Hi, I'm HRH, a games artists.

Portfolio

(For my first environmental design project my teacher got use to chose 3 games that we liked and create an environment in the style of Olly Moss, I chose the Witcher 3: Wild Hunt (including the DLC's). For the outline I traced around an image of Geralt, then used the same image as a reference and drew in the detail on the sword case and straps. I picked 5 different environments that I liked from the game and used some images that I found as reference and tried to fit them together within the silhouette. I like how Olly Moss layers things and how he incorporates little details into his pieces, but I personally prefer a more complex way of drawing then his simplistic style.)

(Yr 1 PokeBall modelling challenge - Yungoos (Normal), Front)

(Yr 1 PokeBall modelling challenge - Yungoos (Normal), Back)

(Portfolio: Yr 1 PokeBall modelling challenge - Yungoos (Shiny), Front)

(Yr 1 PokeBall modelling challenge - Yungoos (Shiny), Back)

(Portfolio: Yr 1 FMP - Secondary character. The theme for my FMP was rebirth, I interpenetrated this as the Egyptian myth of Osiris' death and the Greek myth of Sisyphus. This character is inspired by Egyptian goddess Isis and the Greek god Thanatos.)

(Portfolio: Yr 1 FMP - Antagonist. This character was heavily inspired by the Egyptian god Set, there wasn't really any Greek god equivalent for this characters role in the Greek myth of Sisyphus so I had to make sure that the Greek inspirations in this character were obvious.)

(I really like the world building, characters and story of My Hero Academia, plus Kohei Horikoshi is probably my favourite manga artist, his work conveys emotions and I just generally like his designs. The cover of volume 25 (the one above) is one of my favorites, so I decided to recreate it as a mixed media piece. I used acrylic paint, a palette knife, oil pastels, sharpie, paint brush and pencil.)

A manga panel of Deku that I replicated, I was drawn to it due to the emotion portrayed in the scene,

A mugshot of Daki/Toya Todiroki

(To practice my environmental perspective drawing I sometimes take buildings that I like the look of around Cornwall and Devon and replicate them. The bottom image and the right one are biro drawings and the top left one is an etching. I really the two processes and I think the all turned out rather well.)

(After a refresher on the fundamentals I was inspired by line drawing to create this. It is mean't to be a little boat in the middle of the stormy sea in the light of a full moon. Originally, I started with the moon and cloud, not sure what it was going to be, but it eventually formed onto this.)

(Original design. It took about 3 hrs to come up with the design and draw it out.)

(The 3 images above represent the development of my original design to my final design below. The first 3 steps are me fixing the flow of the terrain and focuses I the image, I also included a flow diagram of the image for my notes on the middle page is me adding in smaller details for the image and a diagram of the colours I want to use when I paint this on the wall mural. The third image is me adding a bit more of my own style to the image, by this stage I also decided to add some trees since the scale of the painted version will be smaller than some of the other pieces on the wall that it should be larger than, adding tree makes the mountian range seem further away.)

(This is my final sketch of the plan for my part of the wall mural (group project) at college. I printed of my finalized digital design and added in some stylized lines to add texture to the different sections, using a pencil. This piece is meant to be sad as my narrative for it is that humans killed the giant lizard put of fear, when it was only trying to survive, now its skeleton just hangs there as a reminder.)

(After walking around Penzance and taking some pictures of things I thought looked interesting, I decided to fuse them into one piece of work that I think encompasses Penzance.) (IMPORTANT NOTE: I DID NOT design the graffiti for this peice of work I just took some picture of some I found on the sea wall and replicated it.)

(After playing Mortal Fenyx Rising, I was inspired by all of the different skins of Phosphur and decided to create my own version of the mythical bird.)

(Portfolio: Yr 1 Character design - refined, Pg:1. First, I started by designing this character without their coat on. This character is an assassin from another world. I particularly like the world-building behind this character. This character uses so much red and orange in their design to foreshadow the reveal of the heat based powers.)

(Portfolio: Yr 1 Character design - refined, Pg:2. This sheet show the development of my character with their coat on. They use their coat to make themselves less noticeable to other people. That is why it black, so they can blend into the shadows. The use of black and grey's are to represent smoke.)

(After finalizing the design of my characters overall appearance, I wanted to focus on the smaller detail (since most of this guys body is covered this only really in tales his head), so to begin with I decided to add more detail to the head. The design I decided on has scaring to the face it helps to tie the design together, as he also has some scars on his arms. Cracks, meant to represent lava bursting through the earths crust, as this guy has some heat based powers and this is symbolic to the fact that he has come to this planet to eventually come out of hiding and cause trouble. I also added dark markings in the shape of clouds, because it is supposed to symbolism the black smoke from when a volcano erupts.)