I record amateur guitar covers for fun and recently just started using a proper professional recording software (Reaper) after previously doing my covers through GarageBand iOS on my phone (ie I'm a total noob when it comes to recording software). Something that I really like about Garageband is that there's this plugin called Tonebridge which essentially recreates the exact tones of any song you can think of. It's super efficient in that regard and the tones people create on there are really fantastic.

Does anyone know what the closest thing to that would be that I could use in Reaper? Keep in mind I know nothing about plugins/amp and tone sims. I did some searching and I installed Guitar Rig 6, which advertised that it had like hundreds of amp and tone sims, but I think I'm using it wrong because I'm only able to find a "Straightforward Metal" preamp when I search for "Metal". I imagine there would be a lot more that it should offer but I don't know how I'd go about finding it.


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Like we said, buying guitar VSTs can be a bit overwhelming at times. There are loads of questions you should be asking yourself before you settle on a certain VST or piece of guitar-related software. Does it sound the way you want? Does it integrate well with your DAW? Can you use it in a standalone setting? These are all questions that need answers before you take the plunge.

Im new to audition so im still learning alot. I come from protools but as a graphic designer i have the suite so i figured i could start using audition since im already paying for it. I used to record only vocals so i have never had this problem or the need to figure it out. Now im recording instruments (guitars). I have audition cc , and imac, and a scarlett solo interface. I recently purchased a plug in for the guitars. My problem is that i cannot hear the plug in effects until after i record. I can hear my guitar dry as im recording but i cant hear the effects till after? This is probably and easy fix since im a newbie. If anyone could help id really appreciate it. An easy to understand explanation would be even better. TIA

The second point may be more significant; to put the effect on your guitar, the signal has to go into the computer, get processed, and then get out again. This takes a finite amount of time, and can be seriously disturbing to your playing. It's called 'latency' and there's nothing you can do about it, I'm afraid. This is in general why most guitarists choose to use external 'real' effects, which obviously don't suffer from this problem at all.

Solaris GTR Lite offers an array of electric guitar tones perfect for genres as varied as Lo-Fi, Ambient, Hip Hop, and EDM.

You can conjure organic reverse guitars for your experimental tracks, fragile string notes for your acoustic compositions, and even warm e-piano tones for your soulful or R&B pieces.

After watching somebody else do the amp output thing on youtube, we tried it ourselves, our small orange crush amp has a "phones" 6.35mm output, you can supposedly connect it to a headphone, live performance speaker systems, or a recording/mixing console, we just connect the PRS to the orange amp, then the amp to our audio interface, it was mind-blowing, i'm hearing guitar tones 10 times better than ones we got with amp pedal plugins.

This is what I've started to do, albeit only recently. I think Logics guitar plugins are very very good, myself. I am well impressed by them. They are a bit 'samey' to me in that overdrive and heavy distortion seem to be the predominant guitar sounds, but it's easy enough to work through by doing a bit of editing and not overloading your interface.

In the end if it requires alot of CPU to make you happy you can always end up freezing the track. The flexibility of plugins means nothing has to be permanent, which gives the ability to go back and change the amp tones when you find out that it's not working out so well when the rest of the mix is in place.

Bypassing plugins lowers the CPU usage for a given Rackspace within GP down to basically 0%, but does not change the Activity Monitor CPU usage number significantly at all. It would seem that the more backspaces you add, the more CPU usage I have (per MacOS Activity Monitor). Again, the per Rackspace CPU usage as reported by GP is constant, no matter how many Rackspaces are added.

I did a little experimenting and I think part of the reason for high CPU usage is the Neural DSP plugins. While they sound great, they use a ton of DSP whether they are in the active rack space or not.

Guitar Kit on the other hand using physical models can build many type of sounds letting you choose the tubes for each section of the amplifier, the cabinet speaker, cabinet type, microphone type and placement

Each of the thee modules of Guitar Kit can be turned on and off separately so you can create different sounds from the typical guitar sound and also use the cabinet or microphone emulation on different sources.

