Embedded Files
Monographs
Monographs
Roland Barthes. Dalla vita al testo, "Frecce" (Roma: Carocci, 2024). Link to the Publisher.
L'intervista immaginata. Da genere mediatico a invenzione letteraria, "Moderna/Comparata" (Firenze University Press, 2022). Open Access.
Pseudo-saggi. (Ri)Scritture tra critica e letteratura, “Tracciati” (Milano: Morellini, 2019). Link to the PDF (Academia.edu).
Roland Barthes e la tentazione del romanzo (Milano: Morellini, 2013). Link to the PDF (Academia.edu).
Edited Volumes
Edited Volumes
Teoria/Theory. Perspectives on Literary Criticism and Comparative Literature, ed. by Elisabetta Abignente, Mimmo Cangiano, Irene Fantappiè, Guido Mattia Gallerani, Marco Gatto and Francesco Giusti, Status Quaestionis, n. 26, 2024, with Introduction (in Italian), DOI.
Memoria e identità: pratiche, visioni, linguaggi, ed. by Silvia Baroni and Guido Mattia Gallerani, Scritture migranti, n. 17, 2023, with Introduction, DOI.
Attention au paratexte! Seuils trente ans après, ed. by Guido Mattia Gallerani, Maria Chiara Gnocchi, Donata Meneghelli and Paolo Tinti, Interférences littéraires / Literaire interferenties. Multilingual e-Journal for Literary Studies, n. 23, 2019, with Introduction and Bibliography (Le paratexte, trente ans après). Link to the Journal.
Poésie italienne. Dossier « Atelier », section « Langues du monde », Place de la Sorbonne. Revue internationale de poésie de Sorbonne Université, n. 9, 2019: 158-225, with Introduction (La poésie italienne, lue au XXIe siècle). Link to the Journal.
Eugenio Montale, Quaderno di quattro anni, ed. by Alberto Bertoni and Guido Mattia Gallerani, with introduction, commentaries and annotations, critical bibliography, “Oscar Poesia del Novecento” (Milano: Mondadori, 2015).
Journal articles
Journal articles
"Szymborska e la poesia italiana," Europa Orientalis, n. 43, 2024: 219-233. DOI.
“Pseudo-essais : l’hybridation des genres non fictionnels entre autobiographie et métatextualité aux États-Unis,” TRANS – revue de littérature générale et comparée, «Séminaires», 2024, DOI.
“L’interview imaginée : un genre littéraire,” Littérature, n. 215, 2024: 128-142. Link to the Journal.
“«Il sopra delle nubi è un altro mondo». L’immaginario aviatorio tra le due guerre,” Comparatismi, n. 6, 2021: 326-337. Link to the Journal.
“Factual Paratext, Author and Media: TV Interviews by Roland Barthes and Primo Levi,” Interférences littéraires / Literaire interferenties. Multilingual e-Journal for Literary Studies, n. 23, 2019: 159-170. Link to the Journal.
"Beyond Forensic Poetry: Lyric and Legal Languages in Contemporary Poems," Law, Culture and the Humanities, Online First, 19 July 2018. Printed on vol. 18, n. 1, 2022: 229-249. DOI. Post-review version.
“Les entretiens « romanesques » de Roland Barthes à la radio (1976-1979),” Komodo 21: L’entretien d’écrivain à la radio (France, 1960-1985), n. 8, 2018. Link to the Journal.
“The Faint Smiles of Postures: Roland Barthes’s Broadcast Interviews [Annex: List of print, radio, and filmed interviews given by Roland Barthes],” Barthes Studies, n. 3, 2017: 51-96. Link to the Journal.
“Studio sulle note biografiche: posture d’autore e antologie di letteratura italiana contemporanea,” Enthymema. Rivista internazionale di critica, teoria e filosofia della letteratura, n. 17, 2017: 92-108. DOI.
“Je ne suis pas...: les entretiens de Barthes dans la presse petite-bourgeoise,” Revue Roland Barthes: Roland Barthes en revues (1942–1980), n. 3, 2017, online: Link to the Journal.
“Ekphrasis and Narrative, or the Ideological Critique of Artworks: Alma-Tadema, Ennio Flaiano and the Legacy of Heliogabalus,” Linguae &. Rivista di lingue e culture moderne, vol. 15, n. 2, 2016: 27-47. DOI.
“Roland Barthes contesté: Franco Fortini, Pier Paolo Pasolini, Umberto Eco,” Revue belge de Philologie et d’Histoire, vol. 94, n. 3, 2016: 597-610. Link to the PDF (Academia.edu).
“Libri paralleli: saggi critici e ibridazione narrativa (Barthes, Manganelli, Lavagetto, Deresiewicz),” Ticontre. Teorie Testo Traduzione, n. 5, 2016: 67-88. DOI.
