Guilt is a Scottish thriller and mystery series. It was the first drama commission of the BBC Scotland channel and first broadcast there before being broadcast across the UK on BBC Two. Written and created by Neil Forsyth, the show initially centres on two brothers, played by Mark Bonnar and Jamie Sives, who get involved in a hit and run, before involving a large cast in an ongoing story. The first series of Guilt was broadcast in 2019,[1] and the second series broadcast in the autumn of 2021. The show was a critical hit and was subsequently broadcast around the world including in America (PBS), France (Arte), Australia (BBC First), Sweden (Sveriges Television), Germany (Arte), Portugal (RTP2) and South Africa (Showmax).

Forsyth was keen to write a show about siblings, which he has called "the most interesting dramatic relationship", and a show with a leitmotif that ran through all the characters, in this case guilt.[3] He spent several years developing the show before finding a home for it at the BBC. Guilt was produced by Happy Tramp North and Expectation Entertainment. It was directed by Robert McKillop.


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A second series of Guilt was confirmed by the BBC in July 2020,[5] and filming began in Scotland in November 2020.[6] New cast members included Phyllis Logan, Sara Vickers, Stuart Bowman and Iain Pirie. The second series was directed by Patrick Harkins.

The first series of Guilt was nominated for a large number of awards and won 2020 Best Drama at the Scottish BAFTA Awards, the Royal Television Society of Scotland Awards, the Celtic Media Festival, and the Broadcast Digital Awards.[21]

In America, Guilt premiered on the PBS Network's Masterpiece Mystery series in September 2021. The New York Times called it "tense but textured" with characters that are "funny and well-drawn" [24] while NPR said Guilt had "a verve that made me think of the TV series Fargo, which I mean as high praise".[25]

Funding for MASTERPIECE is provided by Viking and Raymond James, with additional support from public television viewers and contributors to The Masterpiece Trust, created to help ensure the series' future.

I began the series by discussing the "restless guilt," that people feel when some part of them thinks they aren't doing what's important. I argued that it's possible to care about things outside yourself, and things larger than yourself, no matter what a nihilist tells you.

In the second arc of the series I implored readers to drop their obligations and ask themselves where they would put their efforts if there was nothing they felt they "should" be doing. If you can drop your sense of obligation and still care hard for something larger than yourself, you are well on your way to dispensing with guilt-based motivation.

In the third arc, I described techniques for building and maintaining a powerful intrinsic drive without the need to spur yourself with guilt. I point out that working yourself ragged is not a virtue, and that the "work too hard then rest a long time" narrative is a dangerous narrative. We can't always act as we wish we could: We're not yet gods, and it's often easier to change our behavior by exploring obstacles with experimentation and creativity instead of attempting to berate and guilt ourselves into submission. I plea for self compassion and argue that there are no "bad people".

In the fourth arc, I describe ways to draw on the fact that the world around you is broken as fuel for your intrinsic drive. If, when given the choice between "bad" and "worse" you can choose "bad" without suffering; if you can be content in your gambles while having no excuses and coming to terms with the fact that you may fail, then it becomes easy to transmute your guilt into resolve and struggle hard to make the future as bright as you can make it.

In the fifth and final arc, I describe mindsets and mental stances from which guilt seems an alien concept. Primary among them are "confidence all the way up", the skill of believing in your capabilities while not being overly sure of anything; and desperate recklessness defiance, the three dubious virtues of those with strong intrinsic drive.

I conclude with a few words on how we will be measured: When all is said and done, Nature will not judge us by our actions; we will be measured only by what actually happens. Our goal, in the end, is to ensure that the timeless history of our universe is one that is filled with whatever it is we're fighting for. For me, at least, this is the underlying driver that takes the place of guilt: Once we have learned our lessons from the past, there is no reason to wrack ourselves with guilt. All we need to do, in any given moment, is look upon the actions available to us, consider, and take whichever one seems most likely to lead to a future full of light.

Returning for the final part of the Guilt trilogy are series favourites Emun Elliot (The Gold, The Rig), Phyllis Logan (Downtown Abbey, Intergalactic), Greg McHugh (The A List, Man Vs Bee), Ellie Haddington (Motherland, Crime), Sara Vickers (The Watchmen, The Crown) and Henry Pettigrew (Payback, The Crown).

