April Issue
of I'm A Mess Magazine
April Issue
of I'm A Mess Magazine
April 2026
Editor's Note:
I have to admit, the April Issue has probably been the hardest issue to put together. There were so many different paths this issue could've taken, so much potential for different concepts and lanes we could've wandered down, and I'm really glad this is the road that was chosen. It's one well-traveled, but that doesn't minimize the unique way it's approached through these poems.
This issue turned out to be a collection of voices wading in the aftermath of realization. Where illusions about love, family, identity, and self-worth have cracked and haven't fully healed. Each poem carries an individual intensity that ponders the idea of being overwhelmed by what it means to feel deeply and finally understand things they never thought to question. There's an unmistakable shared sense of internal conflict and questioning. Instead of offering resolution or evident hope, this issue lingers in an in-between and uncomfortable space where understanding has arrived, but peace hasn't.
Now, my special thanks to every author who trusted us with their work: you are recognized and appreciated, it was a privilege to read your work and have the honor of working with you and your poetry. To every reader, I hope this issue connects with a part of you that isn't so loud and makes you feel seen. I pray that even though this issue doesn't offer resolution or stark hope, it gives you peace in knowing that someone else feels or has experienced the same.
Now, may I present:
The April 2026 Issue of I'm A Mess Magazine
Sincerely,
Isabel.
A Look at 40
We watched the rain fall
Between the pine
Cruise control on
Riding our side of the line
I was thinking it was beautiful
The way the car glides
Over a curvy county road
Thinking about the past few years
And the heavy load
I am the observer
Of what is unimportant
Not much to do around here
Trying to forget what we can’t
We used to sit on the patio drinking
Until the cigarettes were gone
If any store was open
We’d probably stay up till dawn
Talking about the same old things
So much is different now
But the feeling's the same
Laughing about good times
Dreaming of change
I wanna move you
With something so deep
When I try to put my finger on it
The words come out cheap
You drive your dented in truck
Hauling your dreams
The mess inside
Organically obscene
Perhaps a metaphor
For seeking something more
But we just laugh about it…
And I remember and remember and remember
Until I can’t remember at all
Swinging toward the sky
Close your eyes while you fall
And my face now
Tells a story
A clue to my age
A look at 40
Innocence gone
Yet still naive
If you say it with a smile
I’ll probably believe
With these memories
And a slow song I’ll sit
And we’ll just laugh about it
In those moments
I brought up that one grade
The grade that pushed down the stairs
And into madness
Each time I brought it up
You would go
On and on
About how I didn’t take it seriously
How when it got hard I laughed it off
You gave me lecture after lecture
And made me as valuable
As the polluted air
That we all breathe on a daily basis
Something that needs fixing
I wanted and yearned
For you to say
That I can still go as far as
I’m meant to go
That I’m still great
Perhaps say no matter what
I’m still proud
Like you did those nights
Where oxygen never seemed
To run through my blood
I try and I push
Myself to the top of the hierarchy
Somewhere you said I'd never breach
Forever being in the top 5%
And you say I do too much
And that I’m still not enough
I put in the work
I tried to understand but
You just want results not the process
I don’t know why I still try
I think
In all those moments
You don’t see
I’m a sea
In which its crust is cracked
And continue to shake me
Until my pieces fall
And so I cry and I wail
When I see the grades
When I see your face
And when the angles just don’t add up
Man do I hate geometry
If you overfill a jar, no matter how hard you try, you can't put the lid back on
You can compress and shove and do anything to try and make it work
But it just won’t
I’ve come to realize the same goes with a person
You can only take so much
pain, anger, sadness, or whatever
There will always be a point where your ability to condense everything ends
when you can no longer push it all down
You cannot brush it away
It’ll build and build and build until it can't anymore
That pain is far worse and far more awful than any singular sensation you can push down
For a while, you can erase the feelings so that you almost feel okay
But you will realize, “okay” is so inescapably temporary
Because then the street lights blur, and it feels like everyone’s shouting as you pass them
You feel your pulse race and chest squeeze as it’s all pressing in
Like the jar has cracked and spilled, and all of its pieces are too small and far too scattered to collect and put back together
The ghosts of your mistakes and good mornings haunt your polluted mind and taunt you with everything you’ve tried to forget again, again
You are human, and human feels too much
The jar is always full, always overflowing, always spilling
You realize that those people you pass are not the ones shouting
It is you, you are shouting, it is you, you are shouting!
