Last updated: 4 November 2026
Crate Label is an iPhone application operated by Jeff Jeavons-Fellows, an Australian sole trader operating under the registered business name DAM VINYL.
Crate Label helps vinyl DJs, record collectors and record sellers identify records, organise collections, prepare track information and create printable record labels.
This Privacy Policy explains how information is handled when you use Crate Label, its connected services and its support service.
Privacy contact: cratelabelapp@gmail.com
Business location: Sydney, New South Wales, Australia.
Depending on which features you use, Crate Label processes the following information:
Record and collection information
Artist names, release titles, record labels, catalogue numbers, formats, tracklists, release identifiers, artwork and information you choose to import from Discogs.
Information you create
Saved labels, custom templates, crates, track selections, BPM and musical-key corrections, printing preferences and other edits.
Music searches and matching
Artist names, track titles and relevant search information needed to identify recordings or retrieve music information.
Device features
Information obtained through camera scanning, microphone BPM analysis and supported printing features.
Support communications
Your email address, support messages and any other information you choose to send us.
We use this information to provide the requested app features, maintain saved work, investigate problems and respond to support enquiries.
Camera
Crate Label requests camera access for barcode scanning and record identification.
Microphone
Crate Label requests microphone access when you use Mic BPM to analyse nearby music and estimate tempo.
You can use manual record searching, Tap BPM and Manual BPM without granting the corresponding camera or microphone permission.
Bluetooth
Crate Label may request Bluetooth permission to discover and communicate with compatible label printers.
Apple Music
Apple Music access is managed through Apple's MusicKit authorisation system.
You can manage device permissions through your iPhone settings.
Granting device access does not automatically constitute consent to optional product-improvement data sharing.
Camera and microphone information is processed for the relevant feature. The precise handling of raw images and audio, including any retention or external processing, must be confirmed against the released app before public launch.
Crate Label integrates with external services to provide record information, music searches, playback and BPM/key information.
When you use these features, relevant requests and technical information may be transmitted to the provider.
Crate Label uses Discogs to retrieve release metadata and, when authorised, information from your Discogs collection.
Your Discogs account remains separate from Crate Label. Disconnecting the app does not delete your Discogs account or online collection.
Crate Label uses Apple's MusicKit services for authorised music search and playback.
Apple may process search requests, playback activity and other information needed to provide Apple Music.
An eligible Apple Music subscription may be required for full-song playback. Crate Label does not provide Apple Music subscriptions.
Crate Label uses YouTube services to find and play available videos through an embedded YouTube player.
Loading the player or requesting videos may transmit information to Google, including requests, device and network information.
YouTube may display advertising and use cookies or similar technologies.
Crate Label does not provide a separate YouTube subscription or download YouTube audio through this integration.
By accessing YouTube features, you are also subject to YouTube's Terms of Service.
Crate Label uses GetSongBPM to retrieve available BPM and musical-key information.
Search requests may include artist names, track titles and related information needed to identify a recording.
BPM and key information may be incomplete or inaccurate. You can review and correct track information within Crate Label.
BPM and key data provided by GetSongBPM.
Print information is transferred to the compatible printer or printing service you select.
Supported printing methods include direct Phomemo M220 printing and Apple's AirPrint system for compatible printers.
Some external providers operate outside Australia and may process information internationally.
Their privacy policies explain their handling of information, including applicable international processing arrangements.
Crate Label's planned Help Improve Crate Label feature is intended to allow users to contribute selected track corrections to improve music matching.
If activated in a future version, this feature will be OFF by default and require explicit consent.
Participation will be voluntary and will not be a requirement for using Free or Pro features.
Optional contributions are separate from requests made to external music services to provide functionality you choose to use.
Crate Label may store imported records, saved labels, crates, templates, track corrections, printing information and temporary files on your iPhone.
Some app information may be included in iCloud or computer backups, depending on your device settings and the app's storage configuration.
Temporary information may be removed or regenerated when appropriate.
