Girl From Ipanema Elevator Music Download

In Real Life, of course, it was once a common practice for elevators to have soft instrumental music piped in as a means of calming the nerves of jittery or claustrophobic passengers. Similar background music was also widely played in office waiting rooms, restaurants, supermarkets, department stores, and shopping malls, and even on radio via the "beautiful music" format. The music itself was generally a mix of light orchestral, bossa nova, Fifties-esque lounge, and smooth jazz; the main commonality to these genres being that they were all made to blend into the background, as a kind of aural wallpaper, rather than be actively listened to. This fell out of favor in the 1990s, however, and since that time the smaller number of places (including the relatively few elevators) that still have piped-in music at all will generally use the original recordings of songs rather than instrumental versions, making this largely a Forgotten Trope (as well as a Dead Horse Trope in the case of this particular song).

Still, even to this day lots of films and TV shows will add in music when composing elevator scenes, in part because of the Rule of Funny (people looking straight ahead and not talking to one another while soothing music plays is inherently quite funny), in part because audiences still expect the music, and in part to avert Dead Air, which can make the elevator ride somewhat uncomfortable to watch (unless that's the intention of the filmmaker).

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Comedy There's an old joke about how people generally don't "get" the previous/next generation's music that has a father saying "if it wasn't for doctor's offices and elevators, you wouldn't know what good music was!" An Australian comedy duo called The Umbilical Brothers have a skit that entails a ride in an elevator. As there's no elevator prop, entering the elevator is signaled with a vocal beatbox of "The Girl from Ipanema".

Comic Books In the Angel: After the Fall comics, the Senior Partners send the entire city to Hell midway through the TV show's Bolivian Army Ending. It should come as no surprise what music plays when Spike gets in an elevator... The Far Side also runs away with this trope, stuffing a string quartet inside the elevator. Subverted and Played for Laughs in Rutetid, a cartoon spinoff of Pondus. A man and his wife leaves an elevator in shock, revealing that the music inside is played by a live black metal band. Cue this line: "I always thought elevator music was bad, but this...

Live-Action TV The Arrowverse "Superhero Fight Club" promo starts with a bored Palmer Technologies worker in the elevator with saccharine music playing, then The Flash and Green Arrow get in there with her and she starts to Squee Lampshaded in the Bones episode "The Mastodon in the Room". Sweets is playing "The Girl from Ipanema" on the piano when Caroline calls him to persuade him to give up his 10-Minute Retirement:Sweets: I'm on sabbatical.

Caroline: Doing what, installing elevators? Because I can hear the music. Used hilariously in the episode "Eye of the Beholder" of Castle in a shot of a SWAT team riding a hotel elevator, with the very uncomfortable hotel manager, altogether very awkwardly with this music playing in the background. This occurs in the Chuck episode "Chuck vs. The Nemesis". Especially comical because the elevator in question seems to be a coded-access elevator in a super-secret government facility. Humorously used by Keith Olbermann on his sports show. The theme was that all the sports stories had gotten him riled up, and he had to leave his studio, go down to the ground floor, open the back door and let out a primal scream. All the way there and back he was muttering to himself... except when he's in the elevator, which was playing a happy, peppy number that had him smiling. Hey You! What If...: In "You Could Take a Lift to Space?", having to put up with six months of lift music is identified as one of the inconveniences you would encounter. In the "Mrs Premise & Mrs Conclusion" sketch of Monty Python's Flying Circus, the two titular Pepperpots hum "Ipanema" while on hold on the telephone. the Prevue Channel (later called the TV Guide channel) used to play Muzak while it scrolled through the TV listings available from the viewer's cable or satellite provider. On Scrubs, Dr. Cox and the Janitor take over the suite of a man who had been transferred out of the hospital to get some peace and quiet. After a while, the Janitor has the door to the room covered with plaster and wallpaper, and when Dr. Cox puts his ear to where the door should be, the Janitor is dancing to "The Girl from Ipanema". Stargate-verse: In an outtake for Stargate Atlantis Season 4, the actors are huddled in a corner of a Wraith set (a teleportation room in the corresponding episode). This looks so much like an Uncomfortable Elevator Moment that David Hewlett starts humming "The Girl from Ipanema", cracking up the others. This trope is also averted in an episode of Stargate SG-1. Sam Carter and Jack O'Neill are standing in one of the lifts at the SGC, having a bit of an Uncomfortable Elevator Moment, and Sam starts humming the show's Theme Song. Behind-the-scene commentary reveals that Amanda Tapping originally wanted this to be the theme song for MacGyver (as an Actor Allusion to Richard Dean Anderson), but nobody could remember it right. In the Stargate Universe episode "Epilogue", the elevator at the Teneran archives, which were created by the descendants of stranded 21st century Earth time-travelers, plays a Suspiciously Similar Song to "The Girl from Ipanema". The Weather Channel used to do a "Local on the Eights" (or simply a Local Forecast) which showed the current weather in the viewer's region (usually sponsored by their cable or satellite provider), as well as a forecast for the next few days, so that viewers would not have to wait for their region to come up on a national forecast, or sit through international and tropical weather forecasts, in order to get a forecast pertinent to them. As everything was being shown on the screen, Muzak played in the background. The Muzak would change every so often, and in December, there was usually holiday Muzak as well.