Yet you’re still in the streets, the lights are still blurred, and you’re still shouting
Inside yourself, at the universe, at the stars, at whoever must’ve cursed you to feel this way
And sometimes the universe answers back, and you swear it’s not all some big thing made up in your head, that this burden is not up to you, that you haven't made the bed
The voice tells you the hollowness is not always going to be there, that even the loudest feelings will become a controlled subject, that your cries won’t always be breathless and shaky
This is your jar, this is your body, this is your mind, this is the soul trying to make sense of the cosmos, and failing, and trying, and succeeding, and failing
You are human, and human feels too much
You tremble, your body aches, your poisoned lungs clench and burn, but still you march, still you pour everything you are onto those streets
Sometimes beautifully, sometimes ferociously, sometimes beautifully, sometimes ferociously
But always endlessly
And the jar still waits, always waiting for more, for everything, for the fullness of being alive, spilling, screaming into the dark, into the busy streets, into everything that is you and everything more than you
And the jar is still there, still full, still yours, and sometimes you pour, sometimes you tend, sometimes you share, sometimes you neglect, and it resents you, and you resent yourself, and still it is yours, still it is you, still you march and pour and tremble and breathe, and all at once it is endless and only yours to carry, it is you and it is everything more than you
I was both sides of the board.
I studied myself across it,
set a trap carefully by my own hand,
as if I were an enemy
I wanted it to end at any time.
And when the king fell,
it was my only finger that tripped him.
CHECKMATE!
And then I called it strength—
the way I make myself kneel beneath my feet,
vanity I begged them to see.
But what kind of victory
requires you to destroy your own side?
The crown leaned forward,
eyes locked on the fallen king,
but no one glanced
at the hand that pushed him.
And then—
they praised the fall,
cheering for the piece I gave away.
I was the pawn of my own board,
their order, the master,
and still they asked for more—
more pieces, more moves,
more proof I could survive it all.
so do I as I was told
give my fire for those that
only come to warm themselves
before walking to the cold.
so do I as I was told
become a prey for those who only
adore my light enough to see their reflection in it.
You aren’t prey.
You aren’t checkers.
Especially, you aren’t a lesson
for those who can’t learn to play on their own.
Stop checkmating yourself
to prove you can survive.
The board is always yours.
So is your life.
And this time—
protect your king.
I stop when I catch myself smile
because my sick brain believes that it will only be for awhile
To get hopes up is allowing yourself to look stupid
for when life doesn’t turn out the way you imagined it
A perfect beach I have found
with a cool breeze and a calming ocean sound
While everyone relaxes
I watch the tide waves waiting for something to happen
When will I become a chubby wife who has no luster?
Turning people into projects, a mother resented by my children’s father?
I fear putting dreams on the back burner
that someday the burner will only be cooking dinner
That I’ll bear children whom I don’t share a name,
that my bet on love was a waste
I can’t hear my heart, I don’t think I ever have
always focused on what I would lack
Do I need therapy or is this an initiation?
That every girl goes through each generation
Committing to either path, would I truly let myself live it?
Am I an avoidant or am I a woman?
this cold is in my bones,
threatening to smother even the warmth of love
this fear is in my eyes,
reminding me of my frailty
this pain clamps my voice shut,
denies me even the attempt
this is an attempt to live
this is a cry for help
this death follows me in my dreams,
asks me not to wake up
each night, I hover between worlds,
half-buried, obeying gravity—
this cold presses me down.
this life takes more—
of me—
than I can bear.
