Publications
Publications
Books
(In process) Richard Notkin: An Art of Conscience.
Jun Kaneko: The Space Between. Zurich: Scheidegger & Spiess, 2021.
Masters: Earthenware. New York: Lark Books, 2010.
500 Ceramic Sculptures: Contemporary Practice, Singular Works. New York: Lark Books, 2009.
Book Chapters/Contributions
“Farraday Newsome’s Layers of Transformation.” Farraday Newsome: Memento Vitae, My Body is Your Nest, Mesa, AZ: Wild Senna Publications, 2025, pp. 11-13.
"To Listen to the Clay,” Peter Callas: An Enduring Legacy. Pomona, CA: The American Museum of Ceramic Art, 2022, pp. 14-25.
“Multiplicity, Ambivalence and Ceramic Installation Art,” The Ceramics Reader, eds. Kevin Petrie and Andrew Livingstone. London and New York: Bloomsbury, 2017, pp. 233-7.
“Ceramics Process in the Museum: Revolution or Recidivism?,” Contemporary Clay and Museum Culture. London and New York: Routledge, 2016, pp. 66-72.
“Dong Hee Suh: Sculpting with Wire,” Sculpture Techniques. ed. Bill Jones. Ceramic Arts Handbook Series. Westerville, OH: The American Ceramic Society, 2016, pp. 30-32.
"An Enduring Association," Arts/Industry: Collaboration and Revelation. Sheboygan, WI: John Michael Kohler Arts Center and Marquand Books, 2014, pp. 85-95.
"Earspools in Mexico," Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures , ed. Helaine Selin. Dordrecht, Netherlands: SpringerScience+Business Media, springer reference.com.
"Foreword," The Best of 500 Ceramics: Celebrating a Decade in Clay." New York: Sterling Publishing, 2012, p. 6.
Entries on Rudi Autio, Richard Chung, Mark Errol, Steven L. Gorman, Rain Harris, Jun Kaneko, Karla Lieberman, Arlene Shechet, Jesse Small, Malcolm Mobutu Smith, and Peter Wilkin. Oppenheimer Collection. Overland Park, KS: The Nerman Museum of Contemporary Art, 2012.
"Michael Simon: Between the Universal and the Personal," Michael Simon: Evolution. Minneapolis and Chapel Hill, NC: Northern Clay Center and University of North Carolina Press, 2011, pp. 102-4.
"Nina Hole: Site-Fired Kiln Sculpture," Ceramic Sculpture: Inspiring Techniques. Anderson Turner, ed. Westerville, OH: American Ceramic Society, 2009.
"Grace Nickel: Clay and Light," Ceramic Art: Innovative Techniques. Anderson Turner, ed. Westerville, OH: American Ceramic Society, 2009.
"Scott Bennett: Craft on Craft," Electric Firing: Creative Techniques. Anderson Turner, ed. Westerville, OH: The American Ceramic Society, 2008, pp. 29-34.
"Chris Antemann: Figuring Power," Clay in Art International Yearbook 07/08. Kostas Tarkasis, ed. Athens, Greece: Clayart International , 2008, pp. 132-3.
"Lynn Duryea," Extruder, Mold & Tile: Forming Techniques. Anderson Turner, ed. Westerville, OH: The American Ceramic Society, 2008, pp. 91-6.
"Cara Moczygemba," Extruder, Mold & Tile: Forming Techniques. Anderson Turner, ed. Westerville, OH: The American Ceramic Society, 2008, pp. 55-60.
"Absence and Self-Awareness: Inverting the Space of Sculpture," Sculpture to Wear: The Jewelry of Marjorie Schick, Stuttgart: Arnoldsche Art Publishers, 2007, pp. 67-8.
"Dong Hee Suh," Throwing & Handbuilding: Forming Techniques. Anderson Turner, ed. Westerville, OH: The American Ceramic Society, 2007.
"Tim Proud," Raku, Pit & Barrel Firing. Anderson Turner, ed. Westerville, OH: The American Ceramic Society, 2007.
Introduction to The Figure in Clay. Suzanne J. E. Tourtillott, ed. New York: Lark Books, 2005.
"Tim Proud," Advanced Raku Techniques. Westerville, OH: The American Ceramic Society, 2004, pp. 30-3.
“Andreas Slominski,” Contemporary Artists. 5th edition. eds. Sara Prendergast and Tom Prendergast. Vol. 2. Detroit: St. James Press, 2002, pp. 1548-50.
Exhibition Catalog Essays
"Jack Thompson's Touchstone of Transformation/Jack Thompson: piedra de toque de la transformación,” Jack Thompson Exposición Retrospectiva 1973-2025. San Cristóbal de las Casas, Mexico, 2025.
"Undermining the Otherness of Clay,” Dick Hay: Fortunate Journey. Terre Haute: University Art Gallery, Indiana State University, 2021, pp. 27-29.
PORØS: Neil Forrest. Tempe, AZ: Arizona State University Art Museum, 2018, pp. 1-21.
“Waleed Qaisi,” Intimating the Ineffable, Doha, Kuwait, 2016, pp. 11-13.
"Marking the Universal," Rethinking Mythos: A Mid-Career Retrospective of Neil Tetkowski. Waterloo, Ontario: Canadian Clay and Glass Gallery, 2015, pp. 29-44.
"Bad Painting, Beauty, and Black Bile," Kirk Mangus: Things Love. Cleveland: Museum of Contemporary Art, 2014.
Chris Ramsay: Meditations in Stillwater. Stillwater, OK: Oklahoma State University Museum of Art, 2014, pp. 1-2.
"Clay on the Wall: Context and Content," 20th Anniversary Clay on the Wall Exhibition. Lubbock, TX: Landmark Arts, Texas Tech University 2013, pp. 8-14.
"Dust in the Air: The Art of Xuhong Shang," Xuhong Shang. London: The Hua Gallery, 2012, pp. 11-13.
"Quiet Symmetry," Quiet Symmetry: The Ceramic Art of Yoshiro Ikeda. Manhattan, KS: The Marianna Kistler Beach Museum of Art, 2012, pp. 7-10.
Xuhong Shang: When Night Falls. Shanghai, China: Pantocrator Gallery, 2011.
"Juror's Statement," 2011 NCECA Biennial Tampa, FL: Tampa Museum of Art, 2011, p. 13.
"Contemporary Ceramics and the Concept of Integration." Transcending Integration: African American Contemporary Ceramics Exhibition Baltimore, Baltimore Clayworks, 2011, pp. 4-5.
A Show of Heads. Cinema Gallery, Urbana, IL, 2010.
"Representing Nature: Science, Technology, Conscience and Pride," 2010 NCECA Invitational: Earth Matters Philadelphia: Moore College of Art, 2010, pp. 66-9.
"Uncertainty and Infinite Potential," Xuhong Shang: A Paradise Up in the Air. Muskegon, WI: Muskegon Museum of Art, 2009, pp. 1-3.
"Robert Harrison: Of Marks and Boundaries" (reprinted) Robert Harrison: The Architecture of Space. Helena, MT: Drumlummon Institute, 2009, pp. 21-7.
