4 cinematic impacts with a resounding creepy whistle, designed for your creepy trailers and to build suspense within a scene. Download the 5-second WAV file and use these together or as isolated moments in the soundtrack.

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Choose from 7 of our favorite chilling ghost breath sound effects to accompany the poltergeists in your video projects. Will your characters turn and run when encountered by these terrifying sound effects? Or will they offer the ghost an inhaler?

Choose from five variations of creepy horror ambient soundscapes in this audio file. Use them in your horror projects from video games to film trailers. Have fun creating the perfect tense atmosphere.

5 short sound effects that create suspense, available for you to download right away and include in your video projects. 5 perfectly creepy rumbles perfect for trailers, short films, video games, and other eerie projects.

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This audio file is exactly what it says on the tin; a set of 5 creepy sound effects for transitions in your horror productions. Use them with your video transitions, intros, title sequences, logo reveals, and trailers to elevate the quality of your projects.

This is a creepy soundscape inspired by Halloween and other celebrations of horror imagery. The audio file contains a long, 2-minute background soundscape, a shorter 30-second edit, and a 12-second edit for social media videos.

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Include some mysticism in your projects with these exotic-sounding instruments. 3 synthesized, dark, and foreboding sound effects would be perfect for any kind of film exploring voodoo and shaman magic.

Creepy sound effects can make the difference between making a forgettable video and making an incredible one. The right suspenseful atmosphere can come down to the kind of sound effects used in the background or over a transition, so choose carefully. Motion Array has a huge range of creepy sound effects to choose from, so dig in and pick your favorites to download.

Musically, it consists of two parts titled "Ghost" and "Haunted". It contains a minimalistic sound with keyboards, bass and percussion. Beyonc raps the spoken word segment of "Ghost" with robotic and reverbed vocals. Lyrically, "Haunted" contains sexually explicit and frank lyrics talking about desire. Many music critics compared its sound with various artists and noted different influences and elements explored in its composition. Upon its release, the song was met with positive reviews, with critics praising its experimental sound and minimalistic approach.

He also played her the rap of stream of consciousness of "Ghost" during one of their early meetings inspired by an infuriating meeting with a record label. Beyonc could immediately connect to the topic as she had also experienced the same things in the record industry when people advised her about the sound of her music. For the music of "Ghost", Boots created a beat from a "dreamlike, hypnotic place" working with guitars and building layers inspired by the work of musician Aphex Twin. Boots said, "[Aphex Twin's] works like that are more floaty, more without than within, but I made mine grounded in that thumping beat, so you can't get out of that feeling."[1] He also elaborated about its concept, "It's like that song is leading you by the hand, but you're blindfolded and you don't know where you're going. You're scared and you're not sure what to expect from it, but as the album unfolds, we take the blindfold off and you realize it's a surprise party for you."[1]

During the end, "Ghost" quickly transitions into "Haunted" which contains elements of hip hop and R&B music.[3][31] Kitty Empire of The Observer described it as a dance-pop track talking about "being haunted in love".[32] Instrumentally, it consists of percussion and an off-kilter club beat which was compared with Jacques Greene and Burial.[31][33] Its sound is operatic and the lyrics undersung, with piano chords and various rhythmic effects, such as foot-tapping.[12][17] Lyrically, it talks about desire, with Ryan Dennehy from AbsolutePunk noting it was about "frank sexual desires".[3][34] The Village Voice's Brittany Spanos felt the song was discussing lingering memories of the past.[35] Trent Wolbe of The Verge compared the sound of "Haunted" with music by bands The Knife, Sade and Boards of Canada.[4] Andrew Barker from Variety found a trance genre similar to Madonna's Bedtime Stories.[36] The song includes sexual lyrics that are reflected throughout the album, including, "The bedroom's my runway / Slap me! / I'm pinned to the doorway / Kiss, bite, foreplay" and "My wicked tongue / Where will it be?" set to "sonorous... and chilly charged beats".[10][25]

