A classic example is the lumberjack hipster, where the fashion was to dress as if you were working in the woods, even though they were really on a mac in a caf waiting for likes on their latest insta post. We spitballed a few possible subcultures they might mimic in the future and added a little over 30 different possible hipster fashion trends.

I made some 3d models to serve as examples for my artists and found an icon pack that I totally stole all the colours from. I liked the idea to keep the upper body of everything long, and the lower part short.

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Right at the start of the game design process, I started by making a mockup of the User Interface, with an icon for each screen that I wanted to have in there. Then I took a screenshot of either some stand-in 3d models, another game or any other interface I can find that serves as the inspiration for what is going to be on that screen. I think this makes it easier to get a feel for what the idea is, and it makes it clearer to follow what the overall idea was. When you work on a game for a long time (and all games take a long time), it can be easy to lose your way into the details, and then these things are good to refer to as they contain a distilled version of the overall vision. I quite enjoy looking at these now, and seeing how they compare to that original idea. A big source of inspiration was the game Pizza Tycoon by Cybernetic Corporation / Software 2000 from 1994. Another big one was the reddit thread wewantplates, which serves up some fantastic images from hipster cafs and restaurants from all around the world.

Our friend Jimmy from Loading Bar said he wanted to have a booth at EGX Rezzed 2018, and said if we could get our vertical slice done by then, he would feature it on said booth. This provided us both a natural deadline for the vertical slice and an excellent opportunity to see if we were on to something by having people come and test it for themselves. We hurriedly cobbled things together and although we felt that the duck-tape was still visible from the build we had completed on the show floor during the setup time, the playtesting actually went pretty well. We had 4 computers set up on the table, and lots of lovely paraphernalia that Jimmy had organized. From the playtesting at Rezzed we learned that lots of people liked making virtual food, but that some of the other game design ideas needed more work or to be replaced completely.

A word dating back to the 1930s, hipster identifies a type of young, trendy nonconformist or their tastes and aesthetics. The term was used to characterize coffee shops as early as the early 1990s, as independent coffee shops became increasingly ubiquitous in the Starbucks-dominated coffee landscape.

By the 2000s, the term hipster coffee shop rose with the boom of so-called third wave coffee, characterized by artisanal beans, lighter roasting profiles, farm-to-cup sourcing transparency, and meticulous brewing parameters.

Hipster coffee shops, in the popular cultural imagination of the 2010s, may feature selectively sourced coffee and specialty offerings, such as pour-over coffees, single-origin espresso, and unconventional dairy alternatives (oat-milk lattes, anyone?). It is also likely to feature esoteric music and art, and crisp or eclectic interior design. And of course no hipster coffee shop would be complete without lots of fashionably clothed twenty- and thirty-somethings working on their laptops and/or journaling in their Moleskines, bike helmets dangling from their messenger bags.

2018 injected some fresh life into the hipster coffee shop thanks to right-wing conman and troll Jacob Well (infamous for attempting to frame Special Counsel Robert Mueller of sexual misconduct) tweeting about leaving various hipster coffee shops and discovering secretly conservative beliefs among its liberal clientele.

This is not meant to be a formal definition of hipster coffee shop like most terms we define on Dictionary.com, but is rather an informal word summary that hopefully touches upon the key aspects of the meaning and usage of hipster coffee shop that will help our users expand their word mastery.

Bon Iver is playing on the house speakers. I am sipping a cup of glorious, locally roasted, V-60 brewed coffee. All around me are men and women, 18 to 35 years old, wearing high-wasted jeans, Doc Martins-style boots, five-paneled hats, flannel shirts and skinny jeans. Where am I?

I would not call you crazy if you think I am in Seattle, WA, but I am far from Seattle. I am in a much smaller city, hardly known to Westerners at all, called Ternopil, Ukraine. In fact, of the 20 or so coffee shops, in which I have experienced this type of environment in the past year, almost all of them were outside the United States. This is the experience I have had in coffee shops in places like Bistrita, Romania (yep, that is in Transylvania); Belgrade, Serbia; Ternopil, Ukraine; Debrecen, Hungary; Cork, Ireland; and more.

Though located in different cities and countries, that have extremely varied histories, cultures and socioeconomic profiles, the clientele at select coffee shops in these places are often close in age, look like they walked out of an Urban Outfitters advertisement and share an appetite for amazing third wave coffee.

We all know that for decades the Internet has been making the world an increasingly smaller place. With the vast availability and portability of technological devices, the ease of connectedness of people throughout the world is mind-boggling. Globalization, through means of the Internet and continuously developing technologies, has made the predominant elements of first world pop culture viewable, and accessible, to those living in other parts of the world. This has contributed to the global reality that a growing and significant number of people in the 18 to 35 age-range are much more culturally alike than in times past, though they call very different countries home. This is in contrast to older generations, which seem more likely to retain varied expressions of style and community that are historically akin to their particular culture.

This is not about missionaries transporting American culture to other parts of the world. We do not want to be culture-destroyers, and our mission is not to make the world like America. This is about recognizing the cultural elements that locals are voluntarily importing to their own communities, of their own accord, and asking how we can use those as connecting points for the gospel.

So, I am not necessarily saying that a foreign missionary needs to establish a trendy coffee shop or start shopping for clothes at Urban Outfitters (or their online store) if they want to reach people for Jesus. However, this subculture is so prevalent at the moment that it may be a vibrant part of your local community, and a valid group to pray about strategically reaching with the gospel.

. Would you allow believers from within this subculture to speak into your life and ministry or serve on your leadership team?

tag_hash_106 Would you allow musical styles that connect with people from this demographic into your congregational worship?

tag_hash_108 Would you allow elements of visual arts into your church communication efforts, graphics or social media presence that would be respected by people from this demographic?

tag_hash_110 Would you allow third wave coffee brewing methods to be incorporated into your church coffee shop, coffee pots, community outreach coffee carts, etc.?

tag_hash_112 Would you allow yourself to become a regular at a third wave coffee shop for the sake of developing evangelistic relationships?

My prayer is that people like you would get lit up with the gospel and reach hidden pockets of your community with the gospel of Jesus Christ, not just in Seattle or London, but in places like Belgrade, Serbia, Constanta, Romania, Ljubljana, Slovenia, and Krakow, Poland.

Maybe your thinking it seems distracting to put this much effort into finding ways to connect with specific subcultures that are budding throughout the world, or the implications for ministry in your own community. Why should we spend our time thinking about this stuff instead of just preaching the Bible and inviting people to our local church gatherings?

So, maybe you do not have any third wave coffee shops in your community, and nobody around you cares about vinyl records. Regardless, there are scores of subcultures all around you. Each of them is full of people for whom Christ died, who share common interests, styles, artistic preferences, and self-expression. All of these things are inroads for relationship development for the sake of the gospel. Whether the subculture in front of you is full of hipsters, punk rock kids, the white-collar elite, ranchers, farmers, factory workers, or some other group, lets work together to reach them. Lets be prayerful and strategic about building bridges of relationship and communication with them.

Want to see the principles of this article effectively put into practice? Check out how our friends at A Jesus Mission are deploying Coffee Missionaries who are using third wave coffee to reach people with the gospel in Mexico.

Or check out how our friends at Calvary Waterford are building bridges into the community of Waterford, Ireland, through Portico Coffee, a third wave coffee shop staffed by church volunteers and missionaries.

Kellen Criswell M.A. previously served as Global Strategist of Calvary Global Network and calvarychapel.com. In addition, Kellen has served as a worship pastor, assistant pastor, senior pastor, church planter, missionary and Bible college instructor. 152ee80cbc

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