"American Ceramists at Fuping: A Contextual Unity," The American Ceramic Arts Museum. Fuping, China: Fule International Ceramic Art Museums (FLICAM), 2008, pp. 8-9.
"Industrial Ceramics Today: The Resurgence of Conscience," The Object Factory: Art of Industrial Ceramics, Toronto: Gardiner Museum , 2008, pp. 8-11.
"Junya Shao: Yixing and Beyond," Touches of Life, Yixing, China, 2008, pp. 3-8.
"Industrial Intervention," Marek Cecula: In Dust Real, NY: Garth Clark Gallery , 2006, 52-3.
"Germination," Introduction to print exchange portfolio Germination, Southern Graphics Council Conference, Madison, WI, 2006.
Crossing Over: Contemporary Ceramic Sculpture and Techno-Science. Salina, KS: The Salina Art Center, 2006.
"Ken Dixon: The Landscape on Shifting Ground," Sacred Landscapes. The South Texas Institute for the Arts, Corpus Christi, TX, 2006, pp. 12-13.
"North American Ceramics: Diverse Implications of Diversity," Diverse Domain: Contemporary North American Ceramic Art. NCECA Exhibition, Taipei, Taiwan: Taipei County Yingge Ceramics Museum, 2005, pp. 28-30.
Tip Toland: Cycle of Life. New York: Nancy Margolis Gallery, 2005.
"Juror's Statement," Clay on the Wall, 2005 Clay National . Lubbock, TX: Landmark Arts, Texas Tech University, 2005.
"Lightness and Light," Rachelle Thiewes: Shimmer. El Paso, TX: Adair Margo Gallery (2005).
"Dennis Lee Mitchell's Microcosms of Transformation," Dennis Lee Mitchell Dubuque, IA: Dubuque Museum of Art, 2004.
"Margaret Bohls," Art Moves: 2003 Department of Art Faculty Exhibition. Department of Art, The University of Minnesota, 2003, pp. 14-15.
"Jun Kaneko: From the Strata of Years," Jun Kaneko, The Daum Museum of Contemporary Art, Sedalia MO, 2003, pp. 8-11.
"The Ceramic Installations of Roberta Griffith: The Corollaries of Multiplicity," Roberta Griffith: A Retrospective. The Yager Museum, Hartwick College, Otego, NY, 2002, pp. 28-33.
"Indeterminate Clay: Inessential Material in Essential Material Speculation," in Material Speculations: The NCECA Invitational 2002, H&R Block Artspace, Kansas City Art Institute, 2002, pp. 32-5.
"Raku and the Limits of Ego," The Art of Fire: The Fifth Anniversary of Raku. Hong Kong: I-Kiln Studio, 2001, pp. 4-5.
"Strategic Ambivalence: The Vessel in Space and Image," Still Life Transfigured: The Tondo Series of Anna Calluori Holcombe Beijing: People's Press, 2001, pp. 6-7.
"Reality in Black, White and Grey," Xuhong Shang: Representation/Reality Hong Kong, Singapore, New York: Plum Blossoms International, Ltd, 2001, pp. 9-13.
"The Ceramic Installation and the Failure of Craft Theory," Beyond the Physical: Substance, Space and Light. Charlotte, NC: The University of North Carolina Galleries, 2001, pp. 5-18.
"The Mountain Series Paintings of Xuhong Shang," EuroArt 2000: IV Saló Internacional d'Artistes Contemporanis Independents. Barcelona: BCN Art Directe, 2000, pp. 194-5.
Intimate Immensity: Recent Works by Patti Warashina. FOVA Gallery, Texas Tech Univeristy, 1996.
Kradàad: Contemporary Thai Works on Paper. FOVA Gallery, Texas Tech University, 1995.
Introduction to Dancing on the Dirt. FOVA Gallery, Texas Tech University, 1994, p. 1.
"Thana Lauhakaikul: Subjectivity and the Tracks of the Mud Crab," in Texas Artists Series II, Arlington, TX: The Center for Research in Contemporary Art, The University of Texas, Arlington, 1993, pp. 31-34.
Introduction to Visual Vanguards: Art/Music/Culture. Lubbock, TX: The Lubbock Fine Arts Center, 1992, pp. 1-3.
Articles
“Xinia Guan: The Weight of Time,” Ornament vol. 46 no. 4 (2026): 38-45.
“Brian Boldon’s Return to Roots,” Ceramics Monthly vol. 74 no. 1 (Jan. 2026): 40-43.
“Comics and Conscience: The Roots of Richard Notkin’s Activist Art,” Studio Potter (Dec. 1, 2025) https://studiopotter.org/comics-and-conscience-roots-richard-notkins-activist-art
•“Kahlil Robert Irving’s Song of the Street,” Ceramics Monthly vol. 73 no. 7 (Sept. 2025): 36-40.
“Ezra Satok-Wolman: Interconnectivity, Modular and Moral,” Ornament vol. 46 No. 1 (2025): 36-41.
“Future Retrieval: Guy Michael Davis and Katie Parker,” Ceramics Monthly vol. 73 no. 3 (March 2025): 36-40.
“David East’s Modernist Morphemes,” Ceramics Monthly vol. 72 no. 9 (Nov. 2024): 43-7.
“Sarah Gross: On Fields of Gray,” Ceramics Monthly vol. 72 no. 4 (April 2024): 40-43.
“Corwyn Lund: Entrée to Chance,” Ceramics Monthly vol. 72 no. 4 (April 2024): 32-35.
“Wolfgang Vaatz: The Persuasiveness of Beauty,” Ornament vol. 44 no. 3 (2024): 44-49.
“Nan Smith’s Thirsty Nests,” New Ceramics no. 2 (2024): 12-15.
“Michelle Ettrick: a Living Line,” Ceramics Monthly vol. 72 no. 3 (March 2024): 32-35.
“Ernest Miller: Restraint by Design,” Ceramics Monthly vol. 72 no 1 (January 2024): 49-52.
“Liz Pechacek: Line, Labor, Value,” Ceramics Monthly vol. 71 no 10 (Dec. 2023): 51-55.
“Ashlyn Pope: Ties and Bonds,” Ceramics Monthly vol. 71 no. 10 (Dec. 2023): 38-41.
“Chris Ramsay: A Strange Migration,” Ornament vol. 44 no. 1 (2023): 50-55.
“Winnie Owens-Hart: To Never Forget,” Ceramics Monthly vol. 71 no. 3 (March 2023): 48-52.
“Susan Dewsnap: A Story Unfolding,” Ceramics Monthly vol. 70 no 10 (Dec. 2022): 44-48.
“Nicholas Geankoplis: Preserving Complexity,” Ceramics Monthly vol. 70 no. 4 (April 2022): 48-52.
“Thomas Gentille: Material Truth,” Ornament vol. 42 no. 4 (2022): 38-43.
“Karl Borgeson: Chance and Hand.” Ceramics Monthly 70 no. 1 (Jan. 2022): 28-31.
“YoonJee Kwak: Capacity for Virtue, Capacity for Breath.” Ceramics Monthly 69 no. 8 (Oct. 2021): 48-52.
