Hips Don 39;t Lie Remix

On August 19, 2019, Hall released an official remix of the song featuring American singer Ciara.[11] The remix was later included on Haus Party, Pt. 2, along with a remix by Israeli producer Sagi Kariv.[12]

Fawundu co-published the critically acclaimed book MFON: Women Photographers of the African Diaspora. Her solo exhibition, In the Spirit of is currently on view at the Newark Museum of Art. She has presented her work at The Tate Modern, The Schomburg Center for Research in Black Culture, Harvard University amongst many other institutions. Her past fellowships and residencies include: BRIClab and the Project for Empty Space, NJ; and she is currently in residence at the Fountainhead in Miami, Fl. Fawundu has received awards from the Catchlight Fellowship, the Anonymous Was A Woman Award, New York Foundation for The Arts Photography Fellowship, and the Rema Hort Mann Artist Grant, amongst others. Her works are in the permanent collections of the Brooklyn Museum of Art; Princeton University Museum and The Petrucci Family Foundation of African American Art, both NJ; Bryn Mawr College, PA; The Brooklyn Historical Society; Norton Museum of Art, Palm Beach, FL; The David C. Driskell Art Collection, College Park, MD; and a number of private collections. She is an Assistant Professor of Visual Arts at Columbia University.

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Label: TVT

Producer: Mr. Collipark

The Ying Yang Twins were perhaps the loudest, rowdiest group in Atlanta when a spare song full of lascivious whispering took their career to another level in 2005. So when it came time to remix the track, they drafted fellow loudmouths like Busta Rhymes and Missy Elliott, practically daring them to stick to the concept and keep the volume down. But the most unlikely appearance on the track was from Free, of 106 & Park's AJ & Free fame, whispering some utterly filthy things that would never get past the BET censors. The greatest contribution D-Roc and Kaine made to the remix, however, was to switch the chorus from "Wait til you see my dick" to the R. Kelly-like meta announcement, "this is the 'Wait' remix."

Label: Aftermath/Interscope/Shady

Producer: Apex

The timing couldn't be more beautiful: Forbes released its first "hip-hop cash kings" list of rap's biggest moneymakers just as the list's No. 2 top earner, flush with Vitamin Water buyout cash, was killing the radio with a song called "I Get Money." So it was only right to draft the rest of the Forbes top 3 to stunt all over the track. The only problem? 50 Cent was about to release an album on the same date as Kanye West, longtime protg of fellow cash king Jay-Z. So Hov only appeared on the track under the condition that it not drop until after the first week numbers were in, so as not to effect the outcome of the sales war, perhaps the ultimate testament to the power of the remix.

Label: Terror Squad/Atlantic

Producer: Lil Jon, Scott Storch

Of all the 21st century's most revered mainstream MCs, none has withheld themselves from the remix circuit more studiously than Eminem, who rarely ventured outside his Shady/Aftermath bubble for collaborations in the years initially following his ascent to superstardom. But, as Fat Joe revealed to Complex, when he called Slim, his only response was "I owe you one favor. Is this it?" Scott Storch's original "Lean Back" was the hottest beat of 2004 not produced by Lil Jon, so Joey Crack let Jon take a crack at it, and made the whole thing feel like even more of an event by pulling Pastor Ma$e out of retirement.

Label: Big Oomp/Koch

Producer: DJ Unk

It's a bit of a tradition: DJ Unk drops a remix with Jim Jones, but everyone forgets Capo's verse even exists because all the DJs want to play is the spotlight-stealing first verse. It happened with Andre 3000 on "Walk It Out," and then T-Pain stunted all over "2 Step," dropping all sorts of sound effects and bizarre phrasing in his verse, and then offering his own spin on the hook. Jones is Charlie Brown, and DJ Unk is Lucy holding out the football. Shame that E-40's closing verse got lost in the shuffle as well, though.

Label: Heavy on the Grind/EMI

Producer: Trend

"Function" was by no means a national hit on the level of "Tell Me When To Go," but it moved the West coast enough to justify a remix featuring some New York rappers and a R&B superstar. But the guest who apparently gained the most from the experience was the southern MC on the track, Young Jeezy, who'd never spit on anything remotely like the "Function" beat before, and apparently enjoyed it. Since then, we've heard Jeezy on the radio with several likeminded beats from Cali producer and E-40 collaborator DJ Mustard, including "R.I.P" and Yo Gotti's "Act Right," and Jeezy also signed YG, who appeared on the original "Function," to his CTE World imprint.

