One night, when Szpilman is playing the piano, Halina brings him a newspaper article outlining that Jews are going to be placed in a ghetto in Warsaw. Their mother cries in her room about the fact that they only have 20 zlotys left to spend.

Before we know any specifics about the narrative, we see a compelling and fascinating juxtaposition, between the beauty of music and the vagaries of war. Wladyslaw Szpilman is barely halfway through recording a beautiful piece of classical music on the piano, when a bomb goes off outside and the recording studio is filled with debris and dust. He continues to play, determined to make beautiful music, even in the face of outright war and squalor. This image, of the determined musician playing through a bombing, sets the tone for the film, showing us that it is about beauty and music cutting through the difficulties and horror of fascism and violence.


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The horrors of the Nazis not only divide the Jews of Warsaw from the rest of the city, but also create divisions within the Szpilman family itself. Henryk becomes more and more radicalized by his experience as a Jew in the ghetto, and looks down on Szpilman's insistence on playing piano at a restaurant in the ghetto, filled with people he deems apathetic. The two brothers are driven apart by the difficulty of living in the ghetto, and the family itself can barely find anything pleasant to talk about over a meal, as conditions have gotten more and more bleak. ff782bc1db

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