“Harriete Estel Berman: Recycling, Consumption, Truth.” Ornament 42 no. 1 (2021): 42-7.
“Garry Knox Bennett: Against the Flow.” Ornament 41 no. 4 (2019): 34-9.
“Neil Forrest: Ships and Voids.” Ceramics Monthly 67 no. 1 (Jan. 2019): pp 32-5.
“Marion Delarue: Nature and Artifice.” Metalsmith 38 no. 4 (2018): 26-33.
“Robert Baines: In the Spirit of Truth.” Ornament 40 no. 5 (2018): 34-9.
“Christie Brown: Anti-Hierarchical Hybridity.” Ceramics Art and Perception 110 (Oct. 2018): 40-4.
“Linda MacNeil: Monumentality of the Intimate.” Ornament 40 no. 3 (2018): 40-45.
“Marjorie Schick: In Memoriam (1941-2017).” Metalsmith 38 no 3 (2018): 58.
“Martha Glowacki: Science, Art, and Style.” Metalsmith 38 no. 1 (2018): 36-3.
“Dong Hee Suh.” New Ceramics.” The European Ceramics Magazine (March/April 2018): 24-27.
“Juan Granados: Pumps of Brick.” Ceramics Art and Perception 107 (Jan. 2018): 54-57.
“Roberto Lugo: Undermining Indifference.” Ceramics Monthly 65 no. 7 (Sept, 2017): 54-7.
“Jun Kaneko: Intervals and Interstices.” Neues Glas 1 (2017): 42-47.
“The Gaussoins: Heritage, Family, Creativity.” Ornament 39 no 5 (2107): 32-7.
“Michelle Erickson: Projecting a Hypothetical Future; Reflecting on a Problematic Past.” Ceramics Monthly 65 no. 4 (April 2017): 36-9.
“Tamar Navama: A Vindication of Skin.” Ornament 39 no. 4 (2017): 42-7.
“Masayuki Miyajima: Innovation from Tradition.” Ceramics Monthly 64 no. 9 (Nov. 2016): 48-53.
“Restaurant Wares: Teaching to the Test.” Ceramics Monthly 64 no. 7 (Sept. 2016): 40-3.
“James Thurman and Umut Demirgüç Thurman.” Ornament 39 no. 1 (2016): 40-5.
“Chunghee Lee.” Ornament 38 no. 5 (2016): 35-9.
“John Balistreri: By and Large.” Ceramics Monthly 64 no. 4 (April 2016): 32-5.
“Paula and Robert Winokur: Separate Paths.” Dao Clayform 8 no. 2 (2013): 50-65.
“Jun Kaneko: The Surface Figures; The Figure Surfaces.” Ceramics Monthly 64 no. 3 (March 2016): 34-9.
“Gustavo Pérez: As Nature Creates. Ceramics Ireland 36 (2015): 8-10.
“Susie Ganch: Systems, Cycles, and Ethics.” Ornament 38 no. 3 (2015): 32-37.
“Steve Hansen’s Trojan Vessels.” Ceramics Monthly 63 no. 10 (Dec. 2015): 50-53.
“Wendy McAllister: Worldly Geometry.” Ornament 38 no. 2 (2015): 32-7.
“Art Knives: The Double-Edged Allure.” Metalsmith 35 no. 5 (2015): 26-35.
“Mark Pharis: Geometry of Experience.” Ceramics Monthly 63 no. 9 (Nov. 2015): 34-9.
“Michael Fujita: Units of Labor.” Ceramics Monthly 63 no. 8 (Oct. 2015): 42-5.
“Nan Smith – Mercury: Art and Science.” Ceramics: Art and Perception 101 (Sept.-Nov. 2015): 76-81.
“Kiff Slemmons: Collaboration in Absentia.” Ornament 37 no. 5 (2015): 46-51.
“Chris Ramsay: Collection, Composition, Contemplation.” Metalsmith 35 no. 3 (2015): 44-51.
“Julia Galloway: Vessel, Vault, and Sky.” Ceramics Monthly 63 no. 3 (March 2015): 38-43.
"Daniel DiCaprio: With and Against the Grain. " Ornament Magazine 38 no. 1 (2015): 24-9.
"All Okay: Yoshiro Ikeda, 1947-2014." Ceramics: Art and Perception 99 (2015): 108.
"Cary Esser: A Vital Geometry." Ceramics Monthly 63 no. 2 (Feb. 2015): 44-8.
"Linda Sikora: Aesthetics and Agency." Ceramics Monthly 63 no. 2 (Feb. 2015): 30-5.
"Chris Staley: The Elasticity of Time." Ceramics Ireland 34 (2014): 8-10.
•“Impermanence Embodied.” Ceramics: Art and Perception 98 (2014): 72-75.
"Bede Clarke: Touch and Tone." Ceramics Monthly 62 no. 7 (Sept. 2014): 38-41.
"Mark Hartung: Motion, Emotion, and Memory." Metalsmith 34 no. 3 (2014): 52-9.
"Mathew McConnell: Self, Theft, and Inspiration." Ceramics: Art and Pereption 96 (2014): 60-5.
"Doug Casebeer: Landmarks." Ceramics Ireland 33 (2014): 18-20.
"Sergei Isupov: A Strange Familiarity" Ceramics Illustrated (Beijing)
"Warren MacKenzie: Complexity in Simplicity." Ceramics Monthly 62 no. 3 (March 2014): 39-43.
"The Anti-Trophy." Metalsmith 34 no.1 (2014): 40-7.
"Paul Donnelly: A Foundation in Contrast" Ceramics Monthly 62 no. 2 (Feb. 2014): 46-9.
"Liz Quackenbush: Beyond Hierarchies." Ceramics Monthly 62 no. 1 (Jan. 2014): 50-4.
"Jeffrey Clancy: Restless Progression." Metalsmith 33, no 5 (2013): 48-55.
"Adam Welch: The Enduring Brick." Ceramics Monthly 61 no. 9 (Nov. 2013): 54-7.
"Kim Cridler: Bittersweet Beauty" Metalsmith 33, no. 3 (2013): 24-31.
"Eleanor Moty: A Master Metalsmith." Ornament vol. 36 no. 3 (2013): 48-53.
"Sanam Emami: Channeling the Silk Road." Ceramics Monthly 61 no. 4 (April 2013): 39-43.
"Nature and Technology: New Work by Anna Calluori Holcombe" New Ceramics (March /April 2013): 12-15.
"Intervention, Interaction, and the Will to Preserve" Ceramics in the Expanded Field (The University of Westminster, UK) http://www.ceramics-in-the-expanded-field.com/essays/glen-r-brown-phd-usa
"John Neely: Ceramics Mechanics." Ceramics Monthly 60 no.10 (Dec. 2012): 42-5.
"Mark Digeros: The Drift of Thought." Ceramics Monthly 60 no. 9 (Nov. 2012): 40-4.
"Bryan Hopkins: Dissonance and Reconciliation." Ceramics Monthly 60 no. 8 (Oct. 2012): 36-41.
"Beth Cavener Stichter: Animal Unrest." Sculpture 31 no. 6 (July/August 2012): 22-7.
"Ubaldo Vitali: The Lover and The Beloved." Metalsmith 32 no. 3 (2012): 24-33.