I don't struggle much with guilt. I consider myself a happy and energetic person. I also spent several years studying psychology, and I'm familiar with many techniques from cognitive-behavioral therapy.

Background and objectives:  Criticism is thought to play an important role in obsessive-compulsive disorder (OCD), and obsessive behaviors have been considered as childhood strategies to avoid criticism. Often, patients with OCD report memories characterized by guilt-inducing reproaches. Starting from these assumptions, the aim of this study is to test whether intervening in memories of guilt-inducing reproaches can reduce current OCD symptoms. The emotional valence of painful memories may be modified through imagery rescripting (ImRs), an experiential technique that has shown promising results.

Methods:  After monitoring a baseline of symptoms, 18 OCD patients underwent three sessions of ImRs, followed by monitoring for up to 3 months. Indexes of OCD, depression, anxiety, disgust, and fear of guilt were collected.

Conclusions:  Our findings suggest that after ImRs intervention focusing on patients' early experiences of guilt-inducing reproaches there were clinically significant changes in OCD symptomatology. The data support the role of ImRs in reducing OCD symptoms and the previous cognitive models of OCD, highlighting the role of guilt-related early life experiences in vulnerability to OCD.

So, on the news that we were getting a second series, I was in equal parts excited and apprehensive. The story felt finished, and I wondered where it could go next. Fortunately, on the strength of the opening episode, it seems creator and writer Neil Forsyth is going to deliver yet again.

The cast of the British TV series, Guilt, has been one of the many standout features of the BBC's Scottish mystery series as many of the actors not only give excellent performances but their characters also feel very grounded and believable. Written and created by Neil Forsyth, the show initially follows two brothers named Max (Mark Bonnar) and Jake McCall (Jamie Sives) who accidentally run over and kill an elderly man while driving home from a wedding. The brothers decide to cover up their crimes, and as Guilt progresses, the story opens up to a much larger cast of characters and their storylines.

The narrative theme of guilt plays a major role in the show because not only does the guilt that the brothers have for killing the man weigh heavier on their shoulders as the series progresses, but the supporting cast also have their own personal demons that affect themselves and their storylines as well. Guilt's third and final season was released in April 2023, and while many of the series regulars returned, Guilt season 3 also features both a new cast of actors and the recasting of an established character.

Euan Mcnaughton plays Sir Jim Sturrock, a wealthy Edinburgh businessman who is overseeing the sale of a bank to American investors and is a well-known figure within his community. Mcnaughton is best known for his role as Ross Campbell in the Netflix series Outlander, though he has also starred in a wide variety of films and TV shows such as Fan as Duncan, Pride and Prejudice and Zombies as a physician, and Mary Queen of Scots as William Kirkcaldy of Grange.

Anders Hayward plays Danny, a member of a local drug-dealing gang dealing with conflicting loyalties in Guilt season 3. Hayward is best known for playing Dylan in the comedy series Gap Year, though he has also starred in a number of other TV shows such as Life After Life as Fred Smith, Death in Paradise as Lucas Magnussen, and Intergalactic as Subdirector Franklin. Hayward has also been featured in other productions such as the films Looted as JP and Run as Kid, and the video game Ten Dates as Derek.

Greg McHugh as Teddy McLean - Greg McHugh plays Teddy McLean in Guilt. McHugh is best known for roles in TV series such as Rowan Atkinson and William Davies' comedy Man vs. Bee as Coleman, A Discovery of Witches as Hamish Osborne, and Fresh Meat as Howard.

Phyllis Logan as Maggie Lynch - Phyllis Logan plays Maggie Lynch in Guilt. Logan is best known for her role as housekeeper Mrs. Hughes in the Downton Abbey series and the franchise's TV movies. She has also starred in other projects such as Intergalactic as Phoebe Skov-King, The Good Karma Hospital as Maggie Smart, and Another Time, Another Place as Janie which she won a BAFTA Award for Most Promising Newcomer.

Sara Vickers Erin McKee - Sara Vickers plays the character, Erin McKee. Vickers is most known for her role as Ms. Crookshanks in Damon Lindelof's HBO superhero series Watchmen. She has also appeared in other high-profile shows such as Endeavour as Joan Thursday, The Alienist as Jane Gooding, and season 3 of Shetland as Leanne Randall. 2351a5e196

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