Label: Polo Grounds/RCA

Producer: Hot Rod

Before "BedRock" blew the door wide open for her mainstream exposure, the remix to Yo Gotti's hit, and its accompanying video, were the first time a lot of people heard or saw Nicki Minaj, right at the moment when she was really committing to an increasingly over-the-top flow and image. And she just so happened to steal the spotlight from one of the veteran female rappers she would soon eclipse in popularity, as well as a verse from her early mentor, Gucci Mane, that's pretty memorable in its own right.

Label: Star Trak/Arista

Producer: The Neptunes

A decade before Lil Wayne was declaring "Fuck Pusha T and anybody that love him," it was all good between Clipse as Cash Money, from "What Happened To That Boy" to Weezy and Birdman's appearance on one of the remixes to "Grindin'" (which was followed, on the Lord Willin' bonus tracks, by a second dancehall-flavored 'selector remix' with Sean Paul and Kardinal Offishall). N.O.R.E. makes an interesting case for what the song could've sounded like if the Neptunes had given the track to one of their other favorite artists, while Pusha rearranged the chorus in a fresh new way.

Label: Aftermath/Interscope/Shady

Producer: Cool & Dre, Dr. Dre (add.)

The Game was a member of G-Unit for little more than a year before the arranged marriage of Jimmy Iovine's dreams began to fall apart very publicly, and Tony Yayo was only a free man for about 9 months of that time. So there isn't a lot of music from G-Unit with all five of the hip hop supergroup's members in the fold, and the quintet's last, most famous collaboration helped lead to the split. With Game's 50 Cent-assisted "Hate It Or Love It" rocketing up the charts on the heels of The Documentary's release in early 2003, the crew came together to remix it as a bonus track for Fiddy's new album, The Massacre.

Label: Zone 4/Interscope

Producer: Lil Jon

Rich Boy's breakthrough hit was also a coming-out party for his buddy Polow Da Don, who penned a standout verse in addition to co-producing the track's irresistible loop of Switch's '70s R&B chestnut "I Call Your Name." For the Lil Jon-produced remix, however, the track took on an entirely different tone, with Lil Jon's crunk 808s and synths dominating the mix and a strange mix of superstars parading through the verses, all of them invariably overshadowed by Andre 3000 in the thick of his surprise attack on the remix circuit in 2007. Nelly sounded particularly at home on the track, paying tribute to Polow's singsong flow in his verse, while Jim Jones won no points for imagination rhyming "Rich Boy" with "we all wanna be rich, boy."

Label: Universal

Producer: Bink!

When Mr. Cheeks of the Lost Boyz reemerged as a solo artist following the death of groupmate Freaky Tah, he kept things upbeat with a hit that ran clubs for a straight year or so. And one of the reasons "Lights, Camera, Action" reigned for so long is that just when it seemed to get old, Cheeks signed up two party rap greats for a blast of a remix. Diddy hadn't yet dropped the P. and was only beginning to transition into more of a professional celebrity than a hip-hop hitmaker, but just as he made writing checks instead of rhymes sound hot, he set this remix on fire by stating the simple fact: "I moved in, I live on TV."

Label: Hustle Hard/Atlantic

Producer: Mista Raja, Maino (co.)

The charm of the original "Hi Hater" was always how good-natured and easy on the ears the track comes across, compared to your average rapper's anti-hater diatribe. And the guests on the remix thankfully seem to get that: T.I. literally says "imagine how much fun I'm having" in a verse that focuses on what he's got that makes the haters jealous rather than the haters themselves. And Plies is unusually lucid, noting "9 outta 10 rappers is haters/ they get emotional when they ain't got paper." Instead, it's New York rap remix vets Jadakiss and Fabolous that come off a little bland, while Swizz Beatz is unwisely given his own verse and stammers out, "Hi, my name is Swizz, your name is hater."

Label: Ruff Ryders/Interscope

Producer: Elite

Jadakiss's relentlessly questioning catalog of punchlines and conspiracy theories was an unlikely mainstream hit. And so he just went harder on the remix, with a beefed up version of Havoc's beat from the original courtesy of Ruff Ryders producer Elite, Nas and Styles putting thoughtful new twists on the concept, and even Anthony Hamilton going ham, on a revised chorus. Common's verse is notable for a winking reference to those "Baduizm" theories surrounding his changing music and dress sense, and for what was probably the first rap lyric suggesting that we "elect Obama," way back in 2004. 2351a5e196