"Virtual Paris: Ceramics on the World Wide Web." Ceramics Monthly (June/July/August 2012): 48-52.
"Bassem Yousri: Reflections on Revolution." Ceramics: Art and Perception 87 (2012): 42-7.
"Heather Bayless: Nature Refined." Ornament 35 2 (2011): 46-51.
"Shawn Spangler: Variations on Simplicity." Ceramics Monthly 60 no. 1 (Jan. 2012): 34-7.
"Dukno Yoon: Raw Engineering and Incidental Beauty." Ornament 35 no. 1 (2011): 50-5.
"The Ceramic Sprawlscape." Ceramics Monthly 59 no. 8 (Oct. 2011): 40-5.
"Skye and Peter Ciesla: Paths of Intuition." Ornament 34 no. 5 (2011): 58-63.
“Del Harrow: On Objects and Orbits.” Ceramics: Art & Perception, 84 (2011): 80-84.
"Linda Threadgill: The Structural Origins of Ornament." Ornament 34 no. 4 (2011): 46-51.
"Kjell Rylander: the Anthropic Aura." Ceramics Monthly 59 (June/July/Aug. 2011): 52-55.
"Ken Loeber: Complexity to Simplicity." Ornament 34 no. 3 (2011): 56-9.
"Criticism and Motives." The NCECA Journal 32 (2011): 98.
"Ramón Puig Cuyàs: The Invisible Horizon." Metalsmith 31 no. 2 (2011): 34-41.
“Judith Kinghorn: Intuitive Expression." Ornament 34 no. 2 (2011): 48-53.
“Andrew Martin’s Aquatic Aesthetic.” Ceramics Monthly 59 no. 1 (Jan. 2011): 54-9.
"Rimas Visgirda: a Higher Plane." Ceramics Monthly 58 no. 9 (Nov. 2010): 50-3.
"Jon Havener: Energy in the Abstract" Ornament 33 no. 5 (2010): 36-9.
"The Role of International Competitive Exhibitions in Academia." Proceedings of The Symposium of the 2010 Taiwan Ceramics Biennale, Yingge Ceramics Museum, Taipei, Taiwan (2010): 62-9.
"Penland School of Crafts." Ornament 33 no. 4 (2010): 40-3.
"Dylan J. Beck: Environment, Design and Sustainability." Ceramics: Art and Perception 80 (June-Aug, 2010): 47-51.
"The New Ceramic Absence." Ceramics Monthly 58 (May 2010): 96.
"Rose Slivka's 'The New Ceramic Presence," The NCECA Journal 31 (2010): 39.
"David Scott Smith: A Bricolage in Light." Ceramics Monthly 58 (Feb. 2010): 52-5.
"From Personal to Universal: Marilyn Lysohir's Good Girls 1968" Ceramics Monthly 58 (Feb. 2010): 44-7.
"The Competitive Exhibition: A Taiwanese Twist." Ceramics Monthly 58 (Jan. 2010): 80.
"Susan Beiner's Synthetic Reality: Biotechnology, Nature and Creativity." Ceramics: Art and Perception 78 (2009): 23-7.
"Ceramics Pluralism: Diversity of Practice and the Role of Criticism." Ceramics Art and Perception 78 (2009): 43-7.
"Linda Lighton: Flores Retóricas." Cerámica 114 (2009): 23-5.
"Lydia Thompson: Promises." Ceramics Monthly 57 (Oct. 2009): 40-43.
"Lin Stanionis: The Beauty of Pathos." Ornament 32 no. 4 (2009): 54-9.
"Linda Threadgill: Conceptualizing Ornament." Metalsmith 29 no. 3 (2009): 24-33.
"Xavier Toubes: The Infinite in Finitude." New Ceramics (May/June 2009): 14-18.
"Nan Smith: Evoking Nostalgia." Ceramics Monthly 57 (June/July Aug, 2009): 46-9.
"Marc Leuthold's 'Fault': Situating Sculpture." Ceramics Monthly 57 (March 2009): 36-9.
"Neil Forrest: Detached Ornament, Engaged Architectonics." Ceramics: Art and Perception 75 (March 2009): 81-6.
"Contemporary Ceramics and Critical Theory: Prestige, Professionalism and Perspective." Ceramics: Art and Perception 75 (March 2009): 107-10.
"China Marks: Multivalent Narratives." Surface Design Journal 33 (Winter 2009): 28-31.
"Craft as Idea as Idea." The NCECA Journal 29 (2008): 42-45.
"Barbara Minor." Ornament 32 (Dec. 2008): 32-7.
"Kirk Mangus: the Crystalline Moment." Ceramics Monthly 56 (Dec. 2008): 34-7.
"Anthony McCall: Light, Space, and Time." Oz, 30 (2008): 10-19.
"Carla Reiter: Fashioning a New Vocabulary." Ornament 32 no. 1 (2008): 38-41.
"Jack Thompson: The Well of Myth." Ceramics: Art and Perception 73 (Sept. 2008): 99-103.
"Elaine O. Henry: Complementarity in Contrast." Ceramics: Art and Perception 73 (Sept. 2008): 89-91.
"Thai Stonewares of the 14th to 16th Centuries." Ceramics Technical 26 (2008): 21-6.
"Vietnamese Blue-and-White Stonewares of the 14th to 16th Centuries." Ceramics Technical 26 (2008): 3-8.
"Ilona Romule's Porcelain Fables." Ceramics: Art and Perception 72 (June 2008): 35-40.
"Annabeth Rosen: Between Drawing and Sculpture." Ceramics: Art and Perception 72 (June 2008): 62-4.
"Patrick Siler: The Times and The Timeless. Ceramics Monthly 56 (May 2008): 48-9.
"Robert Ebendorf: Gems from the Abyss." Ornament 31 (April 2008): 50-3.
"Dirk Staschke's Industrial Chinoiserie." Ceramics: Art and Perception 71 (March 2008): 77-81.
"Fukumoto Fuku: Between Tradition and Objet." Ceramics Monthly 56 (March 2008): 54-7.
"Angelo Garzio (1922-2008)," Ceramics Monthly 56 (March 2008): 39.
"Heather Mae Erickson: Separate by Design." Ceramics Monthly 56 (Feb. 2008): 40-3.
“Nick Cave: Irreducible Energy.” Ornament 31 (Jan. 2008): 38-43.
"Harris Deller: Made in China." Ceramics Monthly 56 (Jan. 2008): 39-43.
"Junya Shao: Yixing and Beyond." Ceramics Monthly 55 (Nov. 2007): 52-5.
"Multiplicity, Debasement and Redemption" Ceramics: Art and Perception 70 (Dec. 2007): 32-7.
"Terracotta Ear Spools of Ancient Mexico." Ceramics Technical 25 (2007): 36-41.
"The Ceramic Decal: Visual Diversity and Conceptual Complexity" [With Anna Calluori Holcombe] Ceramics Technical 25 (2007): 3-8.
"Steve Mattison: In Silent Conversations." Ceramics: Art and Perception 69 (Sept. -Nov. 2007): 8-12.