If this plugin had as much options and models as the likes of Guitar Rig and Amplitube then it would be king. That said, for a little plugin you cant do allot of tweaking and get some really warm sounding tones. In fact, I am impressed with Hornet in general. Fantastic prices for plugins that are certainly not lacking in quality when compared to the other big names out there..

Guitar plugins have come a long way since their inception in the early 2000s. With the intuitive and diverse software that is available today, it has never been easier to craft realistic-sounding virtual amp tones; quite literally on your computer at home.

When the recording industry transitioned from analogue tape mediums to digital software platforms at the turn of the millennia, physical hardware became less essential for music production. Although not entirely phased out, the emergence of software plugins caused a steady decline in the need for studio outboard, as they could emulate real-life equipment in near-authentic detail.

Anything from simulations of legendary microphones to treasured SSL preamps are available, and the ability to harness the sounds of desirable musical equipment has never been simpler. One of the best things about VST plugins is that they cost just a mere fraction of the prices of their real-life counterparts, which has made recording far more accessible.

Most guitar-specific plugins are designed to emulate the tonal characteristics of a range of iconic amplifiers. A lot of the amps that they capture the essence of are unattainable to most, as many are so expensive in real life. Giving you access to a whole palette of different sounds, these plugins have tonnes of flexibility with lots of additional features too.

The majority of these VST plugins feature libraries of emulated guitar pedals too. If you want to embellish a clean tone with some chorus or attain a gnarly fuzz sound, you can use these stompboxes in conjunction with your emulated amp of choice. Ultimately, this lets you setup your own custom signal chain.

Guitar Rig has a smaller library of amp, cabinet and pedal emulations compared to the previous two products. However, it is still highly-regarded as one of the best and most authentic-sounding guitar plugins around. With a modular system interface that resembles a typical guitar rack, its basic layout is perhaps less intimidating and confusing than say, BIAS, may seem.

BTW, the trick of increasing octaves to feed UJAM has a further drawback: I use Broomstick Bass before Toontrack EzBass because BB follows the guitar automatically and its metronome sound as a basic drums

As for Ujam, I think they move at the marketing level with the concept of making music quickly and easy , within reach of those who even do not play anything, and for me they achieve it very well. But yes, if I have noticed the UJAM guitar limitations that you mention, for example, getting an arpeggio is truly hard! Except in the VG Silk (Nylon Acoustic Guitar).

@ClaudioPorcellana It may be that you are finished with UJAM, but others may be interested in an easy way to use Scaler with UJAM without doing any modification within Scaler itself like transposition. Note that midiForceToRange would work with other guitar plugins as well that do chord recognition outside the range that Scaler normally provides. Things can also get interesting if you feed UJAM or Strum GS-2 with Scaler rhythms or even Scaler performances.

I am a bit confused why you think the pattern database is very very poor for UJAM guitars. There are 50 different styles in Amber, and each style has 12 patterns so that is 600 different patterns. The pattern speed can be changed from half time to double time. Plus there are an additional 23 common phrases available no matter what style you choose. It is true that there are no expansion packs but 600 patterns is nothing to sneeze at.

With so many guitar VSTs on the market today, picking the right one can be challenging. While most DAWs have a decent range of amps, pedals, and other guitar-centric plugins that you can use to turn your basic DI tone into something good enough, getting the extra 'magic' out of your guitar tone means having high-quality third-party software.

Native Instruments is one of the biggest names in the VST plugin industry, known for its Komplete range of virtual instruments and effects. Guitar Rig 6 is the company's flagship guitar VST product, which offers a uniquely versatile set of features for guitarists that want to experiment and create new and interesting sounds.

You can use the included Control Room functionality to blend multiple microphone signals, as well as the input that you get from each mic. Of course, if you're someone who doesn't like having to delve into the nuances of plugins, the matched cabs work beautifully right out of the gate.

For many years, Amplitube 5 from IK Multimedia has been the benchmark for guitar VST plugins. IK Multimedia works with a number of iconic guitar manufacturers, licensing their names to deliver some of the best guitar amp emulations on the market. Some of these names include Mesa, Fender, and Orange. 17dc91bb1f

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