Radio Bleak Expectations: When the main characters are travelling into Hell via elevator, they hear three things: the screams of the damned, the pleasure of the masochists, and a "weird sitar version of the girl from Ipanema". Lampshaded on The Lazlow Show. Anthony Cumia (of Opie & Anthony) joked that the hypothetical Space Elevator would require the world's longest version of "The Girl from Ipanema" while you rode it.

Music Videos The Foo Fighters: Their "Monkey Wrench" video features Dave Grohl riding an elevator with a muzak version of "Big Me" playing in the background. As something of a thematic continuation, the music video for "Learn to Fly" is bookended with a muzak version of "Everlong" playing in the background.

Video Games In American McGee's Grimm, pausing the game in any episode from the seventh onward results in a tinny Muzak rendition of the opening theme. The style and tinniness make it clear that this trope is being invoked. Blood has this in all its elevators. If you shoot all the speakers, Caleb will say "Thank you." In Celeste, the in-universe PowerPoint presentation that teaches the Wave Dash maneuver plays a muzak arrangement of the main theme. Conker's Bad Fur Day The "It's War" Chapter. Conker just narrowly avoided getting blow up to pieces by a swarm of spider mines by diving into an elevator in the nick of time. Catching his breath, the red squirrel mutters "Surely, it can't get any worse than that..." Cue elevator music and Conker cursing his lousy luck in life. Executive Assault does this with the elevator leading to your office. Fallout 4 has muzak on some elevators, such as the one to the Diamond City mayor's office. First Encounter Assault Recon plays an Ipanema-style muzak ditty during the Elevator Action Sequence where you have to protect Alice, resulting in Soundtrack Dissonance. The Button Fail in Fleeing the Complex does this trope. In the original Flash version, the music that played was a track from Newgrounds known as "Jazz Tune in 3/4", but in the release for The Henry Stickmin Collection, the elevator music is instead a recomposition of Rossini's La gazza ladra. The Glorious Trainwrecks 529 in One Klik and Play Pirate Kart has "Ipanema" as menu music, and you get achievements for listening to it enough times. The elevators in GoldenEye 64 feature elevator muzak arrangements of the film's Theme Tune. Strangely, these were absent from the game's spiritual successor Perfect Dark. Halo: Reach has a mission where you have to take an elevator to shut down a comms jammer. As you go up, and down the elevator, you're treated to gleeful muzak. Keep in mind this is while the city you are currently in is being nuked from sub-orbit. There is no actual elevator music in Iji, but Tasen logbooks boast that the lifts are equipped with music players and that they play such unforgettable classics as "exploding eardrums that are also on fire" and "Hel Sarie will kick you in the face". In the FPS sections of Jurassic Park for the SNES, the elevators you used to get between floors switched between two songs, one jaunty and the other smooth and relaxing. Considering that you were exploring a dark building full of Velociraptors and Dilophosaurs, this made for some prime Mood Whiplash. Especially when you were hauling ass to an elevator and right as you got in, you heard the horrible screech of a Raptor... only for the doors to close and that jaunty music to play. Kingdom of Loathing has the tune play in elevator during the Disco Bandit's Nemesis quest. In the LEGO Adaptation Game LEGO Star Wars III: The Clone Wars, the elevators in the Hub World starships play the Imperial Bossa Nova. Magicka spoofs this in the challenge map called "Caverns", where the players enter the arena through a wooden mechanical platform that is (somehow) playing muzak. Some of the later enemy waves also enter through the elevator, accompanied by the same chime. Mass Effect: The Space Elevators in Mass Effect come complete with Space Muzak. Specifically, they're all muzak arrangements of several of the more dramatic pieces from the game. Which makes them a lot less dramatic. A shout-out to the first game in Miranda's loyalty mission in Mass Effect 2: The team must take a particularly long elevator ride with elevator