"Robert Ebendorf's Pilgrimage to Paradox." Metalsmith 27 no. 3 (2007): 28-33.
"Thai Si Satchanalai Celadons of the 14th to 16th Centuries." Ceramics Technical 24 (May-Oct. 2007): 67-71.
"Ira Winarsky: Layered Landscapes" Ceramics Monthly 55 (June/July 2007): 58-60.
"Actual and Allusive: The Vessels of Ken Eastman." Ceramics Monthly 55 (Feb. 2007): 48-50.
"Elliot Pujol: Form and Performance." Metalsmith 27 no. 1 (2007): 28-35.
"Fire and Light: Grace Nickel's Metaphorical Lamps." Ceramics Monthly 55 (Jan. 2007): 40-3.
"Kee-Ho Yuen: Orchestration of Contraries." Ornament 30 (Dec. 2006): 60-3.
"Ceramics Multiplicity and the Limitations of Criticism." Temperature [journal of the Arbeitsgemeinschaft Schweizer Keramik, Association Ceramique Suisse] (2006): 15-22.
"Teaching Ceramics History." Ceramics Technical, no. 23 (2006): 37-42.
"Steven Ford and David Forlano: Equivalent Terms" Ornament 30 no. 1 (2006): 54-7.
"Diane Harty: Hats for Literal and Metaphorical Travel." Ornament 30 no. 1 (2006): 42-5.
"Michael James: Interference and Innovation." Surface Design Journal 31 (fall 2006): 16-21.
"Lu Bin's Brave Fossils." Ceramics Monthly 54 (Nov. 2006): 54-7.
"Todd Reed: A Rare Accomplishment." Ornament 29 no. 5 (2006): 40-3.
"Engaging Science: Generating a Genre of Ceramic Sculpture." Ceramics: Art and Perception 65 (Sept.-Nov. 2006): 14-21.
"Joan Morris: Master Dyer" American Craft 66 (Aug./Sept. 2006): 40-3.
"Kathleen Browne: Specimens of Reflexivity." Metalsmith 26 (fall 2006): 20-7.
"Sydney Lynch: The Medium of Memory." Ornament 29 (summer 2006): 46-9.
"Marc Leuthold: The Infinite Non-Objective." Ceramics: Art and Perception 63 (March 2006): 87-90.
"David East: Statistical Genre." Ceramics: Art and Perception 63 (March 2006): 26-29.
"Pei Xueli: Tradition and Innovation." Ceramics Monthly 54 (March 2006): 64-7.
"Industrial intervention: Marek Cecula." Ceramic Review 218 (March/April 2006): 28-31.
"Jamie Bennett: In Deference to the Decorative." Metalsmith 26 (Winter 2006): 18-25.
"Justin Novak: The Rhetoric of Beauty." 62 Ceramics: Art and Perception (Dec. 2005): 99-102.
"Jeremy Jernegan: Surface and Form" Ceramics Monthly 53 (Nov. 2005): 41-4.
"David Furman: The Human Connection." Ceramics Monthly 53 (Oct. 2005): 34-7.
"Collaborative Brickworks at the Savannah College of Art and Design" [with Yves Paquette] Ceramics Technical 21 (2005): 3-6.
"Dong Hee Suh: A Slice of Paradise." Ceramics Monthly 53 (Sept. 2005): 60-3.
"Tip Toland: The Precious and Precarious." Ceramics: Art and Perception 60 (June 2005): 81-4.
"Virginia Scotchie: The Familiar in Act and Object." Ceramics Monthly 53 (May 2005): 28-32.
"Ceramics Scientism and Disciplinary Conflict." The NCECA Journal 25 (2004): 51-61.
"Confrontation and Interaction in World Ceramic Art." Proceedings of The First International Ceramic Journal Editors Symposium, Fuping, Shaanxi, China (2004).
"Todd Shanafelt: Reality Beyond Reality." Ceramics: Art and Perception 59 (March 2005): 48-51.
"Margaret Bohls’s Models of Tension." Ceramics Monthly 53 (April 2005): 32-36.
"Judy Moonelis: Aesthetics of Hypotheses." World Sculpture News 10 (Autumn 2004): 29-33.
"Richard Shaw: Illusion and Absence." Ceramics: Art and Perception 58 (Dec. 2004): 3-6.
"Beverly Penn: Shadows of the Absolute." Metalsmith 24 (Fall 2004): 24-31.
"Lynn Duryea: The Energy of Edges." Ceramics Monthly 52 (Oct. 2004): 32-6.
"Toward Complexity." Asian Art News 14 (July /Aug. 2004): 54-7.
''Adelaide Paul.'' Ceramics: Art and Perception 56 (June 2004): 41-44.
''Robert Harrison: Of Marks and Boundaries'' Ceramics: Art and Perception 56 (June 2004): 10-14.
''Being in Ceramics.'' Ceramics: Art and Perception 56 (June 2004): 100-2.
''Interrupted Surfaces, Fragments of Conversations.'' Pottery Making Illustrated (May/June 2004): 9-10.
"Dennis Lee Mitchell: Space, Matter, and the Cosmic Pulse." Kerameiki Techni 46 (April 2004): 33-6.
"Rafael Pérez." Ceramics Monthly 52 (March 2004): 52-5.
"Sergei Isupov: Una Familiaridad Extraña." Cerámica 89 (2003): 36-41.
"On the Paradox of Looking at Chinese Ceramics Today." Ceramics: Art and Perception 55 (March 2004): 34-9.
"Patti Warashina’s Milepost Queens." Ceramics: Art and Perception 55 (March 2004): 8-12.
"Xiaoping Luo’s Time Square." Ceramics Monthly 52 (Feb. 2004): 39-42.
"Matt Long’s Moments of Victory." Ceramics Monthly 52 (Jan. 2004): 32-6.
"New Ceramic Art: A Preview in Retrospect" Kerameiki Techni 45 (Dec. 2003): 53-8.
"Expression of Consciousness." Sculpture Magazine (Beijing) 37 (2003): 6-7.
"El Papel de la Ambigüedad." Cerámica 88 (2003): 23-5.
"Xiaoping Luo." Sculpture Magazine (Beijing) 36 (2003): 32-4.
"Mary Jo Bole: Mortality and the Immortal." Ceramics: Art and Perception 54 (Dec. 2003): 77-80.
"Tony Hepburn’s Critical Hybridity." World Sculpture News 9 (Autumn 2003): 32-5.
"Peter Bevan’s Modes of Self-Consciousness." World Sculpture News 9 (Autumn 2003): 44-7.
"Michael Simon: Between the Universal and the Personal." Ceramics Monthly 51 (Nov. 2003): 36-40.
"Guanghui Chen: The Logic of the Sherd." Ceramics: Art and Perception 53 (Sept. 2003): 57-60.
"Linda Arbuckle." Ceramic Review 203 (Sept./Oct. 2003): 38-41.
"Linda Lighton’s Predatory Petals." Kerameiki Techni 44 (Aug. 2003): 72-5.
"Jamie Walker: La Natura Morta." Ceramics: Art and Perception 52 (June 2003): 16-20.
"Suzan Rezac: Part to Whole Relationships." Ornament 26 (Spring 2003): 50-3.
