《万物一脉络》
Xuan paper, white pigment, 138x36, 35x70, 35x 55, 2025
《万物一脉络》
Xuan paper, Chinese ink and natural pigments, 24x12 (x12), 2025
《秋水遊》
Xuan paper, Chinese ink, 138x36 (x7), 2025
No Title
Xuan paper, Chinese ink and mineral colors, 36x36, 2023
Shanshui, Xuan paper, Chinese ink, 136x72, 2023
True creativity must be free from external pressures, the desire for fame and wealth, which bring the heart into a state of turmoil and distract the mind as it is preoccupied with failure. If the goal of artistic production is mere material gain, creation will be driven by low-value desires, diminishing the value of the work itself. This attitude is typical of capitalist and anthropocentric society, which turns everything into a commodity. Only by overcoming the realm of materiality will we be able to achieve a state of tranquility of heart, in this way we will be able to put ourselves in tune with nature, and create following its rhythm.
Shuhua Tongyuan
Xuan paper, Chinese ink, 136x35, 2023
No Title, Handmade paper, Chinese ink, 32x60, 2024
A Lament for Palestine
Xuan paper, Chinese ink, 35x70, 2024
A Lament for Palestine
Xuan paper, Chinese ink,136x40, 2024
Shanshui, Xuan paper, Chinese ink, 136x72, 2023
No Title
Handmade paper, Chinese ink, 60x60, 75x70, 2024
The artistic dimension, the human dimension and the natural dimension as a whole system, are the focus of ecological aesthetics. Mountain and Water paintings are useful for alleviating the tensions and contradictions of contemporary people towards nature, society, and other people. Ecological aesthetics observes both the natural and spiritual realm.The appreciation of Mountain and Water paintings makes people forget their worries, cleanses their hearts, makes the viewers spiritually satisfied, and finally reaches the highest state of the unity of nature and man.
Harmony is the key concept in this vision of the world, not just the harmony between man and the natural environment, but also harmony in the theoretical thinking that leads to a philosophical syncretism. Different approaches can cooperate in order to create a complex system to answer the common questions about the cosmos, how to relate with it and to know our place in it, in order to reach a higher level of existence that crosses the barrier of the physical and material world.
With a holistic vision of the cosmos, the man has to learn how to relate with the natural environment, without exploiting it or annihilating the human nature, acting with righteousness (yi 义 of the Confucian thinking) in order to improve the environment, but at the same time we need to understand the possible repercussion of our actions and follow the natural order of things (wuwei 无为 of the Daoism thinking). This is possible just when the man treats nature as his own kind, with empathy, in harmony.
Like Zong Baihua 宗白华 (1897-1986) said: “the wisdom of the East is not to fly above nature and conquer it, but to dive deep into the core of nature and experience it, connect with it, and nurture it as universal love.”
Autumn Morning
Xuan paper, Chinese ink, mineral colors, 68x18, 2022Flying waters
Xuan paper, Chinese ink, mineral colors, 136x36, 2022Armenian Mountains
Xuan paper, Chinese ink, mineral colors, 18x68, 2022Armenian Mountains
Xuan paper, Chinese ink, mineral colors, 18x68, 2022Autumn Rain
Xuan paper, Chinese ink, 70x34, 2019Early Spring
Xuan paper, Chinese ink, mineral colors, 70x34, 2021Streams and Mountains
Xuan paper, Chinese ink, 70x34, 2021Lingnan wind
Xuan paper, Chinese ink, 90x38, 2019Spring Mountains
Xuan paper, Chinese ink, 67x33, 2021Now, fashioned and distilled by [the interaction of] yin and yang, the myriad phenomena were strewn and spread [through the universe]. Mysteriously evolving without speech, [Nature’s] divine work operates by itself. Grasses and trees spread forth their glory without depending upon cinnabar and azurite; clouds and snow whirl and float aloft, and are white with no need for ceruse. Mountains are green without needing malachite, and the phoenix is iridescent without the aid of the five colors. For this reason one may be said to have fulfilled one’s aim when the five colors are all present in the management of ink [alone]. If one’s mind dwells on the five colors, then the images of things will go wrong.
Zhang Yanyuan
Flying waters
Nepalese paper, Chinese ink, 72x26, 2020Flowing Waters
Xuan paper, Chinese ink, mineral colors, 35x24 (x5) , 2022Hometown
Xuan paper, Chinese ink, mineral colors, 70x34 , 2020In moments of relaxation, after having put my mind in order, emptied a glass of wine or strummed the lute, I unroll a painting and sit in front of it and without leaving the crowded houses of men I find myself wandering in solitude, in wild lands, with no trace of human beings. Mountain peaks rise above the clouds, gorges and forests extend into the distance. The wise and virtuous shine from antiquity, and all the interesting aspects of life come together in the mind. What else do I need? Being in this state I am happy and delighted, what more can I ask for?
Zong Bing