I don’t miss you,
I don’t miss talking to you,
Everyday about anything.
About everything.
I don’t like you.
I don’t like that I see you,
With every corner I turn,
In every face I look into,
I don’t mean to be rude,
But I am,
Rude about who you are,
What you are, what you’ve done,
What we were.
I say I don’t like you,
And that may be true,
But the reason why?
Because I’m still that girl,
Shamelessly in love,
Waiting for something,
That will never be.
And truth be told,
I do miss you,
I miss calling you, feeling all my troubles,
Melt away at the sound of your voice,
Laughing at your jokes,
Falling in love with who you are,
Wanting you to fall in love with me,
But I wouldn’t tell you that,
I wouldn’t even tell you I miss you.
Loving you felt like
Beatnik poetry
A performance
But genuine
Like monologuing
To an audience
Of one
Aren’t we just
Two matches
Fire signs,
Burning a little too bright?
And we had the front seat of your car
You had me in the back
Your eyes were carnal and burning into mine
I said
“Consume me, devour me
But please don’t treat me
Like your next cigarette
Stubbed out on the pavement”
And I tried to make a home for you inside of me
But I really should have been setting the table for myself
You brought out the beatnik poet in me again
And the words pour out
Like the spit
Caught between your teeth
Crooked smiles, dripping incisors
I can’t quite stop
Writing about someone
As painfully human
As you
We’ll circle the drain a little longer
Crimson lines dripping down the sides of the sink
Your words brought me back to Earth
Away from the Eldritch
“You’re a beautiful woman”
Maybe I’m not a creature after all
The aftermath of our
Blood ritual, however
Is that you will live on
In my words
I’m sorry, for making you immortal
Loving you felt like beatnik poetry
Perhaps I am an Eldritch horror
My love is vast, cosmic, terrifying
This is a house, not a home.
The creak in the stairway
is not from the patter of excited little feet
running and giggling through hide and seek.
That creak is full of shame and guilt
as you sneak away from us
with a desperate sigh.
Three sets of silverware
scrape against plates—
instead of four.
Conversation halts
with a sideways glance
to see if it is you
arriving home once more,
followed by a tight, sad smile
when it never is.
We hold our breath upon your arrival—
not with excitement, but silent dread,
because we know how the house will feel
with you in it.
The painted walls and new furniture
are just a bandage.
The closer you get,
the more cracks appear.
You have broken us.
The glass is shattered,
the pieces so small
I’m not sure they will ever
fit back together.
Mother came home
one Friday evening
and found me unconscious
on the floor
beside my reading table.
She said her heart leapt
out of her chest.
She screamed –then collapsed.
Neighbors, drawn by her cry,
rushed into our apartment.
But she was already lying
on the same floor, beside me.
They said they called my uncle–
Uncle Chima–
who drove us to Nze Hospital, Nwachi.
We lay in Emergency Ward 1,
fed with drips and injections–
I/V, I/M–
for eight long hours
before Mother sneezed back to life.
I was elsewhere,
fighting a battle in another world,
trying to find my way home–
my face bruised,
my body aching with blows.
At our gate, I saw her–
rolling on the red dusty earth,
weeping without restraint.
“Mummy!” I screamed
and woke.
Six faces hovered
around my hospital bed
as my eyes opened.
She asked me what happened.
I looked at her–long–
then said:
“It’s the picture…
the one hidden in your box–
your naked, bruised body…
Was it Father?
Is that why
your eye…
looks like this?”
She said nothing.
Only tears–
quiet, heavy–
falling from
the old wounds of marriage.
The glass didn’t shatter all at once,
It caved in slowly.
Day-by-day, piece-by-piece.
Something you could ignore
as long as you didn’t gaze directly at it
That’s how most collapses begin.
Not with noise.
but quiet compromise.
A hairline crack
you trace with your thumb
and still call it nothing.