"Mika Negishi Laidlaw." Ceramics Monthly 50 (June/July/Aug. 2003): 80-3.
"Contemplating the Spiritual." World Sculpture News (Winter 2003): 44-7.
"Mutual Space: Susan Mahlstedt and Bill Ruth." Ornament 26 (winter 2003): 66-9.
"Sarah Perkins: A Fulfilling Absence." Metalsmith 23 (spring 2003): 34-41.
"Sam Chung." Ceramics Monthly 51 (March 2003): 41-45.
"Scott Bennett’s Craft on Craft." Ceramics Monthly 51 (Jan. 2003): 62-5.
"Commentary on ‘Rethinking Art/Ceramics History.’" The NCECA Journal XXIII (2002): 172-3.
"Sergei Isupov: On Multi-Stable Ground." Ceramics: Art and Perception 51 (2002): 8-11.
"Lisa Marie Barber’s Utopian Spaces." Ceramics Monthly 50 (Dec. 2002): 40-3.
"Rachelle Thiewes: The Immediacy of Light." Metalsmith 22 (Fall 2002): 20-29.
"Scott Dooley." Ceramics Monthly 50 (Nov. 2002): 53-7.
"Walter McConnell: The Irony of Eden." World Sculpture News 8 (Summer 2002): 30-3.
"Rebecca Hutchinson." Ceramics Monthly 50 (Sept. 2002): 76-9.
"Journalism and International Discourse on Ceramics" The Chinese Potters' Newsletter No. 15 (spring 2002): 24-5.
"Keisuke Mizuno: Objetos de Deseo." Cerámica 82 (2002): 78-80.
"Growth Rings: The Installations of Yves Paquette." Ceramics: Art and Perception 48 (2002): 19-22.
"Roger Shimomura: Identity and Erasure." Asian Art News 12 (March/April 2002): 50-3.
"Marilyn Lysohir’s ‘The Tattooed Ladies and the Dinosaurs.’" Ceramics Monthly 50 (March 2002): 54-7.
"David Furman’s Icons of Mortality and Perpetuity." Ceramics Monthly 50 (Feb. 2002): 56-9.
"Chiyomi Taneike Longo's Metaphorical Journeys." Asian Art News12 (Jan./Feb. 2002): 44-46.
"Robly Glover: Pragmatic Archetypes." Metalsmith 22 (Winter 2002): 30-7.
"Paul Dresang: The Contingency of Objects" Ceramics: Art and Perception 47 (2002): 17-22.
Commentary on NCECA 2001 Panel, "The Ceramic Realists: Trompe Louie, Louie," The NCECA Journal (2001): 55-7.
"Peggy Eng." Ornament 25 (Winter 2001): 46-9.
"Walter Ostrom: Tradicionalista Innovador." Cerámica 79 (2001): 26-9.
"Jun Kaneko's Essential Dialogue." World Sculpture News 7 (Autumn 2001): 52-5.
"Bai Ming: Abstraction in the Wake of Time." Ceramics Monthly 49 (Dec. 2001): 40-2.
"Maria Phillips: An Anti-Classical Strategy" Ornament 25 (Autumn 2001): 34-7.
"Elyse Saperstein's Code of Silence." Ceramics Monthly 49 (Nov. 2001): 60-3.
"Jay Lacouture: Process and Reciprocity" Ceramics: Art and Perception 46 (Dec. 2001): 18-20.
"Sadashi Inuzuka: Shifts in Perspective." World Sculpture News 7 (Summer 2001): 34-7.
"Nina Hole: Fire Portraits." Ceramics Monthly 49 (Sept. 2001): 52-5.
"Sarah Perkins: Nature's Masquerade." Ornament 24 (Summer 2001): 36-9.
"Yoshiro Ikeda: El Tiempo Condensado" Cerámica 77 (2001): 23-5.
"Thomas Kerrigan's Desert Meditations." Ceramics: Art and Perception 45 (2001): 18-20.
"Jeffrey Mongrain: Invocations of Absence." Sculpture 20 (June 2001): 14-15.
"Nan Smith: Articulating Consciousness." World Sculpture News 7 (Spring 2001): 48-50.
"Chris Gustin: Inverting Perception." Ceramics: Art and Perception 44 (2001): 54-59.
"Archie McCall: Beyond the Decorative." Ceramics Monthly 49 (May 2001): 48-51.
"Conrad Snider." Clay Times (March/April 2001): 57-9.
"Memory Serves: Time, Space and the Ceramic Installation," Critical Ceramics (March 10, 2001) www.criticalceramics.org
"Life Systems, Life Cycles." Ceramics Monthly 49 (March 2001): 34-7.
"Marko Fields' Fields of Marks." Ceramics Monthly 49 (Feb. 2001): 46-9.
"Seiko Tachibana: Seeking the Universal." Asian Art News11 (Jan./Feb. 2001): 66-9.
"Eddie Dominguez: The Coherence of Confetti" Ceramics: Art and Perception 43 (2001): 26-30.
"Michael Aurbach: Secrecy and Institutional Power." World Sculpture News 6 (Autumn 2000): 30-3.
"Carmen Valdés: A Vital Complement." Ornament 24 (Winter 2000): 46-49.
"Cara Moczygemba." Ceramics Monthly 48 (Dec. 2000): 41-3.
"Akio Takamori: Figura y Fondo." Cerámica 74 (2000): 36-9.
"Peter Pinnell's Concept of Quietness." Ceramics: Art and Perception 42 (2000): 8-13.
"Lee Phillips: Bipartite Relationships." Ornament 24 (Autumn 2000): 46-9.
"Von Venhuizen." Ceramics Monthly 48 (Sept. 2000): 43-5.
"Nicholas Kripal: Body Glyphs." Sculpture 19 (July 2000): 10-1.
"Clara Ines Arana." Ornament 23 (Summer 2000): 44-7.
"Minimal Magic: The Paintings of Xuhong Shang." Asian Art News 10 (March/April 2000): 56-9.
"Irena Stein: Play as Strategy." Ornament 23 (spring 2000): 40-43.
"Dana Groemminger: The Frailty of Everyday Life." Ceramics: Art and Perception 39 (2000): 70-3.
"Clay Ethics and Psychical Regression." The NCECA Journal 20 (1999): 129-36.
"Jan Yager: Urban Stigmata." Ornament 23 (winter 1999): 38-41.
"Lin Stanionis: Eros and Pious Cannibalism." Metalsmith 19 (fall 1999): 12-21.
"The Hay Sculptures of Michael Shaughnessy," Fiberarts 26 (Nov./Dec. 1999): 13.
"Ambiguous Narratives: The Paintings of Hung Liu." Asian Art News 9 (Sept./Oct. 1999): 78-81.
"Immaculate Artifacts: The Vessels of Lara Scobie." Ceramics Monthly 47 (Nov. 1999): 36-9.
"Toward a Topography of the Spiritual in Contemporary Art." New Art Examiner 26 (March 1999): 23-7.
"Marjorie Schick: Engaging Memory." Ornament 22 (March 1999): 30-3.
"Tim Proud." Ceramics Monthly 47 (March 1999): 66-9.