We aim to take reasonable measures to protect information against unauthorised access, loss and misuse. However, no electronic storage or transmission method can be guaranteed completely secure.
Information handled by independent third-party services is subject to their own privacy practices.
Information is retained according to its purpose, the applicable service requirements and any legal obligations.
You can manage supported record information and app data through the available Crate Label features.
Disconnecting Discogs and removing locally imported collection information are separate actions.
Deleting the app generally removes its local application data, but does not necessarily remove earlier device backups or information held by external providers.
If you wish to request access to, correction of, or deletion of personal information held by Crate Label, contact:
cratelabelapp@gmail.com
We may ask for information reasonably necessary to verify your request.
We aim to respond to privacy requests and complaints within 30 calendar days. If we need additional time, we will explain why.
Where applicable, you may also contact the Australian Office of the Australian Information Commissioner.
Crate Label may offer optional paid features through Crate Label Pro.
Purchases made through Apple's In-App Purchase system are billed and managed by Apple.
Crate Label may access transaction identifiers, purchase and expiry dates, and subscription entitlement information to determine access to paid features.
Crate Label does not require you to enter payment-card information directly into the app for Apple-billed subscriptions.
Deleting Crate Label does not automatically cancel an active subscription.
You can manage Apple-billed subscriptions through your Apple Account settings.
Crate Label is designed primarily for DJs, record collectors and record sellers. It is not specifically designed as a children's application.
If you are a parent or guardian concerned about information relating to a child, please contact us.
We may update this Privacy Policy to reflect changes to the app, connected services or applicable legal requirements.
Material changes will be communicated where appropriate, and additional consent will be requested where required.
The latest Privacy Policy will be available through Crate Label and its published website.
Contact
Crate Label — Privacy Enquiries
Operator: Jeff Jeavons-Fellows, trading as DAM VINYL
Email: cratelabelapp@gmail.com
Location: Sydney, New South Wales, Australia
© 2026 Crate Label.
Stuff, and that's how I approach it. So I think about it that way, that I don't—you just have to stay on the path. Stay on the path. And it's a constant path. It's like my set that I'm doing right now, I think is—I hate saying this because I say this a lot, but I think it's the best set I've ever done. And I think that's the goal. The goal is to have material, the material that you're proud of, that you think is— And it's not done. Like it's not ready to be filmed. I'm still working on it, and I'm tweaking it, and I'm adding to it. And I'll have shows where I'll do it one way, and I'm like, Oh, that way is not good. I gotta redo it. So I listen to recordings and go back over it, and then try to dissect it, and then maybe put it on the shelf for a couple months, and then try this new thing and try to figure out, like maybe there's, maybe that bit is just gonna be an orphan. I have a whole folder on my computer of orphans. Yeah. And they're bits that never made it onto specials, and they just, like who knows? Yeah, they killed, but it didn't fit. And so find a new spot. And it's just this constant process. So I put my head in that. I don't put my head in what other people think. I don't put my head into what other people want. I don't put my head into what other people expect. I just try to do my best, and that's it. I mean, dude. Yeah, because, like, I'm new to any kind of, like, people having anything to say about me or knowing I exist, you know? Like, it's relatively very new. And I decided early on with this book, it was like, I can't— if people say the book is really good, which a lot of people have, and I love the book, that can't be any more valuable than when people say, I hate the book. You suck as a writer. You can't allow the strangers to give you good stuff and take nutrition from that good stuff if you're going to say the people who don't like me are insane. Right. Like you can't value either one of them, because then you're trying to equivocate, and you're making bad art. Yes. And, like, the expectation of the viewer was not involved in the production of art for a long time until very recently. And it's unhealthy. It's not good. It's not good for the people who want good art either. No. And the people who write to you and say, like, you know, You're a sellout, or whatever, they think they're smarter than the people who don't write to you, you know? It's like the people who just watch the thing and say, This was funny, and then go back to their lives.