Program
First Day (28th of April - Monday)
10.00-10.20
Opening Remarks
10.30-11.30
1st Session
Chair - Barış Mahmutoğlu
1 - Rewriting the Past: Intertextuality and the Universality of Human Experience – Yektanur Koçak, Social Sciences University of Ankara, ELL
2 - Thematic and Structural Analysis Between Paradise Lost and the Bible – Tarkan Kasap, Kırklareli University, ELL
3 - Classical Foundations of Utopian Vision: Intertextuality in Thomas More’s Utopia – Nursena Berber, Ege University, ELL
11.45-12.30
2nd Session
Chair - Ece Cavcav, M.A.
4 - Intertextual Feminist Encounters: Poor Things and Frankenstein Through Gender and
Agency – Helin İldirin, Istanbul University, ELL
5 - Dressing the Monstrous: Intertextuality Between Mary Shelley’s Frankenstein and Gucci’s AW18 Collection – Irmak Soran, Ege University, ELL
12.30-13.30
Lunch Break
13.30-14.30
3rd Session
Chair - Nilsu Güzeler, M.A.
6 - The Echo of Hamlet: The Power of Intertextuality in Rosencrantz and Guildenstern Are Dead – Işıl Yaşar, İstanbul Yeni Yüzyıl University, ELL
7 - Galactic Shakespeare: Analyzing Ian Doescher's William Shakespeare's Star Wars Through the Lens of Intertextuality – Emir Salih Yüksel, Hacettepe University, ELL
8 - The Fusion of East and West: Intertextuality in Akira Kurosawa's Ran – Efe Öktem, Hacettepe University, ELL
14.45-15.45
4th Session
Chair - Doğa Yalçın, M.A.
9 - Existentialism in “Samsa in Love” and Its Intertextual Relation to “The Metamorphosis” – Cemre Yavuz, Muğla Sıtkı Koçman University, ELL
10 - Creepypasta? I Think I Heard That Before: A Look at Flash Fiction as Digital Folklore and the
Examination of Common Intertextual Horror Elements in Legends and World Literature – Ajlan Yıldırım, Hacettepe University, ACL
11 - “Reimagining the Trickster: How Sherman Alexie Forms a Bridge between Myth and Modernity in His Short Story The Toughest Indian in the World” – Ulaş Doğan, Hacettepe University ACL
Second Day (29th of April)
9.30-10.30
1st Session
Chair - Gökçe Korkut
1 - Rewriting Identity: The Intertextual Connection Between Deirdre and ‘The Rose’ in Emma Donoghue’s Kissing the Witch - Ceyda Nur Kranda, Ege University, ELL
2 - Retelling Myths: Intertextuality in Atwood’s The Penelopiad – Beril Taşçı, İstanbul University, ELL
3 - The Road with No Return: Intertextuality in The Witcher – Aybala Yaramış, Hacettepe University, ELL
10.45-11.45
2nd Session
Chair - Buse Altıkulaç
4 - From the Caribbean to Thornfield Hall: Intertextuality and the Rewriting of Bertha Mason in Wide Sargasso Sea – Serra Çetinkaya, Hacettepe University, ELL
5 - Intertextual Dialogues within Didem Madak’s Poetry: Volcanic Female Voices Throughout History – Berfin Gökçe Kelepircioğlu, Boğaziçi University, WLL
6 - From Damsels to Defiant Heroines: Deconstructing Princess Stories in the Lunar Chronicles – Buse Yılmaz, Ege University, ELL
12.00-12.45
3rd Session
Chair - Fatmanur Çaldağı
7 - Retelling the Brontës' Legacy Through Intertextuality in Sarah Gordon's Underdog: The Other Other Brontë –
Ayberkhan Mustafa Akyol, Ankara University, ELL
8 - Exploring Intertextuality in Bertolt Brecht’s The Threepenny Opera: A Blues Perspective – Zeynep Çevik, Muğla Sıtkı Koçman University, ELL
13.00-14.00
Lunch Break
14.00-15.00
4th Session
Chair - Barış Arpaç, M.A.
9 - A Renaissance Composer’s Gaze: John Dowland’s Perspective on the Elizabethan Poetic Tradition Through His Music – Yakup Kaan Yılmaz, Hacettepe University, ELL
10 - Poets and Prophets: William Blake’s Legacy in Jim Morrison’s Art – Arda Dinçer, Ankara University, ELL
11 - Post-Punk from an Intertextual Perspective: Literary References in Joy Division’s Music – Ayşe Nevra Kırımlı, Muğla Sıtkı Koçman University, ELL
15.15-16.15
5th Session
Mustafa Kutay Gündoğdu
12 - “Some Blessed Hope”: The Epistemological Divide Between Hardy’s “The Darkling Thrush” and Keats’s “Ode to a Nightingale” – İpek Ağcaer, Ankara University, ELL
13 - Ekphrastic Hypertextuality in Lawrence Ferlinghetti’s “In Goya’s Greatest Scenes We Seem to See…” (1958) and “Monet’s Waterlilies Shuddering” (1976) – Sude Aksoy, İstanbul Kültür University, ELL
14 - The Witch’s Revolution: Reading The Bloody Chamber from Conventional Narratives to Deconstructed Alternatives Through Bakhtin's Carnivalesque – Sude Çoban, Muğla Sıtkı Koçman University, ELL
16.15-16.20
Closing Ceremony