"Gail Kendall: Exploiting Paradox." Ceramics: Art and Perception no. 35 (1999): 104- 110.
"Studio View: Dan Hunt." New Art Examiner 26 (Dec. 1998): 50.
"Michael Kane and Steve Sells: Natural Energies." Ornament 22 (Winter 1998): 46-9, 88-9.
"The Attraction of the Intimate." Ceramics Monthly 46 (Nov. 1998): 31-34.
"Ken Little: Meaning in Masquerade." Sculpture 17 (Sept. 1998): 14-15.
"Donald Friedlich: A Reductive Art." Ornament 22 (Fall 1998): 44-7.
"Nicholas Wood." Ceramics Monthly 46 (June/July/Aug. 1998): 76-8.
"Rachelle Thiewes: A Recalcitrant Presence." Ornament 21 (Spring 1998): 48-51.
"Heartlands: The Ceramic Sculpture of Juan Granados." Ceramics: Art and Perception No. 31 (1998): 76-81.
"Allison Black: Sanctifying Life." Ornament 21 (Winter 1997): 50-3.
"Gary Molitor," Ceramics Monthly 45 (Sept. 1997): 39-42.
"Modern Vanitas: The Paintings of Tan Bo." Asian Art News 7 (July/Aug. 1997): 72-3.
"Interdisciplinarity and the Tenure Track: Conflict of Interest?" Art and Academe 9 (fall 1996): 61-76.
"Patti Warashina: Introspection and the Infinite." Asia-Pacific Sculpture News 2 (spring 1996): 20-2.
"The Pragmatic Spirituality of Kanya Chareonsupkul." Asian Art News 5 (Nov./Dec. 1995): 51-3.
"Studio View: Jet Construction." New Art Examiner 23 (Oct. 1995): 34.
"The Persistence of Silence." New Art Examiner 22 (May 1995): 26-31.
"Lynwood Kreneck." Journal of the Print World 18 (Spring 1995): 23.
"Michael Magoto." Ceramics Monthly 42 (October 1994): 53-56.
"On View: West Texas." New Art Examiner 21 (Summer 1994): 44-46.
Exhibition Reviews
"Second Skin: Exploring Adornment as an Extension of the Self." Ornament 46 no. 4 (2026): 20-23.
“Get a Bead On, Racine Art Museum” Ornament 42 no. 3, (2021), pp. 50-5.
“Ceramix: Ceramic Art from Rodin to Schütte.” The Journal of Modern Craft 9 no. 3 (Nov. 2016): 355-59.
“Glitterati: Portraits & Jewelry from Colonial Latin America.” Ornament 39 no. 1 (2016): 18-23.
“The 2015 NCECA Biennial.” Ceramics Monthly 63 no. 10 (Dec. 2015): 58-62.
“Ceramics in the Expanded Field” Ceramics Monthly 63 no. 8 (Oct. 2015):50-2.
"A Queen Within: Archetypes, Fashion & Chess." Ornament 37 no. 2 (2014): 34-7.
"CODE." Ceramics Monthly 61 no. 8 (October 2013): 53-7.
Review of "Inventing the Modern World: Decorative Art at the World's Fairs, 1851-1939. Ceramics: Art and Perception 92 (2013): 68-73.
"Don Reitz Retrospective." Ceramics Monthly61 no. 3 (March 2013): 52-6.
"Jeanne Quinn: Ceramic In(ter)ventions." Ceramics: Art and Perception 22 no. 3 (2012): 64-7.
"Overthrown: Clay Without Limits." Ceramics: Art and Perception 87 (2012): 104-6.
"The Offspring of Endymion: Clare Twomey's Forever." Ceramics: Art and Perception 85 (2011): 32-4.
"Earth Matters." Ceramics: Art and Perception 82 (Dec. 2010): 86-8.
"Korero: Ceramics in Conversation, the 2010 Taiwan Ceramics Bienniale." Ceramics Monthly 58 no. 9 (Nov. 2010): 28-9.
"The 2010 NCECA National Juried Student Exhibition." Ceramics Monthly 58 (Sept. 2010): 26-7.
"Perspectives: Art, Craft, Design & the Studio Quilt." American Craft (April/May 2010) : 32-3.
"Walter McConnell at the Daum Museum of Contemporary Art." Ceramics: Art and Perception 76 (June 2009): 43-5.
"Metals in the Sister Cities: The Lawrence-Eutin Connection Metalsmith 29 no. 2 (2009): 56.
"Notes from the Beach." Kansas Artist/Craftsmen Association Newsletter, (spring 2008): 2.
"Ruth Borgenicht." American Ceramics v. 15 no. 2 (2007): 70.
"John Kudlacek." Ceramics Monthly 55 (Feb. 2007): 30-2.
"Material and Space: An Exhibition of Contemporary Metalwork." Metalsmith 26 (fall 2006): 57.
"Nancy Koenigsberg and Lewis Knauss." American Craft 66 (Feb./March 2006): 88-9.
"Noemi Márquez" American Ceramics 15 no. 1 (2006): 70.
"The John M. Walsh III Collection." Studio Art Quilt Associates Journal 15 (Summer 2005): 12-14.
"Pygmalion's Gaze Reimagined: The Figure in Contemporary Ceramics." Ceramics Monthly 53 (June/July/Aug. 2005): 17-18.
"Lino Tagliapietra at the Beach Museum of Art" World Sculpture News (Winter 2005): 48-9.
"Dennis Lee Mitchell." American Ceramics 14 (2004): 60.
"Noemí Márquez at the Dubhe Carreño Gallery" World Sculpture News (Autumn 2004): 67.
"Ellen Oppenheimer." American Craft 65 (Feb./March 2005): 82-3.
"Robert Arneson at the Sheldon Memorial Art Gallery." World Sculpture News 10 (summer 2004): 53-4.
"The 2003 NCECA Clay National." The NCECA Journal (2003): 174-8.
"Bay Area Ceramic Sculptors: The Second Generation." Review (May 2004): 54-5.
"Chinese Ceramics Today: Tradition and the West." The Chinese Potters’ Newsletter 20/21 (summer/autumn 2003): 10-12.
"Teapot Invitational in San Diego." Ceramics Monthly 51 (Sept. 2003): 26-8.
"Metal Under Glass." Metalsmith 22 (fall 2002): 49.
"Marek Cecula" American Craft 62 (Aug./Sept. 2002): 74-5.
"James Watkins." American Ceramics 17 (2001): 54.
"Clay on the Wall." Ceramics Monthly 48 (May 2000): 14.
"Kansas Quilts, Past and Present." Fiberarts 26 (March/April 2000): 25.
"The 1999 NCECA Clay National." The NCECA Journal 20 (1999): 25-9.
"Cynthia Schira." American Craft 59 (Aug/Sept. 1999): 80-81.
"Alan Shields" New Art Examiner 26 (July/Aug. 1999): 60-1.
"Shahzia Sikander at the Kemper Museum of Contemporary Art." Asian Art News 9 (March/April 1999): 84-5.
"Four Kansas Clay Artists." Ceramics Monthly 47 (March 1999): 16.
