Anneke Smelik’s “Gay and Lesbian Criticism” (133-150) in Hill, John and Pamela Church Gibson (eds.). Film Studies. Critical Approaches. New York: Oxford University Press, 2000.

Bill Nichols’ “Feminism and Film” (395-431) in Nichols, Bill. Engaging Cinema. An introduction to Film Studies. W. W. Norton & Co., 2010.

Bill Nichols’s “Three Fundamental Styles: Realism, Modernism, and Postmodernism” (175-208) in Nichols, Bill. Engaging Cinema. An introduction to Film Studies. W. W. Norton & Co., 2010.

Corrigan, Timothy J. A Short Guide to Writing About Film. Pearson Longman, 2007.

Graff, Gerald. “Disliking Books at an Early Age,” Lingua Franca: The Review of Academic Life 2, no. 6 (September-October 1992): 45-51.

Manthia Diawara’s “Black Spectatorship: problems of Identification and Resistance” (767-775) in Braudy, Leo and Marshall Cohen (eds.). Film Theory and criticism. 7th edition. New York: Oxford University Press, 2009.

Mark Shenton and Hermione Hoby’s Can a Filmed stage show be as good as the real thing? In The Guardian, March 5th, 2011.

Matt Trueman’s Can you recreate the experience of immersive theater on film? in The Guardian, August 1st, 2012.

Robert Stam and Louise Spence’s “Colonialism, Racism and Representation: an Introduction” (751-765) in Braudy, Leo and Marshall Cohen (eds.). Film Theory and criticism. 7th edition. New York: Oxford University Press, 2009.

Robert Stam’s “The Cult of the Auteur” (83-88) in Stam, Robert. Film Theory. An introduction. Oxford: Blackwell Publishing, 2000.

Robert Stam’s “The Historical Avant-Gardes” (55-58) in Stam, Robert. Film Theory. An introduction. Oxford: Blackwell Publishing, 2000.

Robert Stam’s “The Politics of Reflexivity” (151-153) in Stam, Robert. Film Theory. An introduction. Oxford: Blackwell Publishing, 2000.

Toni Cade Bambara’s “Reading the Signs, Empowering the Eye: Daughters of the Dust and the Black Independent Movement” (871-886) in Corrigan, Timothy, Patricia White with Meta Mazaj (eds.). Critical Visions in Film Theory. Classic and Contemporary Readings. Boston and New York: Bedford/St Martin’s, 2011.