I seal it still, hold the pressure back
A closed window is all I’ve ever known.
I bear the weight of all that may give,
the bare betrayal of things once certain.
as the air tastes of wind and resignation,
I am tired
of being afraid,
tired of making myself small
inside a home I could not control.
The fracture fissures fully,
splintering silently,
light licks at every edge,
dust dances in delicate drifts,
air bursts into the room, unforgiving
until it feels as if it’s no longer safe
yet on the inside, there is strange solace
a mercy in being reached
where you are no longer intact.
And within the inexorable illumination,
The shards shimmer
Catching a cadence in chaos,
turning jagged geometry into grace.
The room refracts and then reforms
into something I could never see
before the glass broke through.
My room is not ruined;
the windows are only open.
Meet the Authors
Amy C. Carmichael
Amy C. Carmichael is a poet whose work explores love, grief, mental health and addiction, healing, and hope. She is a licensed professional counselor currently living with advanced cancer and finding purpose in sharing her story, through language rooted in transformation, and testimony. Her writing focuses on emotional honesty and resilience. Her first poetry collection, Shadows of Hope, is in progress. You can find her on Instagram as @AmesCarmichael, and Facebook and TikTok as Amy Collins Carmichael.
Alexa Figliozzi
Alexa Figliozzi is a young poet who started writing poetry as a way to process emotions, when she was 13. She often blends her poems with naturalistic imagery and confessional free verse, exploring identity, societal pressures, loneliness, and resilience aiming to connect with people through shared experiences.
Riley Wood
Riley Wood is a writer drawn to the full spectrum of human emotion, from quiet joy to overwhelming grief. Their work explores deep internal landscapes, capturing both the ache and the beauty of being alive. Whether writing about light or darkness, Riley is interested in the intensity of feeling and the moments that make us most human.
Mirhan
She is a teen poet who writes about the world, inner thoughts, and emotional experiences. Her work contains emotion and metaphor, exploring human experience through both personal and imagined worlds.
Katherine Go
Katherine Go is a writer whose work examines self-perception and identity, often exploring the tension between internal narrative and external reality. She approaches writing as both a creative practice and a form of sustained self-reflection. In her free time, she enjoys playing her bassoon and spending time with her senior dog.
Rachel Aiyke
Rachael Aiyke is a Nigerian-bred creative non-fiction writer and poet living in Abuja, Nigeria, a place she believes is saner than other parts of Nigeria. As a writer, her pieces—fiction, nonfiction, and poems—have appeared in Fiction Niche, African Writers Magazine, Kalahari Review, Salamander Ink, Ngiga Review, and elsewhere. These days, she finds herself oscillating between being an entrepreneur and an artist. She hopes the artist always wins. Reach her on X: @rachaiyke
Frankie
I wouldn’t tell you I miss you is a poem written by Frankie about a person she loved and how a person can miss the feelings they had for another. Frankie is a girl in love with the idea of love and writes about the experiences and feelings that it can create. Frankie likes to write her poetry about feelings and deep subjects.
Kirsten Fischer
Kirsten Fischer is a writer based in Bethlehem, Pennsylvania. Her work explores intimacy, self-perception, and the lingering aftermath of fleeting connections. This is her first publication.
Brittany Yates
Brittany Yates/Marginofsilence writes from lived experience, using poetry as a way to process and release what often goes unsaid. While she is new to sharing her work publicly, she has been writing for years as a way to navigate grief and the harder parts of life. Her work focuses on emotional honesty and connection, with the hope that others can see themselves in it.
Anyigor Chris Monday
Anyigor Chris Monday is a Nigerian poet and educator from Ebonyi State. His work examines memory, history, power, and social violence, drawing on myth, oral tradition, and contemporary political realities to explore how private lives are shaped by public failure.
Nevaeh Smith
Nevaeh Renae Smith is a nineteen-year-old aspiring author from Kansas City, Missouri. She enjoys writing complex characters and narratives that challenge readers to view things from new perspectives.
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