beth Robie is a Bay area poet who explores the balance of human relationship with personal authenticity, and what it means to be awake and responsive in a constantly shifting, divisive and even censorious modern culture. To explore more of her poetry visit https://allpoetry.com/Beth888.
Vedant
Vedant Bhagwat is an engineering student with a deep passion for literature. He has written numerous poems in both English and Hindi, with Man of Honour being his first published work. His writing often explores themes of individuality, honor, and the complexities of unrequited love.
Bunny
Bunny is a pen name created as a quiet space for reflection and honest expression. Through poetry, Bunny explores thoughts that often go unspoken, valuing depth, simplicity, and emotional clarity. The focus remains on the words themselves, allowing readers to connect beyond identity.
We want your thoughts, go and review our Spring Issue! Review here.