music playing in the background. Miranda slams the elevator's console with an omni-tool, and the elevator speeds up and the music stops. She really must mean business. And in the Project Overlord DLC for the same game, the elevator music makes a comeback, while Shepard's team is investigating a crashed Geth ship. Hilarious, nightmarishly distorted elevator music while exploring a seemingly completely dead ship. It's even funnier the second time when you go back through that part of the ship later, with the same distorted music, while fighting off hordes of hacked Geth. Monster Boy and the Cursed Kingdom plays a soft music (aptly-named "Elevator Music") in the two big elevators connected to the village of Aeria. In Mother 3, while riding the elevator in the Empire Porky Building, you are treated to an "Ipanema"-style arrangement of the pig-masks' theme. In the Medical level of Nightmare Ned, muzak plays in a pitch black waiting room, which is the Hub Level for areas based on Ned's fear of doctors and dentists. Obsidian has the cubicle maze area in the Bureau, with a swingy, exaggerated piece of muzak that constantly plays while you're there, fitting well with the Vidbot employees that parody things from eye doctors to personnel managers. The warehouse elevator in Pajama Sam 2: Thunder and Lightning Aren't So Frightening does this. Police Quest 4: Open Season has Ipanema-esque bossa nova music in the Parker Center elevators. One of these tunes was reused for the lobby music (Gammie's theme) in Leisure Suit Larry 6: Shape Up or Slip Out!. Another sounds similar to "How Insensitive", also composed by Jobim. One lift in Psi-Ops: The Mindgate Conspiracy plays a Muzak version of "With my mind" by Cold, part of the soundtrack for the game. One level in Revolution X (featuring Aerosmith) has brief interludes in an elevator; the music that plays is, fittingly, a muzak version of "Love in an Elevator". In Rise of the Triad, when you enter an elevator, there is a one in ten chance that this will play. In the remake, one of the levels has a segment which almost entirely takes place in a big elevator and which has a remade version of the tune. Space Quest VI: Roger Wilco in the Spinal Frontier pulls the same trick with the Ascend-O-Pad that plays a remix of Shablee's theme. It's also one of the few places where Josh Mandel spent a lot of time writing jokes into every possible clickpoint. In the Fan Remake of Space Quest II: Vohaul's Revenge, Muzak plays inside a restroom on Vohaul's asteroid fortress. A tinny version of the Monolith Burger theme also plays outside the entrance to the titular restaurant nearby. After a couple of playthroughs of The Stanley Parable, you can open the door opposite the boss's office. This leads to an elevator which goes nowhere and does nothing, except it shakes a bit to give the illusion of movement and you hear Ipanema-style music playing ("The Elevator Bossa Nova"). The music from Starship Titanic changes from majestic to tinny as you travel though the different class, suggesting the lower classes don't need good music. The Trophy Mode music in Super Smash Bros. Brawl is an "Ipanema"-style remix of the game's Recurring Riff. When the player enters any elevator in System Shock, the background music changes to a suspiciously "Ipanema"-like ditty. Which creates horrible Mood Whiplash when you've just barely managed to blast your way through creepy dark areas full of creepy enemies while listening to creepy audio logs... and then you're in the elevator, and hearing this. Or when you exit the elevator and find yourself facing a room full of zombie mutants that want to eat your brains. In TRON 2.0, ENCOM's break room has a smooth jazz variant of the original TRON theme playing in the background. Turok 3: Shadow of Oblivion has a Suspiciously Similar Song to "Ipanema" titled "The Girl from Galyanna." Undertale does this with a bossa nova variant of the game's theme, labeled "Hotel" on the soundtrack. It plays during Mettaton's cooking show and at the MTT resort. Not necessarily elevator music, but the softer and slower arrangement of "Crimson Wings" in Ys IV: The Dawn of Ys sounds rather Ipanema-like. In the Genesis game Zero Tolerance, every elevator on the space station has this music. 17dc91bb1f