AbsolutePunk writer Ryan Dennehy remarked in his review that "ethereal echoes" of the singer's voice "elevate it above just a post-Weeknd, dark update to staid topics".[34] Philip Matusavage of musicOMH described the sound of "Ghost" as "sleek ambient" dubstep, adding that it sounded typical for the singer and served as a "Beyonc manifesto". He concluded his review by stating that if the references to disagreements Beyonc talked about in the song were real, "the result proves to be the most sonically adventurous album of Beyonc's career."[15] Julia Leconte writing for Now praised Beyonc's vocals as "perfect".[16] Exclaim!'s Ryan B. Patrick felt that the song's minimalistic sound allowed the singer to "ironically champion artistic integrity and proclaim her thoughts on the industry".[42] Chris Bosman from the website Consequence of Sound who felt that the song was the record's "mood setter" and contained "ghostly vibes", wrote that it "dabbles in R&Burial, Evian Christ's drag-influenced codeine hip-hop, and Nothing Was the Same's Xanax club rap".[7] He felt that during the lines "Slap me, I'm pinned to the doorway / Kiss, bite, foreplay", Beyonc "slides" the last word, making the song sound "even less radio friendly". Bosman further stated that "Haunted" along with "Partition" and "Mine", "are confident enough to take one, two, three left turns while maintaining thematic cohesion."[7] The Guardian journalist Michael Cragg compared the song with works by Janelle Mone and described its sound as "doom-laden".[31] Ryan E.C. Hamm from Under the Radar magazine felt that "It's remarkable to hear a pop star at the height of her arena-tour powers taking chances like 'Haunted,' a dirge of a song that behaves more as spoken word until it's 'Vogue'-y breakdown".[43]

Having described the track as "eerie", Jason Newman from Fuse added it was suitable for softcore pornography with the singer being "in her best coo". He further described it as an erotic ballad and a "slow, creeping burn", noting that it sounded like Trent Reznor remixing Madonna's "Justify My Love".[13] Claire Lobenfeld from Complex magazine described it as Beyonc's version of "Justify My Love".[23] Joey Guerra from the Houston Chronicle described the song as "ominous".[14] Mike Wass from Idolator felt that the singer explored a new soundscape with "Haunted" with "minimal beats hover[ing] like fog". Wass also praised Boots' production and noted that the singer declared her artistic integrity with the lyrics.[44] In a review of the song, Randall Roberts of the Los Angeles Times compared its break with Madonna's work during Ray of Light with a chopped and screwed sound characteristic for Houston.[45] Melissa Locker from Time magazine stated that the lyrics of the song were one of the "best humblebrags ever" while also noting that they hinted at the singer "dabbling in fiction".[22] USA Today writer Elysa Gardner wrote that in "Haunted" along with another song on the album, "Jealous", the singer "embodies success and privilege on the surface, but there is a sense that her contentment is fragile".[46] Korina Lopez of the same publication stated that she seemed "surprisingly in touch with the 9-to-5 grind, echoing her own career frustration".[24] MTV News writer James Montgomery felt that Beyonc showcased a "newfound sense of self" on the "cold, coital" song.[47] Tim Finney of Complex magazine considered "Ghost" "a collision of opposites... less a song than a transfixing eye-hole glimpse into another, entirely separate world the singer could inhabit if she chose".[17] Deeming the song a "[c]reepy mood piece", Jody Rosen of Vulture noted a lack of a music hook.[48] In the annual Pazz and Jop mass critics poll of the year's best in music in 2013, "Haunted" was ranked at number 228.[49]

Whitney Phaneuf writing for the website HitFix felt that the video was a fit for the song's industrial sound and described the singer's look as "goth-glam". She concluded the scenes are quickly cut throughout the video, "never culminating in a linear narrative and forcing the viewer to fill in the blanks".[70] Sharing what he perceived to be "key" moments in each of the seventeen music videos, Walker of MTV identified one for "Haunted" where Beyonc "begins to crack under the pressures of her iconic status".[55] Jon Dolan of Rolling Stone described the video for the song as the "[c]reppiest" on the album.[71] A writer from The New York Times focused on the singer's look in the video, saying that she portrayed a fashionista.[67] Randal Roberts of Los Angeles Times also provided a positive review for her "stunning" look while smoking a cigarette.[72] Brent DiCrescenzo of Time Out described the video as "Stanley Kubrick meets Robert Palmer".[58] Michelle Collins of Vanity Fair noted the scary atmosphere of the video and described the singer's look as "straight-up 1920s glamour" with a hair styled similar to Josephine Baker. Collins went on to compare it with the opening credits of American Horror Story and found "[n]ightmarish images strung together in one very long, very creepy sequence of Beyonc looking for her hotel room".[60] 2351a5e196

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