“L’Essai dans le roman et un cas exemplaire d’hybridation générique, l’essai fictionnel,” Acta fabula, vol. 17, n° 2, 2016, online: Link to the Journal.
“La poésie au temps du Capital: Francis Ponge,” Between Journal: L’immaginario politico, n. 10, 2015. DOI.
“Il centenario di Roland Barthes. Semiologo, pensatore, scrittore mai codificato,” L’Indice dei libri del mese, n. 7-8, 2015: 9. Link to PDF (Academia.edu).
“Barthes et l’Italie: voyages, collaborations, traductions, réception, études,” Revue Roland Barthes: Barthes à l’étranger, n. 2, 2015, online: Link to the Journal.
“À la recherche d’une photographie perdue: apparitions, refoulements et censures de l’image d’Henriette Barthes dans La chambre claire,” Between Journal: Censura e autocensura, n. 9, 2015. DOI.
“The Hybrid Essay in Europe in the Late Nineteenth and Early Twentieth Century,” Compar(a)ison: An International Journal of Comparative Literature, Narration and Reflection, n. 33, 2015: 109-128. Link to PDF (Academia.edu).
Essays in edited volumes
Essays in edited volumes
Dictionnaire Roland Barthes, ed. by Claude Coste (Paris, Honoré Champion, 2024). 9 encyclopedia articles: “Effet de réel” (247-250), “Entretiens audiovisuels” (272-273), “Entretiens écrits” (273-276), “Entretiens radiophoniques” (276-278), “Italie” (384-385), “Mort” (492-494), “Réalisme” (662-665), “Réception en Italie” (685-688), “Retentissement” (736-739). Link to the Publisher.
“The Imagined Interview: A Literary Genre,” in: Inspecting the Interview: A Companion, ed. by Carsten Junker, (Berlin, de Gruyter, 2024), 61-82, DOI.
[with Federico Pagello] “Vidéo-essais : la vidéo-critique cinématographique et littéraire comme outil pédagogique”, in: L’essai médiatique, ed. by Irène Langlet and Chloé Conant-Ouaked (Champs sur Marne: LISAA éditeur, 2022), 271-288, DOI.
“Cesare Cases (1920-2005),” in: La critica viva. Lettura collettiva di una generazione. 1920-1940, ed. by Luciano Curreri and Pierluigi Pellini (Macerata: Quodlibet, 2022), 13-18.
“(Two) Intermedia Forms as Hybrid Genres,” in: Mix & Match. Poéticas do Hibridismo, ed. by Paulo Alexandre Pereira, Emanuel Madalena and Inês Costa (Ribeirão: Edições Húmus, 2020), 13-26. Link to PDF (Academia.edu).
"Relativismo teorico e storia del romanzo: dal realismo prospettico al realismo plurale,” in: La realtà rappresentata. Antologia della critica sulla forma romanzo. 2000-2016, ed. by Raffaello Palumbo Mosca (Macerata: Quodlibet, 2019), 253-266.
“Remo Ceserani tra fotografie inquiete: il carattere perturbante dell’occhio meccanico,” in: Un «osservatore e testimone attento». L’opera di Remo Ceserani nel suo tempo, ed. by Stefano Lazzarin and Pierluigi Pellini (Modena: Mucchi, 2018), 233-250 . Link to PDF (Academia.edu).
“L’utopia tradita e la critica cinematografica gramsciana. Un’analisi comparata di Laurent Cantet e Paolo Virzì,” in: Il presente di Gramsci. Letteratura e ideologia oggi, ed. by Paolo Desogus, Mimmo Cangiano, Marco Gatto and Lorenzo Mari (Giulianova: Galaad, 2018), 295-322. Link to PDF (Academia.edu).
“Écoute et pratique de la radio: Roland Barthes à France-Musique,” in: Roland Barthes et la musique, ed. by Claude Coste and Sylvie Douche (PU de Rennes, 2018), 153-166.
“Rhétorique de l’anthologie: méthodes critiques de construction (panorama éditorial italien),” in Storia, Identità e Canoni Letterari, ed. by Ioana Bot, Ayşe Saraçgil and Angela Tarantino (Firenze UP, 2013), 97–104.
“L’opposizione cromatica delle figure d’ombra nei quadri narrativi di Pierre Michon,” in Ombre. Quaderni di Synapsis X, eds. by Francesco Cattani and Luca Raimondi (Milano: Morellini, 2011), 103-110.
“Cattivo sangue non mente: Faulkner, Édouard Glissant e la negritudine del métissage,” in Leyendas Negras e leggende auree, ed. by Donatella Pini and Maria Grazia Profeti (Firenze: Alinea, 2011), 447-458.
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