I M Rider Female Song Download _HOT

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Or maybe they play music you'd rather not listen to. Which is what happened with a TikTok user named Angie (@angiethevirgo4) who recorded herself on an Uber ride where the driver was playing a song containing some explicitly vulgar lyrics.

I M Rider Female Song Download

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She records herself casually looking out the window of the car as the song in question blares throughout the vehicle's sound system, writing in a text overlay: "Throwback to when my Uber was playing this song and I pretended to be unbothered"

The post was uploaded to the r/uberdrivers sub, and one of the commenters who was an Uber driver themselves said they would never think to play a raunchy track while there's a passenger in the car, especially if one of their riders was a child.

"See See Rider", also known as "C.C. Rider", "See See Rider Blues" or "Easy Rider", is a popular American 12-bar blues song that became a standard in several genres.[1] Gertrude "Ma" Rainey was the first to record it on October 16, 1924, at Paramount Records in New York.[2] The song uses mostly traditional blues lyrics to tell the story of an unfaithful lover, commonly called an "easy rider": "See see rider, see what you have done", making a play on the word "see" and the sound of "easy".

"See See Rider" is a traditional song that may have originated on the black vaudeville circuit. It is similar to "Poor Boy Blues" as performed by Ramblin' Thomas.[3] Jelly Roll Morton recollected hearing the song as a young boy sometime after 1901 in New Orleans, Louisiana, when he performed with a spiritual quartet that played at funerals. Older band members played "See See Rider" during get-togethers with their "sweet mamas" or as Morton called them "fifth-class whores".[4]

The song is possibly connected to the Shelton Brooks composition "I Wonder Where My Easy Rider's Gone" (1913) that was inspired by the mysterious 1907 disappearance of the 28-year-old jockey Jimmy Lee, "The Black Demon", a well-known black rider who won every race on the card at Churchill Downs.[7]

In October 1924, "Ma" Rainey was the first to record "See See Rider Blues" at Paramount Records New York Studio. Her Georgia Jazz Band included Louis Armstrong on cornet, Charlie Green on trombone, Buster Bailey on clarinet, Fletcher Henderson on piano, and Charlie Dixon on banjo.[11] The record was released in 1925. While the copyright listed Lena Arant as a composer, she was responsible only for the first three rhymed couplets at the beginning of the song.[8]

In 1943, a version by Wee Bea Booze reached number one on Billboard magazine's Harlem Hit Parade, a precursor of the rhythm and blues chart. Some blues critics consider this to be the definitive version of the song.[12] Later rock-oriented versions were recorded by Chuck Willis (as "C.C. Rider", a number one R&B hit and a number 12 pop hit in 1957) and LaVern Baker (number nine R&B and number 34 pop in 1963).[13]

Mitch Ryder & the Detroit Wheels' version of the song (as part of the medley "Jenny Take a Ride!") reached number 10 on the Billboard Hot 100 chart in 1965 the US.[14] In 1966, Eric Burdon & the Animals recorded "See See Rider" for their fourth American album, Animalization. It was released as a single in September 1966[15] and reached number 10 on the Hot 100.[16] Cash Box said that it is an "excellent re-working" in which the Animals play "the bluesy sturdie in an infectious, hard-pounding rollicking style."[17] Elvis Presley recorded a version of the song in 1970. The song eventually became Presley's opening song at his concerts beginning in 1972, with the orchestra section of his rendition opening and closing the concerts.

In 2004, Ma Rainey's "See See Rider" was selected for the National Recording Registry of the Library of Congress to preserve its legacy for future generations.[11] In 2004, her recording received a Grammy Hall of Fame Award. Film director Martin Scorsese credited the song with stimulating his interest in music. He commented:

One day, around 1958, I remember hearing something that was unlike anything I'd ever heard before ... The music was demanding, "Listen to me!" ... The song was called "See See Rider," which I already knew from the Chuck Willis cover version. The name of the singer was Lead Belly ... I found an old Folkways record by Lead Belly ... And I listened to it obsessively. Lead Belly's music opened something up for me. If I could have played guitar, really played it, I never would have become a filmmaker.[19]

In 2018, the Blues Foundation inducted "See See Rider" into the Blues Hall of Fame as a "classic of blues recording".[1] The induction statement noted that the song "became a standard recorded by countless artists in many genres [with] hit singles [and] many other versions by blues, soul, jazz, pop, country, and rock performers".[1] It is also specifically recognized as a blues standard.[20]