"Colorprint U.S.A.: Spanning the States in '98." Journal of the Print World 22 (Winter 1999): 37.
"Jim Hodges." New Art Examiner 26 (Sept. 1998): 46.
"In the Name of the Place." New Art Examiner 25 (May 1998): 58-9.
"Four in Glass." New Art Examiner 25 (March 1998): 62-3.
"Ken Little." New Art Examiner 25 (Dec. 1997): 61-2.
"The Ulster-Texas Print Exchange." Journal of the Print World (Fall 1997): 44.
"Kathy Webster." New Art Examiner 24 (May 1997): 59.
"Kate Budd." New Art Examiner 24 (Feb. 1997): 55.
"Patti Warashina." Ceramics Monthly 44 (May 1996): 12.
"John Hitchcock." New Art Examiner 23 (April 1996): 52.
"Susan Harrington, Terri Thornton & Janet Tyson." New Art Examiner 23 (Jan. 1996): 49-50.
"Janet E. Kastner." New Art Examiner 23 (Sept. 1995): 55.
"Marc Sijan: Ultra-Realistic Sculpture." Art Papers 19 (May/June 1995): 56-7.
"Catherine Angel." New Art Examiner 22 (April 1995): 47-48.
"Fidencio Duran: Family/Community." Circa: The Texas Based Journal of Contemporary Art 2 (Winter 1995): 20.
"Sandy Skoglund." New Art Examiner 22 (Jan. 1995): 45-46.
"Kent Matricardi." Art Papers 19 (Jan./Feb. 1995): 62.
"Ken Dixon: Order and Disorder." Art Papers 19 (Jan./Feb. 1995): 63.
"Thad Duhigg." New Art Examiner 22 (Dec. 1994): 50-51.
"Gary Wade Brown." New Art Examiner 22 (Nov. 1994): 51.
"Veiled Images." Art Papers 18 (Sept./Oct. 1994): 63-64.
"Bettie Ward: Walk the Earth." Art Papers 18 (July/Aug. 1994): 65-66.
"Charlotte Funk; Verne Funk." New Art Examiner 21 (May 1994): 52-53.
"Jane Abrams." New Art Examiner 21 (April 1994): 50-51.
"Robin Dolarian." New Art Examiner 21 (March 1994): 48.
"Soledad Marjon." Circa: The Texas Based Journal of Contemporary Art 1 (Winter 1994): 33-34.
"Tim High: Entangled Allurements." Art Papers 18 (Jan./Feb. 1994): 55-56.
"Kong Ho." New Art Examiner 21 (Jan. 1994): 44.
"Sara Waters: Face, Faced, Facing." Art Papers 17 (Sept./Oct. 1993): 62-63.
Book Reviews
Review of New Directions in Contemporary Ceramics: From Spectacle to Trace, by Jo Dahn. The Journal of Modern Craft 11 no. 1 (2018): 95-97.
Review of Eccentric Objects: Rethinking Sculpture in 1960s America, by Jo Applin. Choice: Current Reviews for Academic Libraries (June 2013):
Review of Jewelry by Artists in the Studio, 1940-2000: Selections from the Daphne Farago Collection, by Kelly H. L. L'Ecuyer, et al. Choice: : Current Reviews for Academic Libraries (July 2011):
Review of Donald Judd by David Raskin Choice: Current Reviews for Academic Libraries (May 2011):
Review of Alan Peascod: Artist of Exceptional Talent. ed. Janet Mansfield. Ceramics: Art and Perception 82 (Dec. 2010): 108-9.
Review of Art and Science Now: How Scientific research and Technological Innovation are Becoming Key to 21st-Century Aesthetics. By Stephen Wilson Choice: Current reviews for Academic Libraries (Aug.2010)
Review of Sèvres Then and Now: Tradition and Innovation in Porcelain, by Liana Paredes. Choice: Current reviews for Academic Libraries (May 2010)
Review of Modern Japanese Ceramics: Pathways of Innovation & Tradition, by Anneliese Crueger, Wulf Crueger and Saeko Itô Ceramics: Art and Perception (Sept.-Nov. 2007): 106-7.
Review of Cy Twombly: Sculptures 1992-2005, by Reinhold Baumstark et al. Choice: Current Reviews for Academic Libraries (April 2007): 1330.
Review of Lynn Chadwick: Sculptor, by Dennis Farr and Èva Chadwick. Choice: Current Reviews for Academic Libraries (Feb. 2007): 974.
Review of Jim Love: From Now On, by Lynn M. Herbert et al. Choice: Current Reviews for Academic Libraries (Dec. 2006): 633.
Review of Contemporary Clay: Japanese Ceramics for the New Century, by Joe Earle. Choice: Current Reviews for Academic Libraries (May 2006): 1586.
Review of Comprehensively Clarice Cliff, by Greg Slater and Jonathan Brough. Choice: Current Reviews for Academic Libraries (March 2006): 1212.
Review of The Teapot Book, by Steve Woodhead Choice: Current Reviews for Academic Libraries (Sept. 2005): 88-9.
Review of Porcelain and Bone China, by Sasha Wardell. Choice: Current Reviews for Academic Libraries (May 2005): 1575.
Review of What's Wrong with Contemporary Art?, by Peter Timms. Ceramics: Art and Perception 59 (March 2005): 103.
Review of Pacific Jewelry and Adornment, by Roger Neich and Fuli Pereira. Choice: Current Reviews for Academic Libraries (Feb. 2005): 1010-11.
Review of Anthony Caro: A Life in Sculpture , by Julius Bryant. Choice: Current Reviews for Academic Libraries (Jan. 2005): 843.
Review of Contemporary Silver: Made in Italy, by Eva Czernis-Ryl. Choice: Current Reviews for Academic Libraries (Dec. 2004): 646.
Review of Pots of Promise: Mexicans and Pottery at Hull-House, 1920-40, ed. by Cheryl R. Ganz and Margaret Strobel Choice: Current Reviews for Academic Libraries (Nov. 2004): 472
Review of Brickworks, by Gwen Heeney. Choice: Current Reviews for Academic Libraries (Sept. 2004): 85.
Review of Enrique Martínez Celaya: The October Cycle, 2000-2002, by Daniel A. Siedell caa.reviews (2004).
Review of Fresh Talk, Daring Gazes: Conversations on Asian American Art, by Elaine H. Kim, Margo Machida, and Sharon Mizota. Choice: Current Reviews for Academic Libraries (June 2004): 1868.
Review of Rookwood Pottery at the Philadelphia Museum of Art. by Nancy E. Owen. Choice: Current Reviews for Academic Libraries (April 2004): 1460.
Review of Reservation X: The Power of Place in Aboriginal Contemporary Art," ed. Gerald McMaster. Journal of the West 39 (Fall 2000): 108.
Review of The Murals of Revolutionary Nicaragua, 1979-1992." by David Kunzle. New Art Examiner 24 (Dec. 1996): 48.
Review of The Art of Peter Voulkos.by Rose Slivka and Karen Tsujimoto. New Art Examiner 24 (Nov. 1996): 44.
Review of Wake for the Angels. by Mary Woronov New Art Examiner 23 (Sept. 1995): 57-58.