John "Big Nig" Bray, the leader of a crew that hauled cypress logs from Louisiana swamps in the 1930s, borrowed the frame and tune of "See See Rider" for his "Trench Blues" (1934), a semi-autobiographical heroic blues ballad recounting the experience of an African American soldier in World War I, as recorded by Alan Lomax.[21] "See See Rider" was among the most known African American play party songs in Alabama in the 1950s.[22]

There are many theories and conjectures about the origin and meaning of the title; none of them have been proven correct, and the song's complex history may make proof impossible. Performers have interpreted the song in more than one way, and have sometimes changed words to suit their interpretations.

The spelling See See Rider might be a pronunciation spelling of "C. C. Rider". Many sources indicate that "c. c. rider" refers to either early "church circuit" traveling preachers who did not have established churches or "county circuit" riders who were attorneys following a circuit judge.[23][24] Debra Devi, a researcher of the language of the blues, recorded a hypothesis that during the American Civil War C.C. stood for Cavalry Corporal, a horseman officer. "Riding" is also a common metaphor for sexual intercourse in the blues, and "rider" a term for a sexual partner. In African American usage a "rider" can be either male or female.[25] This folk etymology appears to stem from somebody by the name Alex Washburn who came across this interpretation of "c.c. rider" in a folk song collection by Alan Lomax, a prominent American field researcher of folk music.[26]

The term see see rider is sometimes taken as synonymous with easy rider[27] (an unscrupulous man living off his lover's earnings). In dirty blues songs, "easy rider" can also refer to a woman who had liberal sexual views, had been married more than once, or was skilled at sex. Likewise, in jazz singer and guitarist Wee Bea Booze's version of "See See Rider Blues", which reached number one on the US Billboard R&B chart in 1943, the well audible lyrics are "now your girl come", hence addressing a man.[28] Another theory is that the term could refer to a prostitute and there would be a lyric such as "You made me love you, now your man done come", "your man" would refer to the woman's pimp. In this interpretation, rather than being directed to a male "easy rider", the song would be an admonition to a prostitute to give up her evil ways.[29][30]

Something like P!nk's blow me one last kiss or Kelly Clarkson's behind the hazel eyes, unfortunately they are more on the pop rock side and they do not make music like that often ?. I love Evanescence, and their "everybody is fool" and "going under" are my favorites. Any recommendations for similar songs like the ones I mentioned? I have tried Paramore and Avril Lavgine, doesn't suit my taste although they have a few songs I like out of nostalgia.

The purpose of the inclusion rider is to counter bias in interviewing/auditioning and hiring/casting in specific employment positions in the entertainment industry. The rider is a template and living document, not something to be cut and pasted into a contract. The details of its implementation are crucial to its success. The rider is a flexible and adaptable framework that actors/content creators should consider together with counsel prior to signing on to their next project. The inclusion rider does not provide for quotas. It simply stipulates consideration of the deep bench of talented professionals from historically underrepresented groups and strongly encourages hiring and casting of qualified individuals from under-represented backgrounds. We believe that this language is a necessary first step to eradicate inequality experienced for years on screen and behind the camera.

The Annenberg Inclusion Initiative released a new study on the participation of women in the animation industry, in partnership with Women in Animation. The study evaluated females on screen, behind the camera above and below the line across film and TV, and in the executive ranks at major animation companies.

The Annenberg Inclusion Initiative's annual report examines the gender and race/ethnicity of artists, songwriters, and producers across the year's top songs, according to the Billboard Hot 100 Year-End Charts. The study also looks at Grammy nominations in key categories. The latest report covers 2012 to 2022

In October 2016, Stacy L. Smith, the Founder and Director of the Annenberg Inclusion Initiative, delivered a powerful TED Talk on the prevalence and portrayal of female characters in film. Most importantly, she shared her data-driven solutions to the problem. Watch now!

Photo: Marla Aufmuth / TED

If romance (or lack thereof) is the most popular subject for a song, then cars are certainly a close second. Ever since the advent of these sleek and powerful machines, musicians across all genres have been singing their praises. Here are 100 of the best songs about cars and driving. ff782bc1db